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Research and program notes for composers G to L

File contains drafts of, and research for, program notes by Anthony Pugh pertaining to the following composers: Giovanni Gabrieli, Francesco Geminiani, George Gershwin, Alexander Glazounov, Christoph Willibald Gluck, Mikhail Glinka, Edvard Grieg, Johan Halvorsen, George Frideric Handel, Franz Joseph Haydn, Paul Hindemith, Josef Holbrooke, Arthur Honnegger, Johann Nepomuk Hummel, Gustav Holst, Charles Ives, Dmitry Kabalevsky, Aram Khachaturian, Zoltan Kodaly, Édouard Lalo, Witold Lutoslawski, and Fritz Kreisler. As part of his research, Pugh analyzed music scores, and the annotated scores for Zoltan Kodaly's Cello Sonata, Op. 8 and Charles Ives' "The Unanswered Question," are included in the file.

The file also includes two programs for which Pugh wrote program notes: a concert presented by University of New Brunswick and Saint Thomas University Creative Arts society, "I Musici de Montreal" with Yuli Turovsky, conductor and cellist; and a Creative Arts concert by the resident musicians of UNB (January 29, 1989). Two other programs from concerts by the Liverpool Philharmonic Society are included as they were part of his research. The file also includes a letter to Anthony Pugh from "Don" (dated August 25, 1957 from Keele, England), which includes information on Hindemith.

Research and program notes for composers S

File contains drafts of program notes by Anthony Pugh pertaining to works by the following composers: Arnold Schonberg, Jan Pieterszn Sweelinck, Alexander Scriabin, Bedřich Smetana, Johann Strauss, and Franz von Suppé. The file also contains two programs from the Liverpool Philharmonic Society and one from the Maine Center for the Arts, used in Pugh's research; and a complete program for a concert by Duo New Brunswick at the University of New Brunswick, with program notes by Anthony Pugh.

Research and program notes for composers R

File contains drafts of program notes by Anthony Pugh pertaining to works by the following composers: Ottorino Respighi, Nikolai Rimsky-Korsakov, Gioachino Rossini, Albert Roussel, Franz Reizenstein, and Max Reger. The file also contains three programs that Pugh used in his research from the Théâtre des Champs-Élysées, the Edinburgh International Festival of Music and Drama, and the London Symphony Orchestra.

Research and program notes pertaining to Vaughan Williams

File contains drafts of program notes by Anthony Pugh pertaining to the music of Ralph Vaughan Williams. The file also includes Pugh's analytical notes on the London Symphony and programs used in his research from the Liverpool Philharmonic Society, Cambridge University Musical Society, and "His Master's Voice" gramophone record. The file also includes two newspaper clippings about Vaughan Williams' performances.

Research and program notes pertaining to Walton

File contains research notes and drafts of program notes by Anthony Pugh pertaining to the music of William Walton. The file also contains programs used in his research from the Royal Liverpool Philharmonic Society.

Garber, Paul

File contains two letters written by Bishop Paul N. Garber (of Geneva, Switzerland), and one response from Kenneth Leslie, dated March and April 1946. The first letter, dated March 7, 1946, from Garber, informs Leslie of his meeting in Warsaw with Stefan Molski, a correspondent for Leslie's publication The Protestant, and discusses the current tenuous Polish political situation. The response from Leslie, dated April 11, 1946, inquires as to whether Bishop Garber would be willing contribute an article to The Protestant, and gauging Garber's interest in serving as an adviser of the publication's Editorial Board. Garber's response, dated April 17, 1946. affirms his interest in serving as an editorial adviser, but warns that he will also be "very busy" given his need to attend "four annual conferences [held] in rapid succession in Switzerland, Belgium, Czechoslovakia and Poland."

Research and program notes pertaining to Tippett

File contains a draft of program notes by Anthony Pugh for String Quartet no. 2 by Michael Tippett. The file also includes a program from the Liverpool Philharmonic Society used in Pugh's research and a newspaper clipping with a profile article on Tippett.

