Archives Catalogue

File contains three annotated copies of the score for Sandy Moore's composition "Clustrix" for piano, electric guitar, harp, bass clarinet, horns, and cymbal.

Moore, Sandy

Comment cards and ticket reservations from an Upstream Ensemble concert

MS-5-16, Box 7, Folder 3
File
[199-?]

Part of Upstream Music Association fonds

File contains records from an Upstream performance that included compositions by Bob Bauer, Jeff Reilly, Steven Naylor, Steve Tittle, and Sandy Moore. The date of the concert is not identified.

Convoy HFX : [score]

MS-5-16, Oversize Folder 1
File
2001

Part of Upstream Music Association fonds

File contains two copies of Paul Cram's composition in 12 sections, which combines common music notation and graphic notation. The composition's commission was funded by a SOCAN grant. The piece is for 10-20 performers on flute, oboe, clarinet, bassoon, saxophone, trumpet, percussion, guitar, accordion, tape, violin, viola, violoncello, and double bass.

Cram, Paul

Correspondence and income statement for the Open Waters Festival

MS-5-16, Box 5, Folder 11
File
1999

Part of Upstream Music Association fonds

Correspondence and notes regarding the organization of an Upstream Ensemble tour

MS-5-16, Box 7, Folder 28
File
1991-1992

Part of Upstream Music Association fonds

File includes correspondence with Sound Symposium, St. John's, Newfoundland; Antigonish Performing Arts Series; and the School of Music at Memorial University of Newfoundland.

Correspondence and project proposals from the Artistic Directors

MS-5-16, Box 2, Folder 9
File
1993-1994

Part of Upstream Music Association fonds

Correspondence and promotional materials regarding sponsorship and fundraising for Upstream Music Association

MS-5-16, Box 6, Folder 16
File
1990-1992

Part of Upstream Music Association fonds

File contains a sample of completed subscription forms, correspondence with the Canadian Broadcasting Corporation, brochure templates for the association, and a list of businesses as potential fundraising targets.

Correspondence and unaudited financial statements from Peter G. Budreski, Chartered Accountant

MS-5-16, Box 3, Folder 16
File
1998, 2001

Part of Upstream Music Association fonds

Correspondence from Canada Customs and Revenue Agency to Lyle Tilley Davidson, Chartered Accountants

MS-5-16, Box 4, Folder 7
File
August 25, 2003

Part of Upstream Music Association fonds

Correspondence from European Conference of Promoters of New Music

MS-5-16, Box 6, Folder 19
File
1993, August 17

Part of Upstream Music Association fonds

Correspondence from Harry Sparnaay of Double-Action

MS-5-16, Box 6, Folder 35
File
2000, February 10

Part of Upstream Music Association fonds

Correspondence from Henk Heuvelmans of the Gaudeamus Foundation

MS-5-16, Box 9, Folder 46
File
1992, November 19

Part of Upstream Music Association fonds

File contains a letter concerning Upstream's CD and audio cassette.

Correspondence regarding an Upstream Music Association workshop

MS-5-16, Box 9, Folder 6
File
1996-1997

Part of Upstream Music Association fonds

File includes correspondence with the Nova Scotia Department of Education and Culture and Bedford Junior High School.

Correspondence regarding application to Canada Council for the Arts Outreach Program

MS-5-16, Box 6, Folder 10
File
2003, July 24

Part of Upstream Music Association fonds

Correspondence regarding charitable status application

MS-5-16, Box 2, Folder 1
File
1990

Part of Upstream Music Association fonds

Correspondence regarding final report for Nova Scotia Arts Council Professional Development Program

MS-5-16, Box 6, Folder 5
File
2000

Part of Upstream Music Association fonds

Correspondence regarding funding from SOCAN and Canadian Heritage

MS-5-16, Box 6, Folder 12
File
2004

Part of Upstream Music Association fonds

Correspondence regarding funding from SOCAN and Nova Scotia Department of Tourism and Culture

MS-5-16, Box 6, Folder 11
File
2003, June 25

Part of Upstream Music Association fonds

Correspondence regarding funding from the Nova Scotia Department of Education

MS-5-16, Box 4, Folder 26
File
1995

Part of Upstream Music Association fonds

Correspondence regarding improvisational composition workshop

MS-5-16, Box 9, Folder 3
File
[1994]

Part of Upstream Music Association fonds

File includes a letter from Dawn Hatfield, which likely concerns the improvisational composition ensemble workshops led by the Upstream Ensemble at the Department of Music, Dalhousie University.

Correspondence regarding Memorandum of Association

MS-5-16, Box 1, Folder 15
File
1992, 1994

Part of Upstream Music Association fonds

File includes the signed Memorandum of Agreement from September 1992.

