Fonds consists of patient records, autopsy reports, correspondence, various medical reports from several institutions, and business records including a ledger and daily journals.
File contains a copy of Budge Wilson's "Ann Connor Brimer Talk," the keynote address at the Maritime Museum of the Atlantic, which launched Canadian Children's Book Week in 1999. The speech addresses the state of children's literature in Nova Scotia. The file also includes a copy of a fax sent to Budge Wilson from regarding the schedule for the Canadian Children's Book Week Gala.
File contains the script for the play by Frederick H. Thury, adapted from the children's book of the same name by Joyce Barkhouse and Margaret Atwood. The file also contains newspaper clippings and correspondence related to the play.
File consists of records related to the Anthony Law Exhibition held at Dalhousie Art Gallery from February 12 to March 3, 1974.
Records consist of guest lists, exhibition invitation, list of artworks, a biography of Law, insurance form, correspondence from Simpson-Hurst Insurance Ltd, and two opening invitations.
File consists of records related to the 'APAC Exhibition' organized by the Beaverbrook Art Gallery and presented at Dalhousie Art Gallery in February 1969.
Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Stuart Smith (Curator, Beaverbrook Art Gallery), a list of artworks, and a price list.
File consists of records related to the Appel's Appels Exhibition by Karel Appel, circulated by Rothmans of Pall Mall Canada Limited and presented at Dalhousie Art Gallery from March 9 to April 1, 1973.
Records consist mainly of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and the Rothmans of Pall Mall Canada Limited staff. Records also include condition reports, newspaper clippings, press release drafts, lists of artworks, and exhibition invitations.
File consists of records pertaining to the 'Art Film' series of screenings presented by the Dalhousie Art Gallery between 1964-1966.
Records consist of program schedules for art films and exhibitions and correspondence between Evelyn Holmes (Acting Curator) and Eric Wessman regarding projection costs.
File contains correspondence, brochures, scores and photographs related to Stephen Pedersen's series of musical events at the Nova Scotia Art Gallery in connection with the exhibition, "Mozart's World."
File consists of records related to the planning of guest lectures by the Dalhousie Art Gallery for the 1965-1966 academic period.
Records consist of handwritten scheduling notes, copy of a correspondence between Moncrieff Williamson (Director, Confederation Art Gallery) and Jean-Rene Ostiguy (Director, Exhibition Services, National Gallery of Canada) regarding Atlantic Provinces Art Circuit programming, copy of a notice of the availability of booking Archie F. Key (Field Director, Canadian Museums Association) for a lecture, and a copy of 'The Canadian Art Fraud Case' by Nathan Stolow, reprinted from Canadian Art issue No, 64.
File consists of records related to the Art of Aboriginal Australia Exhibition, organized and circulated by Rothmans of Pall Mall Canada Ltd. Th exhibition was presented at Dalhousie Art Gallery from June 28 to July 27, 1975.
Records consist mainly of correspondence between Bruce Ferguson (Director, Dalhousie Art Gallery) and Michael P. Ney (Rothmans Art Programme) regarding the installation of the show. File also includes floor plan, newspaper and magazine clippings, and invitation cards.
File consists of records related to the 'Artario 72' exhibition, organized by Ontario Arts Council and presented at Dalhousie Art Gallery in October 1972.
Records consist letters from William Poole (Co-ordinator, Ontario Arts Council), Frank Michael (Acting Press Officer, Ontario Art Council), Peeter Sepp (Visual Art Officer, Ontario Art Council) to E.W. Smith (Dalhousie Art Gallery), newspaper clippings, invitations, a pamphlet, and instructions for the assembly of the Artario exhibition.
Fonds consists of correspondence (1885-1936), publications (1894-1927), addresses (1889-1921), unpublished documents (1881-1923), including unpublished articles, a large number of lecture notes (1881-1923), research notes (1887-n.d.) and lab books (1887-1909). Other course materials include course examination papers written and collected by Dr. MacKenzie. Other materials in this fonds pertaining to Dr. MacKenzie’s personal life include his diaries (1883-1909), honours, pictures and memorabilia (1938-1949).
File contains draft articles and writing submissions, notes, correspondence, and graphic material used in the production of the Wayves literary supplement Punaqun.
File consists of records related to the exhibition 'Artistes de Montréal', organized and circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery in January 1966.
Records consist of an exhibition catalogue, two Dalhousie University newsletters, newspaper clippings, an exhibition review written by Martin Kemp, a packing list and list of artworks, correspondence of Evelyn Holmes, Acting Curator, and contractual documents from the National Gallery of Canada.
File consists of records related to the 1966 exhibition 'Arts for the Home' organized by Dalhousie Art Gallery in connection to the first Halifax-based Festival of the Arts. The festival was sponsored by the Halifax branch of Voices of Women, Records also relate to publicity about local bronze sculpture artist Sarah Jackson.
