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Program notes pertaining to Chopin

File contains drafts of program notes and research by Anthony Pugh concerning music by Frederic Chopin. The file includes the booklet from a record of Chopin's Waltzes by Arthur Rubenstein, presumably used by Pugh in his research, and a partial program from a concert at the University of New Brunswick as part of the annual Walter Baker concert series.

Program notes pertaining to Fauré

File contains drafts of program notes by Anthony Pugh about compositions by Gabriel Fauré, including his Ballade for Piano and Orchestra, op. 19; Fantasie for piano and orchestra, op. 111; Elegie in C minor, op. 24; Requiuem; Barcarolles; and the Dolly Suite, op. 56.

Program notes pertaining to Franck

File contains drafts of program notes by Anthony Pugh about compositions by Cesar Franck. The file also includes a program for a concert by the Duo Pach (Joseph and Arlene Nimmons Pach), Paul Campbell, Jutta Puchhammer, Paul Pulford, and Heather Toews at the University of New Brunswick, presented by the UNB and Saint Thomas University Creative Arts committee. The program includes program notes by Anthony Pugh.

Program notes pertaining to Haydn

File contains drafts of program notes by Anthony Pugh pertaining to works by Franz Joseph Haydn and programs from concerts by the Brunswick String Quartet, presented by the Creative Arts society of the University of New Brunswick and Saint Thomas University.

Program notes pertaining to Mozart

File contains drafts of program notes by Anthony Pugh pertaining to string quartets by Wolfgang Amadeus Mozart, and programs from concerts by the Brunswick String Quartet at the University of New Brunswick.

Program notes pertaining to Mozart

File contains drafts of program notes by Anthony Pugh pertaining to works by Wolfgang Amadeus Mozart: Sonata in D, K. 576 and Clarinet Concerto in A, K. 622.

Program notes pertaining to Mozart

File contains drafts of program notes by Anthony Pugh pertaining to operas by Wolfgang Amadeus Mozart, "Le nozze di Figaro" and "Die Zauberflöte," and a program from a concert by the Brunswick String Quartet at the University of New Brunswick.

Program notes pertaining to Mozart

File contains drafts of program notes by Anthony Pugh pertaining to works by Wolfgang Amadeus Mozart and programs from concerts by the Brunswick String Quartet at the University of New Brunswick.

Program notes pertaining to Mozart

File contains drafts of program notes by Anthony Pugh pertaining to works by Wolfgang Amadeus Mozart and programs from concerts by the Brunswick String Quartet at the University of New Brunswick.

Program notes pertaining to Prokofiev

File contains drafts of program notes by Anthony Pugh pertaining to works by Sergei Prokofiev and two programs, one used in Pugh's research from an Orchestre de Paris concert, and the other from the 8th Annual Summer Festival of Chamber Music at the University of New Brunswick (1973).

Program notes pertaining to Wagner and Webern

File contains drafts of program notes by Anthony Pugh pertaining to works by Richard Wagner and Anton Webern. The file also includes three complete programs (with notes by Pugh) from Atlantic Symphony Orchestra concerts and a complete program from a Walter Baker Memorial Concert with the Canadian Chamber Ensemble.

Program notes pertaining to Wolf

File contains a program for a Brunswick String Quartet performance at the University of New Brunswick, featuring Hugo Wolf's "Italian Serenade." The program notes are by Anthony Pugh.

Program notes pertaining to works by Beethoven

File contains program notes and programs for concerts containing music by Ludwig van Beethoven, including piano trios, piano quartets, piano sonatas, violin sonatas, string quartets, and symphonies. The file includes programs for performances by the Brunswick String Quartet and Vladimir Levtov (piano), which were presented by the University of New Brunswick and Saint Thomas University Creative Arts Committee.

