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Upstream Music Association fonds Nova Scotia
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Immortal coil and Fragments : [sound recordings by the Upstream Ensemble]

File contains the studio mastering tape for Paul Cram's composition "Immortal coil" and Don Palmer's composition "Fragments," completed at Solar Audio Recording studio in Halifax, Nova Scotia. The recordings are on Upstream's CD, "Open Water" (track 7, 8 min., 20 sec., and track 5, 5 min., 38 sec., respectively). Audio reel box includes a track sheet.

Open Waters masters : [sound recordings by the Upstream Ensemble]

File contains the master tape for Upstream Ensemble's "Open Waters" CD, including recordings of the following compositions: "Standing in the Light" by Steve Tittle; "Nocturne" by Steven Naylor; "Pulseight" by Tom Roach; "Winds of Lyra" by Sandy Moore; "Fragments" by Don Palmer; "Sunrise to a Mad Afternoon" by Jeff Reilly; "Immortal Coil" by Paul Cram; " and "On the Wind" by Bob Bauer.

Silent movies : [score]

File contains nine annotated copies of "Silent Movies," a composition by Paul Cram in two parts written at concert pitch. The reverse side of one of the copies includes a set list for "Talk Show," which was part of the 1997 Open Waters Festival.

Cram, Paul

Minutes of Undercurrent meetings

File also includes budgets, reports to the Board of Directors for Upstream, and a copy of the Certificate of Registration from the Province of Nova Scotia (under the Partnerships and Business Names Registration Act) for Undercurrent Recordings (dated August 6, 1992).

Application to the Nova Scotia Department of Economic Development

File contains correspondence from the Department of Economic Development concerning financial assistance for the Upstream Music Association under the Product Development Division (PDP) of the Business Futures Program. File also includes correspondence from Foreign Affairs and International Trade Canada, regarding a training program entitled "New Exporters to Border States" (NEBS).

Records from Upstream's concert at Sir James Dunn Theatre

File includes draft programs and posters, a promotional photograph of the ensemble, press releases, and a signed Atlantic Federation of Musicians Local No. 571 contract for the musicians (Jeff Reilly, Steve Tittle, Sandy Moore, Don Palmer, Steven Naylor, Tom Roach, Paul Cram, and Bob Bauer).

Japan-Canada concert and rehearsals

File includes photographs of the musicians and their instruments. The musicians were visiting artists, Akikazu Nakamura and Michiyo Yagi, and the Upstream Ensemble (Bob Bauer, Jeff Reilly, Paul Cram, Don Palmer, Steven Naylor, Sandy Moore, and Tom Roach).

Bird gong game : [score]

Item is two excerpted pages from Barry Guy's score for the "Bird Gong Game," the first page with performance instructions and the first of four sections of the score. The score uses both common music notation and graphic notation. It was written for the Scottish artist and musician, Alan Davie, and based on Davie's painting Bird Gong No. 12. The score is written at concert pitch.

Guy, Barry

Proposal and grant application for the Tittle Project

File contains records relating to a proposed CD, produced by Undercurrent Recordings, containing the following nine compositions by Steve Tittle: "Mediterranean Eyes," "Intellectual Dancing (Two)," "I remember Mambo," "Good Golly Miss Kali," "The Dragon Doesn't Live Here Anymore," "Where no one speaks English and Everything's Broken," "Available Light," and "Sing like you don't nee the Money." The proposed title of the CD was the same as the last piece. The CD was never made.

Tittle, Steve

Reports and proposals from the Artistic Directors

File includes the budget for the 1993-1994 concert series; a report on the Desert Island Jazz Orchestra Workshop with Paul Cram and Jean Derome (Atlantic Jazz Festival, July 22, 1993); the Artistic Directors' report on the 1992-1993 concert season; and an overview of the project "Building Bridges."
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