File contains drum parts for the Paul Cram Orchestra's second Canadian tour in September 2001 in support of the band’s debut CD on the Victo Label: “Campin Out.” The group played Halifax, Ottawa (National Library of Canada), Guelph (Guelph Jazz Festival), Vancouver (Western Front), and Montreal (Sala Rossa). Works included are: "Taiwanese Bootleg"; "Life of Crime"; "Tip of the Iceberg"; "High Ground"; "Have a Heart"; "Walking the Wall"; Eye of the Storm"; "Kafka's Chair"; "Immortal Coil", "Zebra Zone"; "Urban Desperado"; "Thunder"; and "Campin' Out." File also includes a note to Dave from Paul.
File contains drum parts for Paul Cram compositions for the Paul Cram Orchestra, including "High Ground"; "Walkin' the Wall"; "Zebra Zone"; "Have a Heart"; "Campin Out"; "Life of Crime"; "Trouble in Paradise"; "Immortal Coil"; and "Urban Desperado." There is also a page of handwritten notes for "Kafka's Chair" and loose sheets of manuscript scores for "Side Order from B-flat Restaurant" and "March of the Philistines" for concert-pitch instruments.
File contains the score and text translation from Spanish to English. The Spanish translation was completed by Andreas Guibert, with consultation by Marcelo Arroyo. Evelyne Benais, Maral Perk, and Tony Tucker helped with the Flamenco rhythms, and Mary E. Moore did the cover artwork. The composition is based on the Mexican folkloric tale of La Llorana, The Weeping Woman.
File contains parts for "Eye of the Storm," composed by Paul Cram for the Paul Cram Orchestra,and include: alto saxophone (reed 1), tenor saxophone (reed 2), clarinet (reed 2), bass clarinet (reed 3), trombone, cello, trumpet, piano, guitar, bass, and drums.
File contains a copy of the B-flat and C instrumental parts for an anonymous composition entitled "Fantasy Island," handwritten in common music notation with a 4/4 time signature.
File contains nine annotated copies of Jeff Reilly's composition, "Flight 752" in piano score format. The composition includes horns, cello, bassoon, drums, tenor saxophone, bass clarinet, and piano, and is notated in common music notation.
File contains four annotated copies of Jeff Reilly's composition, "Flight 753" in piano score format. The composition is a shortened version of "Flight 752."
File contains a score for flute, violin, trumpet, tenor sax, bass clarinet, guitar, bass; drums and grand piano; two different trumpet parts; and bass clarinet, alto sax part and flute parts. There is also a facsimile handwritten concert part with lyrics.
File contains two original handwritten scores for Paul Cram's "Free Fear," which is written in form of graphic notation. Page 4 is missing from the ink version and the final page of the pencil copy is a photocopy.
File contains pages 1-36 and 57-108 of a score for clarinet solo, grand piano, and solo cello; and parts for clarinet solo, grand piano, and solo cello.
File contains annotated parts for Reilly's composition "Ghost Tracks," for concert, E-flat, and B-flat instruments. According to one of the annotations, the composition was performed as an octet at the Pier 21 Museum in Halifax, Nova Scotia.
File contains two annotated copies of the score for Jeff Reilly's "Ghost Tracks," one in concert pitch and one in B-flat. The concert pitch score was used by Susan (Sue) Sayles, a violist with the Upstream Ensemble. The score is in three large sections, each of which have various musical phrases notated in common music notation. The pitch material for the composition is derived from seven notes: F-sharp, G, G-sharp, B, C-sharp, D, and E (at concert pitch).
File contains the sheet music for Edith J. Archibald's "God Bless Our Canada" and a manuscript version of the English lyrics for the anthem by Archibald. The song is written in F Major for four-voice chorus (soprano, alto, tenor, and bass) and piano with lyrics in English and French.
File contains scores, textual notes and a letter addressed to "Daedalus" acknowledging his entry—"Gonfalons for Two Flutes"—in the Centennial Competition for Canadian Student Composers.
File includes the second, third, fourth, fifth and tenth albums, dedicated to Julieta d'Almeida Strutt, Arnaldo Estrella, Magdalena Tagliaferro, Tomas Teran, and Ellen Ballon. The albums are copies of handwritten scores completed in New York and Rio between 1948 and 1949.