Program notes, essays, handouts, and correspondence pertaining to Berlioz

File contains program notes, a short essay, and a handout on Hector Berlioz's Symphonie Fantastique. The file also includes correspondence from David F. Bell regarding Pugh's submission to a Nineteenth-Century French Studies Colloquium at Duke University (Durham, North Carolina) and from Professor H.W.W. Warman of the University of Lancaster inviting Pugh to deliver a lecture on Berlioz's Symphonie Fantastique.

Programs and posters for concerts by Ellen Ballon

File contains a program for The Town Hall concert series in New York where Ellen Ballon performed February 13, 1943; a program from the Columbus Philharmonic Orchestra, conducted by Izler Solomon, with whom Ballon performed March 20, 1944; and a poster advertising Ellen Ballon, by her personal representative, Andrew Schulhof.

Programs from Hart House Theatre

File contains programs from recitals presented at the Hart House Theatre, including the Hart House String Quartet (Geza de Kresz, Harry Adaskin, Milton Blackstone, and Boris Hambourg); Bertram Forsyth (prose and poetry, assisted by Colin McPhee); Geza de Kresz (violin, with Norah Drewett on piano); and a Beethoven centenary commemoration presented by the Hart House String Quartet, Kilbourn String Quartet (Gustave Tinlot, Gerald Kunz, Samuel Belov, and Paul Kefer), and London String Quartet (James Levy, Thomas Petrie, H. Waldo Warner, and Warwick Evans).

Programs from Orpheus Hall

File contains the program and texts from the songs of "The Flower Queen" or "The Coronation of the Rose: A Cantata in Two Acts" by George F. Root, which was presented at Orpheus Hall on September 13 and 14, 1887. The performances featured Miss. B. Lownds, Mr. King Pooley, Mr. C.J. Ross, Mr. J.R. Forbes, Miss. Taylor, Miss. E. Pickford, Miss. H. Gossip, Miss. E. Wier, Miss. B. Salter, Miss. M. Partridge, Miss. Forbes, Miss. G. Taylor, Miss. Ward, Miss. G. Smithers, and Miss. A. Nichols.

Programs from St. James's Hall

File contains two programs from a series of "Popular Concerts" on Saturday afternoons, directed by S. Arthur Chappell. Each of the programs includes musical excerpts and analytical remarks. The concerts featured a variety of performers, all conducted by Mr. Benedict. Performers included M.M. Joachim, L. Ries, Straus, Piatti, Miss. Carola, Arabella Goddard, Annie Edmonds, Henry Blagrove, Zerbini, Paque, Edith Wynne, and Clara Schumann. The programs are from the ninth and twelfth seasons at St. James's Hall in London, England.

Programs from St. Matthew's Presbyterian Church

File contains two programs for organ recitals given at St. Matthew's Presbyterian Church, one by Charles M. Courboin of Antwerp, Belgium and the other by Joseph Bonnet of Paris, France. The file also includes a newspaper clipping of a review for Bonnet's organ recital with quotes from John Daniel Logan.

Programs from the Academy of Music

File contains programs for performances by the Russian pianist Mark Hambourg (October 2, 1911); American soprano Victorina Hayes; Canadian bass baritone Edmund Burke; American tenor Allen McQuhae; and the Pictou County Philharmonic Society, directed by George M. McDonald and assisted by Suzanne Kenyon (February 15, 1924).

Programs from the Arena in Montreal

File contains programs from concerts by Clara Butt and Kennerley Rumford, from their tour of Canada in 1914. File also contains a newspaper clipping with comments from Clara Butt on their Canadian tour and the state of music in Canada. The article mentions performances in Toronto, the Arena in Montreal, and in Vancouver.

Programs from the Auditorium

File contains two programs from concerts given at the Auditorium on Barrington Street in Halifax, Nova Scotia. The programs are for a "Weekly Twilight Recital" given by the New Edison Diamond Disc Phonograph (April 30, 1920); and Frances Pelton Jones (harpsichord) and Rose Seguin (soprano), presented by the Halifax Ladies' Musical Club (September 24, 1919) (3 copies).

