File contains multiple copies of parts for Graham Collier's "1. Yellow Hymn," some of them annotated: six concert parts; three Bb parts; and two alto flute parts.
File contains multiple copies of parts for Graham Collier's "2. Above Deep Water," some of them annotated: five concert parts; two Bb horn parts; and two Eb horn parts.
File contains multiple copies of parts for Graham Collier's "3. Jardin d'Amour," some of them annotated: seven concert parts; four Bb parts; and two alto flute parts.
File contains multiple copies of parts for Graham Collier's "4. Blue Monolith," some of them annotated: three concert parts; four guitar parts; two trumpet parts; three trombone parts; two alto baritone part; two tenor/bass clarinet parts; and three bass parts.
File contains multiple copies of parts for Graham Collier's "5. Orchestral Dominances," some of them annotated: two concert parts; two Eb parts; three Bb parts; and one trombone part.
File contains a script and scores for A Titanic Memorial Evening, words compiled by Lorne Elkin Rozovsky and music compiled by Stephen A. Pedersen, presented by the Heritage Trust of Nova Scotia on July 12, 1978 at Saint David's Church, Halifax.
File contains tenor saxophone and clarinet parts for the Paul Cram Orchestra's second Canadian tour in September 2001 in support of the band’s debut CD on the Victo Label: “Campin Out.” The group played Halifax, Ottawa (National Library of Canada), Guelph (Guelph Jazz Festival), Vancouver (Western Front), and Montreal (Sala Rossa). Works included are: "Trouble in Paradise"; "Kafka's Chair"; "Eye of the Storm"; "High Ground"; "Have a Heart"; "Tip of the Iceberg"; various works from "B flat Restaurant"; "March of the Philistines"; various works from "Thunder"; "Urban Desperado"; "Campin' Out"; "Life of Crime"; "Taiwanese Bootleg"; "Zebra Zone"; and "Immortal Coil."
File contains Curwen Edition's "An Eriskay Love Lilt (Gradh Geal Mo Chridh)." Melody and text by Mrs. Marjory Kennedy-Fraser, and arranged by Hugh S. Robertson. File also includes a printed page of lyrics by R. MacLeod.
File contains correspondence, brochures, scores and photographs related to Stephen Pedersen's series of musical events at the Nova Scotia Art Gallery in connection with the exhibition, "Mozart's World."
File contains a score for Paul Cram's "Back of the House," and printed parts for vocals; concert pitch; Eb alto sax; Bb clarinet; clarinet; and trumpet. There is also a facsimile handwritten trombone part.
File contains annotated bass and concert parts for "Campin' Out"; "Under the Double Standard"; "Heads Up"; "In Murti"; "Monk on Time"; "On the Lam"; "Tango Oreo"; "Telescope"; "Zones"; "Confederation"; "Live it Up"; "Nijinsky's Dancing Shoes." There are also parts for various jigs and for "Public Nuance," by Gregg Simpson.
File contains bass clarinet parts for the Paul Cram Orchestra's second Canadian tour in September 2001 in support of the band’s debut CD on the Victo Label: “Campin Out.” The group played Halifax, Ottawa (National Library of Canada), Guelph (Guelph Jazz Festival), Vancouver (Western Front), and Montreal (Sala Rossa). Works included are: "Trouble in Paradise"; "Kafka's Chair"; "Eye of the Storm"; "High Ground"; "Have a Heart"; "Tip of the Iceberg"; various works from "B flat Restaurant"; "March of the Philistines"; various works from "Thunder"; "Urban Desperado"; "Campin' Out"; "Life of Crime"; "Taiwanese Bootleg"; "Zebra Zone"; and "Immortal Coil." File also contains a tour itinerary and a handwritten note to Jeff from Paul Cram.
File contains annotated parts for Paul Cram's "Beyond Benghazi," first copyright in 1981 and revised in 1993. Parts include: soprano/flute; tenor/clarinet; bass; oboe; bass clarinet; bassoon; trumpet; violin 1; violin 2; viola; cello; guitar; harp/synthesizer; piano/synthesizer; and drums.
File contains concert, Bb instrument, Eb instrument and bass clef instrument parts for Graham Collier's "Bread & Circuses." Folder also contains a program note written by Graham Collier and an enclosure note from Collier to Paul Cram.
File contains two copies of the score for Sandy Moore's composition "Broken Chains" for flute, alto flute, alto saxophone, percussion, harp, piano, and hand clapping.
File contains a set list, script material, and Paul Cram and other artists' parts and scores for a cabaret/concert in Chester, Nova Scotia. Music includes a concert part for "Y Chromosome"; tenor sax parts for "Holiday in Paradise, "Well You Needn't," "No Call for Mercy," "Come Sunday," "Wonderland," "Stormy Weather," "More" and Moonlight in Rio"; synth parts for "Walking thru Walls" and "Dancing Star"; and the clarinet part for "Send in the Clowns."
File contains bass parts music by Paul Cram and other artists performed in "Cabaret for the End of Time" in Chester, Nova Scotia. Compositions include: for "Holiday in Paradise"; "No Call for Mercy"; "Wonderland"; "Moonlight in Rio"; "Dancing Star"; "Send in the Clowns"; "Walking the Walls"; "More"; "Nightcap"; "All the Things You Are"; "Georgia"; and "Boogie Stop Shuffles."
