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North America Music
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The model serves its master / University of the Air

Item is lecture three of University of the Air's "Structures of Sound" series, recorded on September 8, 1979 for broadcast on CJCH-TV. The episode was presented by Dr. Walter Kemp, chairman of the Department of Music at Dalhousie University, and pianist and professor Lynn Stodola. Production staff included Linda Moore, production assistant; John Silver, technical producer; Cy True, director and producer; and Nancy Fraser, national coordinator.

Nasca lines

Subseries contains the conductor’s score, instrumental, and vocal parts used for the premiere performance of Nasca Lines by Barry Guy. Nasca Lines is a one-hour, seven-part work that was commissioned by the Upstream Ensemble and premiered in collaboration with the Symphony Nova Scotia on June 3, 2001 at the Scotia Festival with conductor and composer, Barry Guy.

The composition is named after and inspired by the geoglyphs in the Nazca Desert, Peru, which include outlines of animals and various geometric shapes. Graphical representations of a selection of these geoglyphs are used in the graphic notation of this score, particularly in parts 3 and 7.

Nasca Lines is an atonal work that uses a combination of composed material, based on tone rows and pitch class sets, and guided improvisation. There are twenty instrumental parts and one vocal part.

Anthony Pugh's research materials for program notes

Series contains research notes, drafts, and annotated copies of scores used and created by Anthony Pugh in the process of writing program notes for various classical music concerts in Fredericton, New Brunswick and Cambridge, England.

Scores catalogued by the Canadian Music Centre (CMC)

Subseries contains 34 scores catalogued by the Canadian Music Centre ca. 2016. The scores in this subseries are listed in the order of the RSN (record series number) established by the CMC and descriptions contain corresponding call numbers. They were re-foldered along with the CNC envelopes in which they were maintained.

Selections from Syracuse Liederkranz, 108th anniversary concert

File is a vinyl audio disc with recordings of the Syracuse Liederkranz 108th anniversary concert on May 16th, 1963.

"Featuring the Liederkranz Mens's and Women's Choruses in music from the lyric stage of Germany. Paul H. Dieke, director; Carol Ann Crumrine and David S. Bowman, accompanists. Guest artists courtesy of the Canadian Opera Co., Sheila Piercey, soprano; Thomas Clerke, tenor; Alexander Gray, baritone; member soloists: Lorraine Bluhm, soprano; Lorraine Caruso, soprano; Conrad Hess, tenor."--sleeve.

The prodigal son and the widow

File consists of three audio recordings containing recorded CBC radio broadcastings of the opera "The Prodigal Son" at the Guelph Spring Festival in 1968 and the opera "The Widow" at the CBC Toronto Summer Festival in 1967, and backstage interviews at the Toronto Canadian Opera Festival. Originally labelled "the widow" and handwritten notes on the label inserted in the case read:
Joan Maxwell(mezzo-soprano), Sheila Piercey(soprano), Maurice Brown(baritone), John Arab(tenor)

(Track) 1. The prodigal son / by Benjamin Britten / music directed by Nicholas Goldschmidt - Peter Ginkel, Maurice Brown, Garnet Brown, John Arab
(Track ) 2. The widow / by Calixa Lavallée - John Arab and Sheila Piercey duet, 1967 CBC festival - Barbini

The Prodigal Son : track 1

Item is an audio recording of CBC radio recording for "The Prodigal Son" at the Guelph Spring Festival in 1968. The Prodigal Son is a music drama by Benjamin Britten / music directed by Nicholas Goldschmidt.

Othello backstage interviews : track 3

Item is an audio recording of recorded CBC radio backstage interviews with opera singers and the stage makeup artist for the opera "Othello" at the Toronto Canadian Opera Festival at the Royal Alexandra Theatre. The interviews include John Arab, who played the role of Roderigo. The original track was untitled and undated.

Sound recordings

Series contains audio recordings of musical performances featuring Stephen Pedersen's compositions and/or his performances on flute and piccolo. Series includes recordings of Pedersen's solo performances and performances by musical ensembles including Scotia Wind and the Halifax Woodwind Quintet. Most recordings are on audio reels; series includes two audio cassettes of a radio play featuring Pedersen's music. Recordings include several made for radio or television broadcast.

The age of reason makes its models / University of the Air

Item is lecture one of University of the Air's "Structures of Sound" series, recorded on September 8, 1979 for broadcast on CJCH-TV. The episode was presented by Dr. Walter Kemp, chairman of the Department of Music at Dalhousie University, and pianist and professor Lynn Stodola. Production staff included Linda Moore, production assistant; John Silver, technical producer; Cy True, director and producer; and Nancy Fraser, national coordinator.

The masters' model / University of the Air

Item is lecture two of University of the Air's "Structures of Sound" series, recorded on September 8, 1979 for broadcast on CJCH-TV. The episode was presented by Dr. Walter Kemp, chairman of the Department of Music at Dalhousie University, and pianist and professor Lynn Stodola. Production staff included Linda Moore, production assistant; John Silver, technical producer; Cy True, director and producer; and Nancy Fraser, national coordinator.

Form and feeling / University of the Air

Item is lecture five of University of the Air's "Structures of Sound" series, recorded on September 8, 1979 for broadcast on CJCH-TV. The episode was presented by Dr. Walter Kemp, chairman of the Department of Music at Dalhousie University, and pianist and professor Lynn Stodola. Production staff included Linda Moore, production assistant; John Silver, technical producer; Cy True, director and producer; and Nancy Fraser, national coordinator.

Posters

Series contains posters for concerts by the Halifax Camerata Singers, including those performed with various guest artists and ensembles, including several collaborations with Symphony Nova Scotia. Most of the concerts took place in Halifax, Nova Scotia, with some elsewhere in Nova Scotia, and in Prince Edward Island and Alberta.

Sound recordings

Series contains sound recordings of Sheila Piercey's opera performances, dress rehearsals, auditions, practice sessions, radio broadcast, as well as concert and recital performances with the Canadian Opera Company (COC). Most recordings are on audio reels and cassette tapes.

The widow : track 2

Item is an audio recording of CBC radio broadcasts at the CBC Toronto Summer Festival. The first part of the recording is the "Movement for Orchestra" and an interview with Harry Somers(composer). The second part of the recording (13:00) is the opera "The Widow" by Calixa Lavallée.

Textual records

Series contains records accumulated and created by Sheila Piercey when she was a student at Dalhousie University and while teaching voice in the Dalhousie Department of Music. Materials include teaching records and various programs from the Dalhousie Glee and Dramatic Society, Dalhousie Tigers, graduation recitals, noon-hour recitals, festivals, opera workshops, and other performances produced by the Dalhousie Department of Music.

Photographs

Series consists of photographs related to the Nova Scotia Mass Choir from 1925 to 2021.

Lines in motion / University of the Air

Item is lecture four of University of the Air's "Structures of Sound" series, recorded on September 8, 1979 for broadcast on CJCH-TV. The episode was presented by Dr. Walter Kemp, chairman of the Department of Music at Dalhousie University, and pianist and professor Lynn Stodola. Production staff included Linda Moore, production assistant; John Silver, technical producer; Cy True, director and producer; and Nancy Fraser, national coordinator.

Administrative records of the Halifax Camerata Singers

Series contains records pertaining to the management of the Halifax Camerata Singers, including financial records, correspondence, minutes from meetings of the Board of Directors, and records relating to the plans for each concert season. The records are organized by concert season, starting with the inception of the Camerata Singers in 1986-1987.
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