Correspondence regarding sales of Open Waters CD

MS-5-16, Box 9, Folder 51
File
1992

Part of Upstream Music Association fonds

Correspondence regarding sponsorship for the Upstream Music Association

MS-5-16, Box 6, Folder 28
File
1999

Part of Upstream Music Association fonds

Correspondence regarding the Registry of Joint Stock Companies and the Open Waters Festival

MS-5-16, Box 7, Folder 1
File
2000, July 13

Part of Upstream Music Association fonds

Correspondence with Dalhousie Department of Music regarding a new performance ensemble

MS-5-16, Box 9, Folder 1
File
1993, November 4

Part of Upstream Music Association fonds

Correspondence with Jazz East regarding Barry Guy and Maya Homburger

MS-5-16, Box 6, Folder 33
File
1999-2000

Part of Upstream Music Association fonds

File contains two printed emails from Jeff Reilly to Jazz East (November 8 to 9, 1999), and a copy of the program for Barry Guy's performance at the Sonic Courage Festival (June 14 to 17, 2000).

Correspondence with Jeff Reilly concerning commissioned compositions

MS-5-16, Box 6, Folder 32
File
1999, December 3

Part of Upstream Music Association fonds

File contains two printed emails: one from Peter Wiegold concerning a commissioned composition by Paul Cram; and one from Steven Naylor concerning his piece, "Snow in Summer" for performance by Upstream and Symphony Nova Scotia in 1997.

Correspondence with JERK

MS-5-16, Box 6, Folder 31
File
1998, January 2

Part of Upstream Music Association fonds

File contains a letter from John D.S. Adams of the JERK ensemble (which also includes Bill Brennan, Kevin Coady, Erin Donovan, and Rob Power) to Jeff Reilly concerning two proposed concerts in Halifax, Nova Scotia and Long Reach, New Brunswick.

Correspondence with Stewart McKelvey Stirling Scales regarding taxes

MS-5-16, Box 1, Folder 12
File
1992

Part of Upstream Music Association fonds

Correspondence with the Maarten Altena Ensemble

MS-5-16, Box 6, Folder 30
File
1995, February 1

Part of Upstream Music Association fonds

File contains a letter from the Maarten Altena Ensemble of Amsterdam to Steven Naylor regarding the Ensemble's tour of Canada.

Correspondence with the Upstream Music Association

MS-5-16, Box 3, Folder 20
File
1999

Part of Upstream Music Association fonds

Correspondence with the Upstream Music Association

MS-5-16, Box 3, Folder 14
File
1997-1999

Part of Upstream Music Association fonds

Correspondence with the Upstream Music Association

MS-5-16, Box 3, Folder 21
File
1999-2000

Part of Upstream Music Association fonds

Correspondence with Undercurrent Recordings

MS-5-16, Box 9, Folder 59
File
1994

Part of Upstream Music Association fonds

Correspondence, inventories, and policy regarding Undercurrent's distribution

MS-5-16, Box 9, Folder 57
File
1993

Part of Upstream Music Association fonds

Correspondence, itinerary, and budgets for Upstream's fall tour

MS-5-16, Box 7, Folder 30
File
1992

Part of Upstream Music Association fonds

File includes records relating to Upstream's fall tour in 1992, which included performances in Nova Scotia (Yarmouth, Halifax, Wolfville); Moncton, New Brunswick; Montreal, Quebec; and Ontario (Toronto, Ottawa, Peterborough, and Kitchener).

Correspondence, itinerary, and budgets for Upstream's Ontario fall tour

MS-5-16, Box 7, Folder 29
File
1992

Part of Upstream Music Association fonds

File also includes the tour manager's report; applications to Canada Council for the Arts for funding; Upstream's technical rider; contracts; and attendance reports at venues (Numus, Waterloo, Ontario; Peterborough Festival for the Arts, Ontario; Espace Musique, Ottawa, Ontario; and New Music Across America/ Red Door Productions, Toronto, Ontario).

Correspondence, media releases, and reports from Paul Cram, Artistic Director

MS-5-16, Box 2, Folder 11
File
1994-1995

Part of Upstream Music Association fonds

File contains records from the 1994-1995 season from Paul Cram, one of the Artistic Directors of the Upstream Music Association. The file includes copies of newspaper clippings with reviews of Upstream concerts; Sandy Moore's Curriculum Vitae; and Paul Cram's signed contract, on behalf of the Upstream Ensemble, for the Atlantic Federation of Musicians.

Cram, Paul

Correspondence, notes, and rehearsal schedule for the performance of Nasca Lines

MS-5-16, Box 7, Folder 22
File
2001

Part of Upstream Music Association fonds

File contains records relating to the premiere performance of Barry Guy's "Nasca Lines" by the Upstream Ensemble and members of Symphony Nova Scotia.

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