File contains cello parts for the Paul Cram Orchestra's second Canadian tour in September 2001 in support of the band’s debut CD on the Victo Label, “Campin Out.” The group played Halifax, Ottawa (National Library of Canada), Guelph (Guelph Jazz Festival), Vancouver (Western Front), and Montreal (Sala Rossa). Works included are: "Trouble in Paradise"; "Kafka's Chair"; "Eye of the Storm"; "High Ground"; "Have a Heart"; "Tip of the Iceberg"; various works from "B flat Restaurant"; "March of the Philistines"; various works from "Thunder"; "Urban Desperado"; "Campin' Out"; "Life of Crime"; "Taiwanese Bootleg"; "Zebra Zone"; and "Immortal Coil."
File contains annotated drum, trombone and bass parts for "1963," "Revolutions" and "Under the Double Standard"; trumpet part for "Under the Double Standard"; bass part for "Zones"; Tenor and alto sax parts for "Tango Oreo"; clarinet parts for "March of the Philistines" and "Get up and Go"; Bb and concert parts for "Monk on Time"; concert parts for "On the Lam";"Telescope"; "Live it Up"; "Mandarins"; "Lonely Woman"; "In the Bosom of the Bubble"; "Round Trip"; "Heads Up"; and "In Mufti." There are also parts for various jigs and for "Public Nuance," by Gregg Simpson.
File contains three annotated copies of the score for Sandy Moore's composition "Clustrix" for piano, electric guitar, harp, bass clarinet, horns, and cymbal.
File contains parts for Paul Cram's "Irons in the Fire," an 11-minute piece for chamber orchestra commissioned by Symphony Nova Scotia and premiered by Upstream Ensemble in the fall of 1999. Parts include: guitar; tenor sax; solo electric cello; piano; accordion; alto sax; bass clarinet; drums; electric bass; violin 1; violin 2; viola; cello; contrabass; flute 1; flute 2; oboe 1; oboe 2; clarinet 1; clarinet 2; bassoon 1; bassoon 2; trumpet 1; trumpet 2; French horn 1; French horn 2; timpani; and marimba. The parts were copies for a Halifax Grammar School concert or workshop in 2012/2013.
File includes concert parts for "Ambulatory"; "Lamnations"; "The Problem"; "Groucho Joe"; "Happy Talk"; "Caravan"; "In the Bosom of the Bubble"; "Somewhere in Between"; "Wave Surface"; "Volga Boat Race"; "Walk!!!"; and "Campin Out."
File contains the piccolo and oboe parts for Heitor Villa-Lobos' first piano concerto, dedicated to Ellen Ballon. The piccolo part was copied by Henrique Martins and the oboe parts were copied by Fran Averede.
File contains records about the Heritage Trust's concert series, for which Stephen Pedersen was musical director, including a 1979 annual report of the Heritage Trust; small posters; and a newspaper clipping. There are also notes and a script for An Evening with Adele Hugo in Halifax, and correspondence with Nimbus Publishing about the possibility of a book and cassette series based on the concert series.
File contains two copies of Paul Cram's composition in 12 sections, which combines common music notation and graphic notation. The composition's commission was funded by a SOCAN grant. The piece is for 10-20 performers on flute, oboe, clarinet, bassoon, saxophone, trumpet, percussion, guitar, accordion, tape, violin, viola, violoncello, and double bass.
File contains seven copies of scores for Paul Cram's "Convoy HFX," with printed standard music notation and handwritten formations. Six are copies with handwritten annotations; one is an original handwritten score on tissue with the printed notation parts pasted on.
File contains parts for Paul Cram's "Corridors of Power," which was commissioned by Canada Council and written for Upstream Orchestra, who premiered it in the fall of 2000. File includes parts for flute; clarinet; bass clarinet; oboe; bassoon; alto sax; viola; cello; piano; and guitar. The composition is written in both traditional musical and graphic notation.
File contains two spiral-bound scores; one is marked "old" and the other is annotated and marked "new score." The work was commissioned by Canada Council and written for Upstream Orchestra, which premiered it in the fall of 2000. The score is written for voice; flute 1; oboe 1; clarinet; bassoon; trumpet; alto sax; tenor sax; baritone sax; bass clarinet; accordion; piano 1; guitar; electric bass; drums; marimba; timpani; violin 1; violin 2; viola; cello; and contrabass.
File contains the score for "Mail-Order Mantis"; concert, Bb tenor and Eb saxophone parts for John Coltrane's "A Love Upstream/Resolution"; Eb part for "Monk on Time"; Bb score for "Beyond Benghazi"; Bb instrument parts for "Bb Restaurant Redux"; "Free Delivery"; "Silent Movies"; "Telescope"; "Monk on Time"; "Long Distance"; and tenor sax part for "Back of the House."
File contains scores for Paul Cram's Détente: Music from No Man's Land, including two copies of the part for voices (male and female) and one each of soprano sax, baritone sax, and percussion.
File contains a facsimile handwritten score by Paul Cram for voice; violin, viola and cello; soprano, alto, tenor and baritone reeds; piano; electric bass; string bass; and percussion 1 and 2. The first page indicates a running time of 90 minutes. There is also an original handwritten score: Part II, "Spies," pages 34-37.
File contains parts for "Dminor Diner," written by Paul Cram for the Paul Cram Orchestra. Parts include cello; trombone; trumpet; bass; alto saxophone (reed one); tenor saxophone (reed two); bass clarinet (reed three); drums; and guitar.