Records consist of newspaper clippings, correspondence, a Dalhousie newsletter, and a handwritten schedule.
File contains handwritten correspondence written by Mrs. Ruth H. Ashley (of Wabash, Indiana), dated January 25, 1963, and sent to Kenneth Leslie. File mentioned Ashley's appreciation of Leslie's contributions to Protestant scholarship in his periodical publications The Protestant and The New Christian, and discusses her discovery of related publications and musings on the "close relationship between the philosophy of Jesus and the economic program of Marxism" as well as contemporary Chinese/Soviet relations.
File contains handwritten correspondence sent by Joseph Ashworth (of Calgary, Alberta) to Kenneth Leslie, dated September 5, 1972. File acknowledges a $5.00 payment for the purchase of one of Leslie's publications, as well as confirming a new mailing address.
File contains a piece of handwritten correspondence written by John Assenat (of N. Charleroi, PA), on January 29, [1973], and sent to Kenneth Leslie. File acknowledges submitting payment for the December 1972 and January 1973 issues of The New Man, the recent publication of a book by New Man contributor Hugh Hester, as well as wishing Mr Leslie well after his "sick spell".
File consists of records relating to the juried Second Atlantic Award Exhibition presented by Dalhousie Art Gallery in November 1967.
Records consist of application forms, correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and artists, an invitation and programme schedule, two exhibition pamphlets, list of artworks, crate lists, photocopies of newspaper clippings, Dalhousie newsletters, and an exhibition review by Luke Rombout,
File contains correspondence between the Atlantic Geoscience Society members and various persons, including Paul Copper, Norman Lyttle, Chris Beaumont, H.G. Miller, Sandra M. Barr, Aubrey Frickers, Laing Ferguson, Nancy A. Van Wagoner, Francis R. Cook, R.C. Draper, Howard V. Donohoe Jr., G.R. Peatfield, Donald W. Hattie, J. Waldron, and others.
Fonds consists of records regarding activities of the Atlantic Geoscience Society, including committee meetings and development of educational videos. Fonds contains meeting agendas, reports, correspondence, newsletters, by-laws, and other textual records.
Fonds consists of records regarding a wide range of activities of the Atlantic Geoscience Society, including committee meetings and development of educational videos. Fonds contains meeting agendas, reports, correspondence, newsletters, by-laws, and other textual records.
File contains correspondence between the committee members and various persons, including Howard Donohoe, Nancy Van Wagoner, Claudette LeBlanc, Brendan Murphy, and others.
File contains correspondence between the Atlantic Geoscience Society Video Committee members and various persons, including A. Fricker, Bill Skerrett, Ed Sampson, Don Carroll, Yvan Guay, Phil Hill, Edward C. Sampson, Jean Lacelle, Howard Donohoe, David Kirk, and others.
File consists of records relating to the 'Atlantic Graphics' exhibition organized by the University of New Brunswick Art Center for the Atlantic Provinces Art Circuit (APAC). The exhibition was presented at Dalhousie Art Gallery from January 6-24, 1969.
Records consist of correspondence regarding the purchase of an artwork in the exhibition by Brigid Toole, a list of artworks, two condition reports and attached correspondence regarding artwork damage due to poor quality crates.,
Fonds consists of records pertaining to the administrative, operational, financial, and artistic activities of the ASO. Included are materials documenting the Board of Directors, box office operations (including ticket sales), financial affairs, fundraising, general administration, guest artists, orchestra members, public relations and publicity, and the union. Also included is the photograph series which presents a visual record of various aspects of the orchestra's activities, including performances and women's auxiliary events as well as publicity shots of musicians, conductors, staff, and guest artists.
File consists of records related to the Augustus John exhibition organized and circulated by the National Gallery of Canada. The exhibition was shown at Dalhousie Art Gallery in November 1972.
Records consist of exhibition loan agreement letters and forms from the loaners of John's portraits and drawings for the exhibition and correspondence between Karen Wilkin (Curator, Edmonton Art Gallery) and Ernest Smith (Director, Dalhousie Art Gallery). In addition, records include a photocopy of a paper titled 'Artists and eccentrics' from the book called 'Times thievish progress: Autobiography III' by Rothenstein, John (1970).
File consists of records related to the Augustus John exhibition organized and circulated by the National Gallery of Canada. The exhibition was shown at Dalhousie Art Gallery in November 1972.
Records consist of a copy of press clippings, attendance reports, loan agreement forms, catalogue orders, lists of artworks, and correspondence between Ernest Smith (Director, Dalhousie Are Gallery), Mark Holton (Curator, Dalhousie Are Gallery) and Ralph Allen (Director, Agnes Etherington Art Centre, Queen's University). In addition, records also include a photograph of a painting "On the Slopes of Arling Jack."