Letters from William Somerset Maugham to Ellen Ballon

File contains letters to Ellen Ballon from William Somerset Maugham concerning gifts, performances, visits, friends, and books. Some of the letters are also addressed to Sally "Tammie" Ryan and Ralph Gustafson.

Somerset Maugham, William

Program and research notes pertaining to Delius

File contains research and program notes by Anthony Pugh on Frederick Delius. The file also includes a program for a performance of Delius's "A Mass for Life," performed by the Liverpool Philharmonic Society, conducted by J.E. Wallace, which Pugh collected and used in his research.

Research and program notes pertaining to Liszt

File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Franz Liszt. The file also includes two, longer, handwritten papers on Liszt's Piano Concerto No. 1 in E-flat and his Piano Sonata in B minor, and a letter (dated November 2, 1964) to Pugh from the British Broadcasting Corporation regarding his potential for a contributor to "Interpretations on Record," produced by Robert Layton.

Research and program notes pertaining to Berlioz

File contains research and program notes pertaining to Hector Berlioz. The file includes several programs collected by Anthony Pugh from performances by the Liverpool Philharmonic Orchestra and BBC Symphony, as well as a program from a concert by the Atlantic Symphony Orchestra with program notes, presumably written by Pugh. The file also includes drafts of Pugh's program notes, a newspaper clipping on a performance of Berlioz by the Montreal Symphony Orchestra, a postcard from "Kathy" to Pugh featuring a picture of Berlioz, and correspondence from Pugh to Professor Tom Lawrenson at the University of Lancaster about Berlioz's opera "Béatrice et Bénédict."

Photographs of Harris Brown in Garden House

File contains two photographs of H. Harris Brown taken in Garden House in Chelsea, London. The photographs show Brown sitting in a room with sculptures and other artwork. The photographs were sent to Arthur Stanley MacKenzie as Christmas greetings.

Beaver study correspondence

File is loosely organized into two sections: Nova Scotia beaver and Norway beaver. Both sections contain correspondence to and from government officials, biologists, academics, and industry consultants regarding research for and publication of Alexander Leighton's study on beaver mental characteristics. The Norway section also contains excerpts from Norwegian newspapers. There is also a set of handwritten notes titled "Outline for study of the Beaver: D. Cross & A.H. Leighton."

Offprints of geology articles and reports written by George Vibert Douglas

File includes "Origin of the Rhodesian copper deposits"; "Origin of the Roan Antelope copper deposit of Northern Rhodesia"; "Department of Mines and Technical Surveys: notes on localities visited on the Labrador coast in 1946 and 1947," by G. Vibert Douglas; "On the structural relationships and genesis of the pyritic ore-bodies of Huelva," by G. Vibert Douglas; "Some observations on syngenetic ores," by George Vibert Douglas, A. Carlisle Gourley and Ralph D. Mathieson; "The deposition of the Halifax series; Barasois and Indian Brook area," by G. Vibert Douglas and C.O. Campbell; "Copper deposit at Cap d'Or," by G.V. Douglas; "Black granite at Shelburne" / by G.V. Douglas; "The new Campbellton dolomite deposit," by G.V. Douglas; "Notes on the interpretation of the Wegener frequency curve," by G. Vibert Douglas and A.V. Douglas; "A solution of fault problems," by G. Vibert Douglas and A. Vibert Douglas; "Observations of the geology and mines of the Belgian Congo," by G. Vibert Douglas; "Iron ore, Erinville," by G. Vibert Douglas; and "Spectroscopy applied to mineral determination."

Promotional pamphlet on the Aeolian Singers

File contains a pamphlet with biographical information on the Aeolian Singers, commendations, and press reviews. The Aeolian Singers included Lynndale Byers (alto); Frank Odell (tenor); James Logue (baritone); and Jack George (bass).

Promotional pamphlet for French Stories by Marguerite Clement

File contains a pamphlet advertising a series of records containing fairy tales in French recorded by the Educational Department of the Columbia Graphophone Company by Marguerite Clement, professor of French language and literature at the Lyceum of Marseilles and the University of Paris.
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