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Dalhousie University Archives Canada
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Joan Orenstein's records

Series consists of Joan Orenstein's materials regarding her professional activities, including photographs, programs, flyers, postcards, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting in "Stone Angel," "La Sagouine," "William Schwenck and Arthur Who" or "Shades of G&S," "Wood Demon" and other productions.

Orenstein, Joan, 1923-2009

Canadian Council on International Law

Subseries consists of Ronald St. John Macdonald's records regarding his involvement with the Canadian Council on International Law. Subseries contains conference lists, conference proceedings, bulletins, correspondence, meeting minutes, administrative records, and other materials.

Ronald St. John Macdonald’s Dalhousie University records

Subseries consists of Ronald St. John Macdonald's records regarding his involvement with Dalhousie University as a professor and dean of Dalhousie University Law School. Subseries include records related to Dalhousie Faculty Association's strike in 1988, records related to Dalhousie University Law School centenary, records related to Dalhousie University Law School fire, records related to Ronald St. John Macdonald's lectures, meeting minutes, reports, correspondence, pamphlets, offprints, periodicals, and other materials.

Safe Harbour Metropolitan Community Church

Series contains materials related to the operations of Safe Harbour Metropolitan Community Church, a Halifax-based church for LGBTQ+ Christians that operated from 1991-2011. Materials in series include meeting minutes, correspondence, workshop materials, church programs, speaking notes, clippings, and promotional materials.

Safe Harbour Metropolitan Community Church

Red Deer College : The Bundle

Sub-series comprises seven watercolour costume sketches, rendered on light-weight paper, for Red Deer College's production of Edward Bond's The Bundle, or New Narrow Road To The Deep North. Some of the watercolours have measurement sheets attached.

Dalhousie Theatre : Love for Love

File contains fifteen watercolour sketches of costume designs for Dalhousie Theatre's 1989 production of Love for Love. Each sketch shows one character wearing their costume. The sketches are all cut out and mounted on dark orange matboards. Most of the sketches have a clear plastic sheet taped over them for protection.

Dalhousie Theatre : Mandragola

File contains nine costume designs for Dalhousie Theatre's production of Mandragola. The sketches show many mask designs for characters from the production as well as some full-body costume designs.

Dalhousie Theatre : Moliere

File contains sixteen watercolour and gouache sketches of costume designs for Dalhousie Theatre's production of Moliere. A collection of handwritten notes about the costumes is also included.

Calendars and programs

The series consists of calendars and programs for various Dalhousie Art Gallery events from 1965 to 2008, with one or two copies of each issue. Information includes schedules of exhibitions, films, lectures, presentations, concerts, lunch-hour events, special events, gallery hours and contact information.

Henry Orenstein's records

Series consists of Henry Orenstein's materials regarding his professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds contains several of Henry Orenstein's art pieces and sketches, including related to the "Sudbury Industrial Landscape" project. In the 1950s, Henry Orenstein was commissioned by the Mine, Mill and Smelter Workers of Sudbury to paint a mural for the local union hall, which was the centre of a broad-ranging cultural role of Mine Mill Local 598 in the Sudbury area. At that time, Mine Mill was in the midst of a series of raids by the United Steelworkers.

Leslie E. Haley's records regarding the Gambia project

Series consists of Leslie E. Haley's materials regarding his involvement in the Gambia project, Dalhousie University's Gambia College Development Program. Series includes a financial statement, legal release forms, event programmes, correspondence, and other textual records.

Textual records

Series contains records accumulated and created by Sheila Piercey when she was a student at Dalhousie University and while teaching voice in the Dalhousie Department of Music. Materials include teaching records and various programs from the Dalhousie Glee and Dramatic Society, Dalhousie Tigers, graduation recitals, noon-hour recitals, festivals, opera workshops, and other performances produced by the Dalhousie Department of Music.

Event programs, flyers, and promotional materials

Series contains duplicate programs, flyers, and other promotional materials from fonds in the Nova Scotia LGBT Seniors Archive. Materials in series include flyers and event cards for the Halifax Fetish Ball, flyers for a speaking engagement and meet and greet with South African political activist Simon Nkoli, flyers and programs for the Awake The World HIV/AIDS awareness event, and programs and program inserts from Mr. Atlantic Canada [M.A.C.] Leather contests.

Ronald St. John Macdonald’s professional records

Series comprises Ronald St. John Macdonald's records regarding his professional activities, including his involvement with different organizations, such as the Council of Europe, the European Court of Human Rights, the Hague, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Series contains meeting agendas, meeting minutes, newsletters, reports, and other records.

Dalhousie Theatre : Cloud Nine

File contains 14 costume designs for Dalhousie Theatre's 1989 production of Cloud Nine. The designs are pencil sketches on heavyweight paper. The sketches have been torn from a spiral bound sketchbook and some of the torn edges have not been cut off. The file also contains nine black and white photocopies of some of the sketches.

Dalhousie Theatre : Mary Stuart

File contains three pencil sketches of costume designs for Dalhousie Theatre's production of Mary Stuart. The sketches have been torn from a spiral bound notebook.

Dalhousie Theatre : The Possibilities

File contains eleven oil pastel sketches of costume and set designs for Dalhousie Theatre's 1991 production of The Possibilities. Each sketch is for a specific scene in the play and shows several figures wearing costumes.

Dalhousie Theatre : The Rivals

File contains fifteen watercolour sketches of costume designs for Dalhousie Theatre's 1982 production of The Rivals. All sketches are mounted with a plastic cover in a dark red mat.

Dalhousie Theatre : Rose

File contains two costume designs for Dalhousie Theatre's 1984 production of Rose. The designs are drawn in pencil on grey card.

Dalhousie Theatre : The Sea

File contains photocopies of eleven costume designs from Dalhousie Theatre's 1983 production of The Sea. One of the costume designs has fabric swatches attached to it.

Dalhousie Theatre : Spring Awakening

File contains four drawings and six photocopies of costume designs for Dalhousie Theatre's 1977 production of Spring Awakening. Several of the items have fabric swatches attached.

Dalhousie Theatre : The Tempest

File contains 20 pastel and pencil sketches of costume designs for Dalhousie Theatre's 1991 production of The Tempest. Each sketch shows a costume design for one character. The sketches are drawn on dark blue heavyweight paper.

Records of the Canadian Association for Adult Education

Series consists of Janet M. Eaton's materials regarding her professional involvement with the Canadian Association for Adult Education. Series includes correspondence, reports, clippings, conference programmes, meeting minutes, and other textual records.
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