File consists of records related to the Augustus John exhibition organized and circulated by the National Gallery of Canada. The exhibition was shown at Dalhousie Art Gallery in November 1972.
Records consist mainly of correspondence between Caspar John, son of Augustus John and Ernest Smith (Director, Dalhousie Art Gallery) and between Ernest Smith and Ann Chudleigh (Assistant Director, National Gallery of Canada Extension Service). In addition, records include exhibition loan agreement letters and forms from the National Gallery of Canada, draft letters from Ernest Smith to Danielle Corbeil (Director of National Gallery of Canada Extension Services), lists of proposed works, and xerox copies of John's drawings.
This series contains records pertaining to the awards, anniversary reunions, retirement receptions, special events and activities organized by the Associated Alumni. Records include correspondence, photographs, clippings, programs, and promotional materials.
File contains background research material for the development of the course, "The Journalist as Documentarian," taught by Sylvia Hamilton at the University of King's College. Documents include email correspondence and handwritten research notes.
File consists of records related to the exhibition 'Baker Lake drawings', organized and circulated by the Winnipeg Art Gallery and presented at Dalhousie Art Gallery from October 2nd to October 30th, 1972.
Records consist of correspondence between Doris Mitchell (Winnipeg Art Gallery, Extension Service) and Mark B. Holton (Assistant Curator, Dalhousie Art Gallery). Additional records have a shipping contract and a condition report.
File contains the typed draft of a letter written by Harold J. Bass (of Tacoma, WA), post-marked November 18, 1972, and submitted to Kenneth Leslie for consideration for inclusion in the publication The New Man. The piece, entitled "Whose mistake?", addresses the horrors and "tragedy of Vietnam", suggesting that George McGovern was barely listened to on the campaign trail "because he declared openly that we have done wrong and we ought to acknowledge and correct that wrong", while Nixon appears to merely want to "cover the wrong and make it seem like a right" with his "peace with honor" promises.
File consists of records related to the exhibition 'South African Batik Tapestries by Louis Steyn' presented by The Art Gallery, Memorial University, Newfoundland and organized in collaboration with Gallery 101, Johannesburg. The exhibition was presented at the Dalhousie Art Gallery in October 1967 and again in April 1970.
Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Peter Bell (Curator, Memorial University), and purchasers of works in the exhibition, an excerpt of the Peter Wenger exhibition catalogue titled 'Some Notes on Batik', a photograph of an installed tapestry and gallery visitor, two draft catalogues, a copy of South African Scope containing a feature on Steyn's work on p. 6-7.
File consists of records related to the exhibition 'B.C. Paintings '66', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery in October 1967.
Records consist of condition reports, correspondence between Evelyn Holmes and Bert Henderson (Curator, University of Guelph), and D. E. Campbell (Curator, New Brunswick Museum), a packing list, list of works, and exhibition information from the National Gallery of Canada.
File contains a piece of handwritten correspondence sent by Jim K. Bell (Halifax), dated December 28, 1972, to Kenneth Lesile. File acknowledges enclosure of a cheque covering the cost of four copies of Leslie's self-published poetry anthology "O'Malley and the Reds and other poems", as well as a new subscription to The New Man. File also praises Leslie's "determination to resist and fight the fascist bastards" through his continued social-minded publications.
File consists of records related to the exhibition 'objets d'art' by Bernard Chaudron, presented at the Dalhousie Art Gallery in October 1969 as part of the Atlantic Provinces Art Circuit.
Records consist of a list of artworks and prices, a list of purchased works including a note about a stolen piece, a condition report, correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Ghislain Clermont (Curator, Art Gallery of the University of Moncton), and a handwritten transcription of Chaudron's biographical notes.
File contains two pieces of correspondence written on Royal Commonwealth Society letterhead by George [Bilainkin] in 1972 and 1973 and sent to Kenneth Leslie. The first letter, handwritten and dated September 26, 1972, derides a £220,000 football transfer fee while "pilots are to get £10,3000 a year, [...] railmen are criticized for demanding [a raise of] £20 a week, [and the] chief gets £2500 rise on his lunatic salary of £20,000". The second letter, typed and dated May 19, 1973, derides the "US gangsters" for spreading "inconceivable evil [...] so widely round innocent, harmless creatures, in India and Pakistan, Cyprus and Cuba", the "hoodlum fraud" of the US courts re: Cambodia, the murders which "our BBC and press do not even mention", with the mournful refrain that "this country smells as fearfully as yours -- and none of the citizenry suspects!" Bilainkin was a foreign correspondent and biographer.
File contains a letter from Catherine Banks to William Toye (Literary Executor) in 2004 asking permission to use a poem titled "Bird Cage" in the stage presentations of Catherine Banks' play, "Bone Cage" and a follow-up letter regarding the contract with Playwrights Canada Press for an April 2008 release. File also includes handwritten notes regarding "Bird Cage."
