Archives Catalogue

Sonate : violon et piano

MS-2-26, Box 7, Folder 12
Item
1927

Part of Anthony Pugh fonds

Item is a copy of Ravel's second violin sonata, annotated in pencil by Anthony Pugh.

Sonate no. 4, op. 27

MS-2-26, Box 8, Folder 9
Item
1924

Part of Anthony Pugh fonds

Item is a copy of one of Eugène Ysaÿe's Six Sonatas for solo violin, annotated in pencil by Pugh.

Sonate pour piano

MS-2-26, Box 6, Folder 16
Item
1949

Part of Anthony Pugh fonds

Item is a copy of Henri Dutilleux's Sonata for piano, with pencil annotations and analysis by Anthony Pugh.

Sonate pour violon et piano

MS-2-26, Box 6, Folder 4
Item
1922

Part of Anthony Pugh fonds

Item is a copy of Ernest Bloch's Violin Sonata No. 1 in A minor, with pencil annotations and analysis by Anthony Pugh.

Sonate pour violoncelle et piano

MS-2-26, Box 6, Folder 15
Item
1915

Part of Anthony Pugh fonds

Item is a copy of Claude Debussy's cello sonata, with pencil annotations and analysis by Anthony Pugh.

Sound fields : [score]

MS-5-16, OS Box 21, Folder 10
Item
1996

Part of Upstream Music Association fonds

Item is a copy of Sandy Moore's improvisational composition in three sections.

Moore, Sandy

Spectacles : [performance instructions]

MS-5-16, Box 9, Folder 40
Item
[199-?]

Part of Upstream Music Association fonds

Item is a copy of the performance instructions for an improvised composition with sixteen possible sets, each defined by four words, that are performed in any order.

Speed call : [part]

MS-5-21, Box 9, Folder 30
Item
1999

Part of Paul Cram fonds

Item is an annotated facsimile handwritten concert part.

Speed call : [score]

MS-5-16, Box 9, Folder 27
File
1996

Part of Upstream Music Association fonds

File contains two annotated copies of "Speed Call," a composition by Paul Cram written at concert pitch.

Cram, Paul

Standing joke : [part]

MS-5-21, Box 5, Folder 20
Item
1983

Part of Paul Cram fonds

Item is an original handwritten composition by Paul Cram.

Stephen Pedersen fonds

MS-5-23
Fonds
1964 - 2000

Fonds contains records related to Stephen Pedersen's music teaching, composing and performance activities. Record types include manuscript music scores, sound recordings, posters and programs, contracts and correspondence.

Pedersen, Stephen Alan

String quartet #1 / Paul Cram

MS-5-21, Box 14, Folder 3
Item
[199-?]

Part of Paul Cram fonds

Item is an undated score of Paul Cram's String Quartet #1 for violin 1, violin 2, viola and cello.

String quartet no. 15, op. 144

MS-2-26, Box 7, Folder 23
Item
1974

Part of Anthony Pugh fonds

Item is a copy of Shostakovitch's string quartet, annotated in pencil by Pugh.

String quartet no. 2

MS-2-26, Box 6, Folder 32
Item
February 22, 1992

Part of Anthony Pugh fonds

Item is a copy of Alasdair MacLean's String Quartet No. 2, which was commissioned by the Canadian Broadcasting Corporation (CBC) Radio Halifax for the Saint John String Quartet.

MacLean, Alasdair

String Quartet no. 3 in E-flat major, op. 30

MS-2-26, Box 8, Folder 7
Item
[after 1876]

Part of Anthony Pugh fonds

Item is a copy of Tchaikovsky's third string quartet, annotated in pencil by Pugh.

String Quartet No. 3, op. 94

MS-2-26, Box 6, Folder 9
Item
1977

Part of Anthony Pugh fonds

Item is a copy of Benjamin Britten's third string quartet, dedicated to Hans Keller, with pencil annotations and analysis by Anthony Pugh.

Strong and free : [score]

MS-5-16, Box 9, Folder 28
File
1996

Part of Upstream Music Association fonds

File contains two annotated copies of "Strong and Free," a composition by Paul Cram written at concert pitch, which improvises on motives from "O Canada."

Cram, Paul

Strong suit : [part]

MS-5-21, Box 1, Folder 30
Item
[20--]

Part of Paul Cram fonds

Item is a trumpet part for Paul Cram's "Strong Suit."

Suite

MS-5-2, Box 6, Folder 13
File
[before 1952]

Part of Ellen Ballon fonds

File is a manuscript with three numbered pieces by Alfred La Liberté: "Pensée Tendre" (D-flat Major), dedicated to Katherine Sneed; "Prière (Choral)" (D Major), dedicated to Marcel Dupré; and "Dance-Song" (b minor).

