File contains an undated No. 7191 "Monterery" drawing spiral sketch book, containing pencil drawings by Kenneth Leslie, with artwork created presumably in the late 1930s or early 1940s. The sketchbook is largely blank, however, there are pencil drawings on the first three pages. The first is a 45° side-on portrait of "R. Currie" signed by Leslie. The second is an untitled study of a woman's face as she leans forward. The third is also untitled, the beginnings of a rural scene with a cabin at the end of a roadway.
File contains a handwritten manuscript of a song entitled "My love she walks not with me", with words and music by Kenneth Leslie, undated (but written presumably in the mid-1930s, after the collapse of his first marriage). The song is written in F-major, contains 24 bars of music in treble, and begins with the lines "The fragrance of the hawthorn and the rose after rain / Makes my misery completer". Music and words are written on only one page.
Series comprises correspondence regarding Macdonald's professional and academic involvement with institutions including Osgoode Hall, University of Western Ontario, University of Toronto, Dalhousie University, the European Court of Human Rights, the Hague, Peking University, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Series also contains correspondence between Ronald St. John Macdonald and individuals including Joseph Philippe Pierre Yves Elliott Trudeau, Paul E. Martin, Jean Chrétien, Elisabeth Mann Borgese, Wang Tieya, A. Donat Pharand, and others.
File contains a typed letter unsigned by Kenneth Leslie, written on March 19, 1931 to be sent to Mary Davis of Summit, New Jersey. File addresses outlining an evening of Gaelic dance and music, organized by Kenneth and his first wife, Elizabeth Moir, mentioning the potential of his three young daughters assisting in the dancing. The goal of the program is to display the "instrumental music, song, and dance, expressive of the classic culture of Gaeldom. File also contains a facsimile of Leslie's letter.
File contains a bound notebook used by Kenneth Leslie for the purposes of writing musical notations and scores, presumably from the 1930s. The notebook is largely blank, with only four pages used by Leslie. The first page contains an untitled melody fragment four bars long in the F-major key, written in pencil, with notations in both bass and treble. The second page contains a fragment of a song entitled "Sheep and Lambs", with music by Kenneth Leslie and words by Katharine Tynan (misspelled "Katherine"), with treble notations, in 3/4 metre and the F-major key. The third entry is a song entitled "So It Rises So It Soars", with words and music by Leslie, written in G-major key, the first two lines being "Builder of my growing soul / Found in deeply as you must". The fourth and final entry is an eight-bar fragment, in G-major, following a leaf that was torn out.
File contains a typed manuscript of an essay entitled "The continuity between instinct and intelligence", written by Kenneth Leslie while he was a student at Harvard University, likely in 1915. File also contains handwritten notes and remarks from Leslie's professor, "E.B.H.", presumably Edwin Bissett Holt, lecturer in Psychology.
File contains an undated typed manuscript entitled "The social aspect of the idea of truth and reality", presumably written in 1915, by Kenneth Leslie, when he was a student at Harvard University. File addresses Leslie's notions of perception, conception, and interpretation.
Fonds consists of correspondence, newspaper clippings, manuscripts, sermons, miscellaneous papers, poetry volumes and copies of The Protestant, a journal edited by Kenneth Leslie.
Series contains published and manuscript copies of Kenneth Leslie's writing, as well as artwork, music and research notes created and compiled by Leslie.
Series comprises Ronald St. John Macdonald's records regarding his academic activities, including his involvement as a faculty member of York University Osgoode Hall, University of Toronto, Dalhousie University, and other institutions. Series also includes records and research materials regarding the development of Macdonald's publications, unpublished papers, and other materials.
Subseries consists of Ronald St. John Macdonald's research and publication records, including subject files, book reviews, meeting minutes, clippings, reports, offprints, interview transcripts, periodicals and newsletters.
Fonds comprises Ronald St. John Macdonald's records regarding his personal, academic, and professional activities as a jurist, judge, and professor. Records include those related to Macdonald's involvement with Osgoode Hall, University of Western Ontario, University of Toronto, Dalhousie University, the European Court of Human Rights, the Hague, Peking University, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Records types include correspondence; meeting minutes and agendas; research materials; photographs; newsletters; newspaper clippings; manuscripts; and off-prints.
Fonds consists of Patricia Monk's records regarding the research and writing process of her book The Gilded Beaver: An Introduction to the Life and Work of James De Mille (Toronto: ECW Press, 1991). Fonds includes photographs, correspondence, research notes, transcripts, and other textual records.
Series contains copies of the The Protestant Digest, materials related to the Textbook Commission, as well as office ledgers, advertisements, and Protestant stationery.