Programs from the First Baptist Church

File contains the program from the First Baptist Church in Halifax, Nova Scotia for an organ recital by Joseph Bonnet (December 17, 1920) and three copies of an advertising pamphlet for the concert.

Programs from the Halifax Conservatory of Music

File contains programs for the following: a recital by Ernest Leslie Schofield, baritone with Harry Dean, piano (October 6, 1925); "The Nativity of Our Lord Jesus Christ according to the Gospel of St. Luke," conducted by Harry Dean and presented by the Alumni Society (December 18, 1924); a lecture-recital by George M. McDonald, baritone, and Harry Dean, piano (October 4, 1921); and a pianoforte recital by Reginald Stewart, assisted by Luther Dickens Mott, bass-baritone, and Harry Dean, piano.

Programs from the Halifax Ladies Musical Club

File contains two programs with performances by members of the Halifax Ladies Musical Club: "An Evening with Canadian Creative Composers" with a lecture by Dr. J.D. Logan (November 1, 1921) and a "Debate" between the old masters and modern composers (November 21, 1922). File also contains two programs presented by the Club, for performances by the Hart House String Quartet (Geza de Kresz, Harry Adaskin, Milton Blackstone and Boris Hambourg) (November 28, 1924) and the Hambourg Trio (Greza de Kresz, Reginald Stewart, and Boris Hambourg) (January 11, 1924).

Programs from the Majestic Theatre

File contains musical and theatrical programs for performances by Florence Glossop-Harris company; The Dumbells; Halifax Choral Union and Conservatory Orchestra, directed by Ifan Williams; Boston English Opera Company; Martin Harvey and N. de Silva; F. James Carroll Players; Boston Symphony Ensemble, directed by Augusto Vannini; Madame Germaine Schnitzer and George M. McDonald, accompanied by Marjorie Payne; and the Halifax Philharmonic Society.

Programs from the School for the Blind

File contains programs for the following recitals presented at the Halifax School for the Blind: Michel Sciapiro (violin), presented by the Halifax Ladies' Musical Club; Mildred Dilling (harp), with Rose E. Seguin (soprano) and orchestra (conducted by L. Dorothea Webb); and an organ and vocal recital with unknown performers.

Programs from the Symphony Hall

File contains three season programs and one season poster for concerts by the Boston Symphony Orchestra, conducted by Pierre Monteux. The file also includes John Daniel Logan's ticket stub from one of the performances and an annotated newspaper clipping of a review by Philip Hale on one of the Symphony's performances. One of the programs is for a concert given for the Handel and Haydn Society Centenary (1815-1915) at the Symphony Hall in Boston, Massachusetts; the program includes extensive historical notes on the Society.

Prospectus for the Hambourg Conservatory of Music

File contains a prospectus for the Hambourg Conservatory of Music, directed by Boris Hambourg with visiting director Mark Hambourg. The prospectus includes lesson costs per class for instruments, theory, history, and language. The file also includes John Daniel Logan's member's ticket for the 1912-1913 season of the Hambourg Concert Society (directed by Michael Hambourg, Jan Hambourg, and Boris Hambourg).

Publicity photographs of Stephen Pedersen

File contains three publicity photographs of Stephen Pedersen and one of the Halifax Wind Quintet; an Atlantic Camera Trio program for "Music in the French Baroque Style"; and biographical sketches of Stephen Pedersen and Monique Gusset.

Ragas

File contains published sheet music for various ragas, a recording program of Samuel Dolin's work, and a page of handwritten notes by Stephen Pedersen.

Research and program notes for composers A to C

File contains drafts of program notes pertaining to the following composers: Hugo Alfvén, Juan Crisostomo de Arriaga, Benjamin Britten, Bela Bartok, Aaron Copland, Ernest Chausson, Arcangelo Corelli, and Jean Coulthard. The file also includes a copy of a newspaper article on Carl Czerny and a copy of a magazine article on Charles-Valentin Alkan (both used in Pugh's research).