La Liberté, Alfred

Suitesonata for Bb tenor saxophone (and Paul Cram)

MS-5-21, Box 11, Folder 8
Item
December 1986

Part of Paul Cram fonds

Item is an original (?) handwritten composition written for Paul Cram by Mark Armanini.

Sunrise : [score]

MS-5-21, Box 1, Folder 2
Item
2004

Part of Paul Cram fonds

Item is an annotated copy of Paul Cram's score for the silent film "Sunrise."

Sunrise : [score]

MS-5-21, Box 9, Folder 3
Item
2004

Part of Paul Cram fonds

Item is an annotated copy of Paul Cram's score for the silent film "Sunrise."

Sunrise : [scores]

MS-5-21, Box 1, Folder 1
File
2004

Part of Paul Cram fonds

File contains two annotated copies of an original handwritten and print score of Paul Cram's score for the silent film "Sunrise."

Sunrise : [scores]

MS-5-21, Box 1, Folder 3
File
2004

Part of Paul Cram fonds

File contains two copies of Paul Cram's score for the silent film "Sunrise."

Symphonie No. 30

MS-2-26, Box 7, Folder 4
Item
[19--?]

Part of Anthony Pugh fonds

Item is a copy of Mozart's Symphony No. 30, annotated in pencil by Anthony Pugh.

Symphony No. 1

MS-2-26, Box 6, Folder 6
Item
1928

Part of Anthony Pugh fonds

Item is a copy of Constant Lambert's reduction of William Boyce's first symphony, with pencil annotations and analysis by Anthony Pugh.

Symphony No. 2 in E-flat for full orchestra, op. 63

MS-2-26, Box 2, Folder 13
Item
1911

Part of Anthony Pugh fonds

Item is a miniature score publication of Edward Elgar's Symphony No. 2, op. 63, with analytical annotations by Anthony Pugh. The score was likely used in Pugh's capacity as a program note writer.

Symphony Nova Scotia fonds

MS-5-14
Fonds
1981-2006

Fonds consists of records created by Symphony Nova Scotia in the course of its regular business activities. The majority of the records were created during the process of concert-planning, including special concerts, annual concerts, tours, and concert series. These records include artist contracts, marketing and development documents, internal memos, and correspondence with artists and sponsors.

Records also consist of internal management records, including personnel records, office management files, and the files of the Board of Directors, Executive Director, and Chief Executive Officer. The financial administration of the Symphony is documented though budgets, statements, ledgers, and tickets sales data.

The fonds also contains concert programs and promotional material such as posters, advertisements, flyers, newsletters, and other publications. The final section of the fonds consists of audiovisual and graphic material. There are audio recordings of performances and interviews of Symphony personnel as well as video recordings of advertisements and performances. The graphic material includes promotional photographs and photographs of the orchestra.

Symphony Nova Scotia

Systems—the Duchess overture

MS-5-23, Box 4, Folder 16
File
[197-?]

Part of Stephen Pedersen fonds

Taiwanese bootleg : [parts]

MS-5-21, Box 2, Folder 14
File
[between 1987 and 2008]

Part of Paul Cram fonds

File contains parts for "Taiwanese Bootleg," by Paul Cram for the Paul Cram Orchestra, and include: alto saxophone (reed 1); tenor saxophone (reed 2); bass clarinet (reed 3); trombone; cello; trumpet; piano, guitar; bass; and drums.

Tango oreo : [part]

MS-5-21, Box 5, Folder 17
Item

Part of Paul Cram fonds

Item is an original handwritten bass part for Paul Cram's "Tango Oreo."

Tango oreo : [score]

MS-5-21, Box 12, Folder 8
File
1984

Part of Paul Cram fonds

File contains an original handwritten score for Paul Cram's "Tango Oreo," written for saxophone, bass and drums. The first page is annotated with "Side B of PC Quartets. Cut #2." File also contains the original handwritten compositions "Give it Up" and "Sleight of Hand."

Tarantella bella : [score]

MS-5-21, Box 5, Folder 43
Item
[200-?]

Part of Paul Cram fonds

Item is a score written for piano, bass and 3 saxophones.

Taras bulba

MS-2-26, Box 6, Folder 28
Item
1947

Part of Anthony Pugh fonds

Item is a copy of Leoš Janáček's "Taras Bulba" for orchestra, with pencil annotations and analysis by Anthony Pugh.

