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Letter from Arminda Villa-Lobos to Ellen Ballon

Item is a typed letter from Arminda Villa-Lobos to Ellen Ballon written on May 28, 1947. Arminda writes about her poor English and asks Ballon to write in Portuguese. She also asks if an October 1947 concert in Montreal will be broadcast. This concert was the Canadian premiere of Villa-Lobos' first piano concerto. Item is accompanied by the stamped air mail envelope in which Ballon received the letter. Two Brazilian postage stamps are affixed to the envelope.

Villa-Lobos, Arminda

Letter from Heitor Villa-Lobos to Ellen Ballon

Item is a typed letter from Heitor Villa-Lobos to Ellen Ballon written on June 2, 1947. Villa-Lobos acknowledges a May 15, 1946 letter from Ballon and provides some information on his compositions, including Caixinha de Boas Festas, the 2nd Suite do Descobrimento do Brasil, and Danses Africaines. The letter refers to Marks Co. as "the true thieves of my musics." Item is accompanied by the stamped air mail envelope in which Ballon received the letter. Two Brazilian postage stamps are affixed to the envelope.

Letter from Heitor and Arminda Villa-Lobos to Ellen Ballon

Item is a handwritten letter from Heitor and Arminda Villa-Lobos to Ellen Ballon written on July 26, 1947. The letter details Villa-Lobos itinerary on a European tour and comments on Ballon's performances of Villa-Lobos' compositions. Item is accompanied by the stamped air mail envelope in which Ballon received the letter. One French postage stamp is affixed to the envelope.

Villa-Lobos, Heitor

Letter from Mary Kenny to Roger Savage

Item is a letter from Mary Kenny to Roger Savage written on July 2, 1974. In the letter, Kenny accepts an offer from Karl MacKeeman to serve on the Board of Directors of Eye Level Gallery. Kelly offers her services as a photographer or as coordinator of TELED's Media Resource Centre.

Letter from Julia Schmitt Healy to Ron Shuebrook

Item is a letter from Julia Schmitt Healy to Ron Shuebrook concerning his omission from the Board of Directors of Eye Level Gallery. In the letter, Healy reveals that the selection process was "basically fascism prompted by our Catch-22 situation: To apply for the grant we had to have a board of directors yet we had no members who, under a true co-operative would elect the board." She invites Shuebrook to contribute a piece to the gallery's first show, Peggy's Cove Syndrome.

Carleton Stanley's article submitted for the 1932 Christmas Edition of the Saint John Telegraph-Journal

Item consists of a typescript copy of Carleton Stanley's article submission for the Christmas Edition of the Saint John Telegraph Journal, dated December 6, 1932, discussing the rapid changes to Dalhousie's campus and culture in the years since the end of the First World War. Item also contains related correspondence.
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