Research and program notes for composers B

File contains drafts of program notes and research notes pertaining to the following composers: Arthur Benjamin, Arnold Bax, Samuel Barber, Luciano Berio, Carl Philip Emmanuel Bach, Franz Berwald, Ernst Bloch, Max Bruch, Lennox Berkeley, Georges Bizet, Luigi Boccherini, Alexander Borodin, and Samuel Barber. The file includes the completed program (including Pugh's program notes) for a concert by the resident musicians of the University of New Brunswick (Arlene Nimmons Pach, piano; Joseph Pach, violin; Paul Campbell, violin; Paul Pulford, cello) on January 29, 1989 at Memorial Hall, UNB, presented by the Creative Arts Committee of the Universities of New Brunswick and Saint Thomas. The concert featured Bloch's "Three Nocturnes" for piano, cello, and violin.

Research and program notes for composers D to F

File contains drafts of program notes and research collected by Anthony Pugh (including programs) concerning music by the following composers: Ditters von Dittersdorf, Ernst von Dohnanyi, Franco Donatoni, Paul Dukas, Manuel de Falla, Benjamin Frankel, and Vincent d'Indy.

Research and program notes for composers G to L

File contains drafts of, and research for, program notes by Anthony Pugh pertaining to the following composers: Giovanni Gabrieli, Francesco Geminiani, George Gershwin, Alexander Glazounov, Christoph Willibald Gluck, Mikhail Glinka, Edvard Grieg, Johan Halvorsen, George Frideric Handel, Franz Joseph Haydn, Paul Hindemith, Josef Holbrooke, Arthur Honnegger, Johann Nepomuk Hummel, Gustav Holst, Charles Ives, Dmitry Kabalevsky, Aram Khachaturian, Zoltan Kodaly, Édouard Lalo, Witold Lutoslawski, and Fritz Kreisler. As part of his research, Pugh analyzed music scores, and the annotated scores for Zoltan Kodaly's Cello Sonata, Op. 8 and Charles Ives' "The Unanswered Question," are included in the file.

The file also includes two programs for which Pugh wrote program notes: a concert presented by University of New Brunswick and Saint Thomas University Creative Arts society, "I Musici de Montreal" with Yuli Turovsky, conductor and cellist; and a Creative Arts concert by the resident musicians of UNB (January 29, 1989). Two other programs from concerts by the Liverpool Philharmonic Society are included as they were part of his research. The file also includes a letter to Anthony Pugh from "Don" (dated August 25, 1957 from Keele, England), which includes information on Hindemith.

Research and program notes for composers M to L

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by the following composers: Frank Martin, Bohuslav Martinu, Nicolas Medtner, Gian Carlo Menotti, Darius Milhaud,Michael R. Miller, Klaro Mizerit, Pierre Mercure, Ernest John Moeran, Modest Mussorgsky, Nicolai Paganini, Ricardo Pick-Mangiagalli, Oskar Morawetz, Henry Purcell, Jules Massanet, Gaetano Pugnani, Michael Parker, and Francis Poulenc. The file also contains a program for the New Brunswick Summer Music Festival (August 21-24, 2002), for which Pugh wrote program notes, and programs used by Pugh in his research, including those from the Edinburgh International Festival of Music and Drama, the Liverpool Philharmonic Society, and the National Youth Orchestra of Canada. The file also contains two letters from Michael R. Miller to Anthony Pugh about a reading by Allan Cooper at the Fredericton Playhouse premiere performance of Quintet Equinox by Canadian composer Michael R. Miller.

Research and program notes for composers R

File contains drafts of program notes by Anthony Pugh pertaining to works by the following composers: Ottorino Respighi, Nikolai Rimsky-Korsakov, Gioachino Rossini, Albert Roussel, Franz Reizenstein, and Max Reger. The file also contains three programs that Pugh used in his research from the Théâtre des Champs-Élysées, the Edinburgh International Festival of Music and Drama, and the London Symphony Orchestra.
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