Dalhousie Theatre : Romeo and Juliet
- Subseries
- 1987
Part of Robert Doyle fonds
Dalhousie Theatre : Romeo and Juliet
Part of Robert Doyle fonds
Dalhousie Theatre : Dark of the Moon
Part of Robert Doyle fonds
Part of Robert Doyle fonds
Part of Robert Doyle fonds
Part of Robert Doyle fonds
Dalhousie Theatre : Bonjour, la, Bonjour
Part of Robert Doyle fonds
Dalhousie Theatre : Love's Labour's Lost
Part of Robert Doyle fonds
Dalhousie Theatre : The Taming of the Shrew
Part of Robert Doyle fonds
Part of Robert Doyle fonds
Dalhousie Theatre : Little Mary Sunshine
Part of Robert Doyle fonds
Dalhousie Theatre : Love for Love
Part of Robert Doyle fonds
Dalhousie Theatre : Shakespeare's Women
Part of Robert Doyle fonds
Dalhousie Theatre : Cloud Nine
Part of Robert Doyle fonds
Dalhousie Theatre : St. Carman of the Main
Part of Robert Doyle fonds
Dalhousie Theatre : The Possibilities
Part of Robert Doyle fonds
Dalhousie Theatre : The Tempest
Part of Robert Doyle fonds
Dalhousie Theatre : A Lie of the Mind
Part of Robert Doyle fonds
Dalhousie Theatre : The Trojan Women
Part of Robert Doyle fonds
Dalhousie Theatre : The Lucky Chance
Part of Robert Doyle fonds
Part of Robert Doyle fonds
Dalhousie Theatre : The Good Woman of Setzuan
Part of Robert Doyle fonds
Dalhousie Theatre : Mandragola
Part of Robert Doyle fonds
Part of Robert Doyle fonds
Dalhousie Theatre : Mary Stuart
Part of Robert Doyle fonds
Helen Stewart (Mackay) Maclellan's records
Delphine Caroline (Wallace) Maclellan's records
Robert (Bob) William Maclellan's records
Edward Kirkpatrick Maclellan's records
Margaret Jane (Mackenzie) Maclellan's records
William Edward Maclellan's records
Raw source files for Rock Meets Bone
Part of Rock Meets Bone fonds
Neptune Theatre : William Schenk and Arthur Who?
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo 1983
Part of Robert Doyle fonds
L.D. Dexter's collection of family records
Part of Lucius Dill Dexter fonds
Part of Lucius Dill Dexter fonds
Correspondence with organizations
Part of Kenneth Leslie fonds
Part of Upstream Music Association fonds
Subseries contains the conductor’s score, instrumental, and vocal parts used for the premiere performance of Nasca Lines by Barry Guy. Nasca Lines is a one-hour, seven-part work that was commissioned by the Upstream Ensemble and premiered in collaboration with the Symphony Nova Scotia on June 3, 2001 at the Scotia Festival with conductor and composer, Barry Guy.
The composition is named after and inspired by the geoglyphs in the Nazca Desert, Peru, which include outlines of animals and various geometric shapes. Graphical representations of a selection of these geoglyphs are used in the graphic notation of this score, particularly in parts 3 and 7.
Nasca Lines is an atonal work that uses a combination of composed material, based on tone rows and pitch class sets, and guided improvisation. There are twenty instrumental parts and one vocal part.
Audiovisual material from the production of "The Other Side of the Pole"
Part of imX Communications Inc. fonds
Part of Brian Hall fonds
Part of Upstream Music Association fonds
Part of Rock Meets Bone fonds
Records from the Africville relocation project
Nova Scotia Royal International Tattoo : n.d.
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo 2002
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo 2001
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo 1998
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo 1997
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo 1996
Part of Robert Doyle fonds
Nova Scotia Royal International Tattoo 1995
Part of Robert Doyle fonds