Item is a caricature created by Alexander Sutherland Murray. The caricature depicts a student that attended Pine Hill Divinity Hall ca. 1920. Caption says “Come right in boys, I’m serving tea.”
Fonds comprises Alan Andrew's personal and professional correspondence; reports; newsletters; journals; conference notes; committee minutes and budgets; theatre scripts and production records including costume sketches and photographs.
Collection comprises newspaper articles, programmes, tickets and schedules from sporting events in Truro, Bridgewater, Wolfville and Lunenburg, Nova Scotia, during the 1940s and 1950s.
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.
File contains sketches produced by Henry Orenstein in the course of his creative process in the concept development of the Sudbury Industrial Landscape, a 1950s commission by the Mine, Mill and Smelter Workers of Sudbury for a mural on the local union hall.
File contains sketches of various persons and scenes, including Joan rehearsing "La Sagouine," "Purcell's Cove Social Club, 1960s," "Extinct Species, Fisherman 1960s," "Do you know Anyone who Wants A Man?" "Musicians," "Instruments," "Masks," and three sketches of unidentified persons. File also contains a copy of the sketch "Juno & the Paycock" and a photograph of the "Masks" exhibition attached to the sketch.
Item is a print of the drawings of the fireplace and gable at Province House and the ship's bell at Government House. See MS-2-82, Box 43, Folder 33 and 34.
Files includes two original artwork illustrations for MacMechan's Chap books, which were a series of 16 short publications, including travel guides, fiction and poetry.
Fonds contains architectural drawings created by Drew Sperry as a student at Nova Scotia Technical College and later as a certified architect. His student work comprises presentation drawings, while the designs for his own home in Dartmouth, Nova Scotia, and two other residential commissions include both presentation and construction drawings. There are two folders of textual records, which comprise a transcript of an interview with Drew and Sheila Sperry, real estate appraisals of their Dartmouth residence, and early budget breakdowns from Sperry's architectural practice.
File contains set and lighting designs for Neptune Theatre's 1992 production of "Goodnight Desdemona," directed by Mary Vingoe and designed by Stephen Osler (set) and Leslie Wilkinson (lights).
Item consists of notes and assembly diagrams for exhibits at the Black Wimmin: When And Where We Enter exhibition at Eye Level Gallery, September 1989.
The file contains material for the exhibition "The Impossible Museum is an exploration of the Thomas McCulloch Museum's history and collection through artworks that question, critique, and recontextualize the contents of this 19th century collection."