File contains correspondence from other writers sent to Budge Wilson, and some photocopies of her outgoing correspondence to writers. The writers include Julie Johnston, Sheila Dalton, Joan Clarke, Betsy Struthers, Leonie M. Poirier, Katherine Paterson, Claire MacKay, Malcolm Ross, Sylvia McNicoll, Donez Xiques, Janice Kulyk Keefer, Weiner Zimmerman, Bill Percy, Sylvia Gunnery, Pam Donogh, Kit Pearson, Paul Robinson, Yan Martel, Timothy Findley, Joyce Barkhouse, Margaret Hammer, Tim Wynne-Jones, Carol Shields, and Sandra Bridsell.
File contains drafts of program notes by Anthony Pugh pertaining to works by the following composers: Arnold Schonberg, Jan Pieterszn Sweelinck, Alexander Scriabin, Bedřich Smetana, Johann Strauss, and Franz von Suppé. The file also contains two programs from the Liverpool Philharmonic Society and one from the Maine Center for the Arts, used in Pugh's research; and a complete program for a concert by Duo New Brunswick at the University of New Brunswick, with program notes by Anthony Pugh.
File contains drafts of, and research for, program notes by Anthony Pugh pertaining to works by Erich Wolfgang Korngold, which were featured in the New Brunswick Summer Music Festival of August 20-26, 1995. The file includes the program for the festival, Pugh's program notes, and correspondence between Robert Kortgaard from the Centre for Musical Arts, University of New Brunswick and the Erich Wolfgang Korngold Society, and Kortgaard and Cambria Master Recordings and Publishing. Kortgaard was the Director of the Music Festival.
File contains research notes by Anthony Pugh and three programs for performances of Claude Debussy's opera "Pelléas et Mélisande" by the Orchestre National de France and Choeur de Radio France, the Canadian Opera Company, and at the Krannert Center for the Performing Arts (University of Illinois at Urbana-Champaign).
File contains program notes, a short essay, and a handout on Hector Berlioz's Symphonie Fantastique. The file also includes correspondence from David F. Bell regarding Pugh's submission to a Nineteenth-Century French Studies Colloquium at Duke University (Durham, North Carolina) and from Professor H.W.W. Warman of the University of Lancaster inviting Pugh to deliver a lecture on Berlioz's Symphonie Fantastique.
Item is the sheet music for a song in E-flat Major for solo voice and piano by William Axt. The words are from a poem of the same name by Martha Lois Wells. It is stamped and signed with the name "Marry Thomas."
Item is a photostat copy of Chou Wen-Chung's composition, based on "Yang Kuan," a composition for ch'in attributed to Wang Wei (689-759). The work for solo piano was sent to Ellen Ballon by the New York publishers, C.F. Peters, with an accompanying letter that indicated that the composition was undergoing publication.
File contains the manuscript for Alberto Jonàs' "Novelette" for piano, which he wrote for Ellen Ballon. Ballon was one of his students in New York from c. 1916 until 1925.
Item is an autographed copy of Rafael Joseffy's edition of Paul de Schlözer's etude. It was published by G. Schirmer of New York as part of a "Studies for Concert Use for Piano Solo" series.
Item is a copy of Joseffy's composition, dedicated to his friend Moriz Rosenthal, and inscribed to Ellen Ballon. File includes a copy of handwritten piano scale exercises, presumably by Joseffy for Ballon.
Item is a copy of an autograph version of Heitor Villa-Lobos' Bachianas Brasileiras No. 3, including performance notes. The score was reproduced and bound by Independent Music Publishers of New York City.
Item is a copy of a manuscript composition by Alan Hovhaness, inscribed to Ellen Ballon. The composition is based on an Armenian folktale and is comprised of two movements, each of which imitates Armenian instruments (tmpoog for the first movement and the kanoon and oud in the second movement).
Item is an autograph manuscript of Heitor Villa-Lobos's reduction for two pianos of his Piano Concerto No. 3, completed in New York in 1956. The composition was commissioned by the Brazilian pianist Arnaldo Estrella.
Item is the third and fourth trombone parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Fran Averede.
Item is one of two copies of the first and second trombone parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Fran Averede. This part was used by the second trombone players.
Item is one of two copies of the first and second trombone parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Fran Averede. This part was used by the first trombone players.
File contains two copies of the first and second trombone parts and one copy of the third and fourth trombone part for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Fran Averede.
Item is one of two copies of the third and fourth French Horn parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the fourth French horn players.
Item is one of two copies of the third and fourth French Horn parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the third French horn players.
File contains two copies of the third and fourth French Horn parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins.
Item is one of two copies of the first and second bassoon parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the second bassoonists.
Item is one of two copies of the first and second bassoon parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins. This part was used by the first bassoonists.
File contains two copies of the first and second bassoon parts for Heitor Villa Lobos' first piano concerto, dedicated to Ellen Ballon. The parts were copied by Henrique Martins.
File includes the second, third, fourth, fifth and tenth albums, dedicated to Julieta d'Almeida Strutt, Arnaldo Estrella, Magdalena Tagliaferro, Tomas Teran, and Ellen Ballon. The albums are copies of handwritten scores completed in New York and Rio between 1948 and 1949.
File contains copies of the manuscripts for two untitled pieces by George Barati (born Gyorgy Braunstein), written at the MacDowell Colony between June 19 and June 22, 1948. The first composition is dedicated to his wife, Ruth.
File contains copies of each of the four compositions: "Titania's Waltz"'; "Weeping Willows"; "In the Rushes"; and "Soughing Pines." The work was dedicated to Paolo Gallico (1868–1955). Each piece bears an inscription to Ellen Ballon, Goldmark's student in 1909. The pieces were published by the Oliver Ditson Company in Boston in 1908.
![If love were all : [sheet music]](/uploads/r/dalhousie-university-archives/2/c/0/2c0bb5567c89d139a00e5c27f37af279987ce4afabc6523b79153eadb6111f0e/MS-5-1_3_59_access_142.jpg)
![Concerto para piano e orquestra : [autograph manuscript]](/uploads/r/dalhousie-university-archives/0/c/9/0c981dead27b37c2301c0f1b4dc2b74e90f642bd9bf175de9628394db7365c56/MS-5-2_6_1_access_142.jpg)