File includes a set list for Guerrilla Vacation, which was a 2007 concert by the Guerrillas (Paul Cram on clarinet and tenor; Dawn Hatfield on baritone sax; Rick Waychesko on trumpet; Lee Park on electric violin; Toni Pigot on vocals; Dave Burton on drums; Lukas Pearse on bass and electronica; and Jeff Torbert on guitar and electronica. The file includes guitar and concert parts for "Jungle Trek"; "Factory Overload"; "Black Dog"; "Vanishing"; "Free Fear"; "Underwater Highway"; "Out and About"; "Ruminations"; "Home Free"; "Ohmygod!"; "Side Order from Bb Restaurant"; "Bb Restaurant Redux"; "Round One"; "Telescope"; "Silent Movies"; and "Ambulatory."
File contains guitar parts for the Paul Cram Orchestra's second Canadian tour in September 2001 in support of the band’s debut CD on the Victo Label: “Campin Out.” The group played Halifax, Ottawa (National Library of Canada), Guelph (Guelph Jazz Festival), Vancouver (Western Front), and Montreal (Sala Rossa). Works included are: "Trouble in Paradise"; "Kafka's Chair"; "Eye of the Storm"; "High Ground"; "Have a Heart"; "Tip of the Iceberg"; various works from "B flat Restaurant"; "March of the Philistines"; various works from "Thunder"; "Urban Desperado"; "Campin' Out"; "Life of Crime"; "Taiwanese Bootleg"; "Zebra Zone"; and "Immortal Coil." File also contains a tour itinerary and a handwritten note to Jeff from Paul Cram.
File contains an annotated one-page score for "Halifax—i," written for clarinet, bass clarinet, soprano sax, baritone sax, trumpet in Bb, drums, guitar, piano, violin and bass, and a transposed score for "Halifax—iii." There are also Bb parts for "Halifax—ii", "Halifax iv," and "Halifax v,"; and a drum part for "Halifax—ii."
File contains annotated parts for "Have a Heart," written by Paul Cram for the Paul Cram Orchestra. Parts include piano; alto saxophone; trombone; bass; trumpet; clarinet; guitar; cello; and drums.
File contains annotated parts for "Have a Heart," composed by Paul Cram for the Paul Cram Orchestra and performed on their May 2000 concert tour in Halifax, Toronto, Victoriaville, Quebec, and Ottawa. The composition was created in 1987 and revised in 1998. Parts include guitar, piano, trombone, bass, clarinet, drums, cello, reed 1 (alto sax); and reed 2 (tenor sax). File also contains a press release with tour details.
File contains parts for "Have a Heart," written by Paul Cram for the Paul Cram Orchestra. Parts include piano; alto saxophone; trombone; bass; trumpet; clarinet; guitar; cello; and drums.
File contains an original handwritten four line part — with a CAPAC copyright — annotated with: "Changes not written in blood, feel free to change / also blowing can be out also. Octave displacement may be necessary in melody." The second part is for Bb instruments and copyright 2005.
File contains published music scores used in Heritage Trust of Nova Scotia concerts, which were performed in historic settings. Scores include Sweet Polka Kiss; H.M.S. Pinafore; Polonaise from "Maignon"; Minute Waltz; We Sail the Ocean Blue; and El Capitan. There is also a handwritten score for Dickens in North America, with music by Stephen Pedersen and lyrics by Mark DeWolf. It was first performed in the Red Room, Province House, on August 24, 1979.
File contains five parts for Paul Cram's "High Ground," including drums; bass clarinet; soprano sax; tenor sax; guitar; and piano. Each part is composed of the same concert part, followed by a page of musical notation, followed by a page of graphic notation containing all the parts.
File includes the score and parts for Paul Cram's "High Ground," composed for the Paul Cram Orchestra and performed on their May 2000 concert tour in Halifax, Toronto, Victoriaville, Quebec, and Ottawa. Movements 1, 2 and 4 are written in traditional musical notation; movement 4 — "Open Tutti (subito)" — is a page of conductor's notes. Parts include: reed 1; reed 2; reed 3; trumpet; trombone; cello; guitar; keyboards; bass; and drums.
File contains G. Schimer's Secular Choruses for Mixed Voiced's "In the Luxembourg Gardens." Words and music by Kathleen Lockhart Manning, and arranged by Wallingford Riegger.
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