Telescope : [parts]

MS-5-21, Box 8, Folder 3
File
2005

Part of Paul Cram fonds

File contains printed concert, Bb, and Eb parts and facsimile handwritten concert and Bb parts. Telescope was composed for saxophone quartet.

Telescope : [score]

MS-5-16, Box 9, Folder 29
Item
[199-?]

Part of Upstream Music Association fonds

Item contains one annotated copy of "Telescope," a monophonic, atonal composition by Paul Cram written at concert pitch.

Cram, Paul

Ten : [part]

MS-5-21, Box 9, Folder 24
Item
[after 1978?]

Part of Paul Cram fonds

Item is an unsigned, original handwritten composition.

Tenor parts for "Necktie Party"and "Main St."

MS-5-21, Box 10, Folder 8
File
1978

Part of Paul Cram fonds

File contains original handwritten tenor parts for two Paul Cram compositions.

Tenor sax (reed 2) parts for Campin' Out record release tour

MS-5-21, Box 5, Folder 7
File
September 2001

Part of Paul Cram fonds

File includes tenor sax (reed 2) parts for music performed during Paul Cram Orchestra's second Canadian Tour, which included concerts at the Marquee Club, Halifax; the National Library of Canada, Ottawa; the Guelph Jazz Festival; Western Front, Vancouver, Meduse Arts Centre, Quebec City; and Cafe Espagnole, Montreal. Parts are for "High Ground"; "Immortal Coil"; "Have a Heart"; "Taiwanese Bootleg"; "Dminor Diner"; "Eye of the Storm"; "Life of Crime"; "Trouble in Paradise"; "Revolutions"; "Tip of the Iceberg"; and "Telescope."

Terceiro concerto de piano e orquestra : redução para dois pianos

MS-5-2, Box 2, Folder 4
Item
1956

Part of Ellen Ballon fonds

Item is an autograph manuscript of Heitor Villa-Lobos's reduction for two pianos of his Piano Concerto No. 3, completed in New York in 1956. The composition was commissioned by the Brazilian pianist Arnaldo Estrella.

Villa-Lobos, Heitor

Textual notes and music notations for Pastimes

MS-5-23, Box 4, Folder 18
File
[197-?]

Part of Stephen Pedersen fonds

The alternate Aberdeen Angus : [parts]

MS-5-21, Box 9, Folder 38
File
[2009?]

Part of Paul Cram fonds

File contains multiple copies of parts for Graham Collier's "The Alternate Aberdeen Angus," some of them annotated: four concert parts; one Eb part; five Bb instruments parts; and two bass clef instrument parts.

The Arts and Letters Club Constitution : [choral score]

MS-5-1, Box 2, Folder 18
Item
October 1922

Part of John Daniel Logan fonds

Item is a copy of a manuscript for the Arts and Letters Club Constitution song, written for tenor, bass, and chorus in A Major.

The black pirate : [part]

MS-5-21, Box 1, Folder 9
Item
2007

Part of Paul Cram fonds

Item is the drum part for Paul Cram's score for the film "The Black Pirate."

The black pirate : [part]

MS-5-21, Box 1, Folder 8
Item
2007

Part of Paul Cram fonds

Item is an annotated piano part for Paul Cram's score for the film "The Black Pirate."

The blue suite 1-5 : [parts]

MS-5-21, Box 9, Folder 45
File
2006

Part of Paul Cram fonds

File contains multiple copies of parts for Graham Collier's "The Blue Suite" (1-5), which includes 1. "Kind of Sketchy"; 2. "Kind of So What"; 3. "Kind of Freddy"' 4. "Kind of Green"; and 5. "All Kinds." Some parts are taped together and/or annotated: five concert parts; two Bb horn parts; two Eb horn parts; and one alto flute part.

The Conservatory manuscript music book

MS-5-23, Box 3, Folder 32
File
[ca. 1968]

Part of Stephen Pedersen fonds

File contains a manuscript book with a pencilled transcription of Debussy's Première Rhapsodie pour Clarinette en Sib, as well as loose notes and a draft score for Sonnet 60, and a program for a 1968 McGill Faculty of Music recital.

The empty cup : parts

MS-5-16, Box 9, Folder 9
File
1997, October

Part of Upstream Music Association fonds

File contains parts for Bauer's improvisational composition in five sections: Sitar Drone Atmosphere; Falling - Filling the Cup; The Streets of Calcutta; Ascension - Reaching Beyond Life; and Resolution. The composition is for violin, bassoon, piano, guitar, and oboe and lacks a clear tonal centre and meter.The last section is a canon between the violin and bassoon.

Bauer, Bob

The gentle airs / Stephen Pedersen : [score]