- MS-5-16, Box 9, Folder 34
- File
- 1990
Part of Upstream Music Association fonds
Naylor, Steve
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Part of Upstream Music Association fonds
Naylor, Steve
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Cram, Paul
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Bauer, Bob
Scores for Paul Cram's "Down to Earth" and "Hammer and Tongs"
Part of Paul Cram fonds
Scores catalogued by the Canadian Music Centre (CMC)
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Cram, Paul
Part of Paul Cram fonds
Ronald St. John Macdonald’s personal records
Part of Ronald St. John Macdonald fonds
Ronald St. John Macdonald’s memorabilia
Part of Ronald St. John Macdonald fonds
Ronald St. John Macdonald fonds
Macdonald, Ronald St. John, 1928-2006
Riffs a la rondo : [for piano]
Part of Upstream Music Association fonds
Palmer, Chris
Requiem for solo voices and chorus
Part of John Daniel Logan fonds
Verdi, Giuseppe
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Cram, Paul
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
One heart broken into song : [parts]
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Naylor, Steve
Neither fire nor place : [score]
Part of Upstream Music Association fonds
Frith, Fred
Nature of the beast / Paul Cram
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Subseries contains the conductor’s score, instrumental, and vocal parts used for the premiere performance of Nasca Lines by Barry Guy. Nasca Lines is a one-hour, seven-part work that was commissioned by the Upstream Ensemble and premiered in collaboration with the Symphony Nova Scotia on June 3, 2001 at the Scotia Festival with conductor and composer, Barry Guy.
The composition is named after and inspired by the geoglyphs in the Nazca Desert, Peru, which include outlines of animals and various geometric shapes. Graphical representations of a selection of these geoglyphs are used in the graphic notation of this score, particularly in parts 3 and 7.
Nasca Lines is an atonal work that uses a combination of composed material, based on tone rows and pitch class sets, and guided improvisation. There are twenty instrumental parts and one vocal part.
Muraille de Cayne : tenor saxophone
Part of Upstream Music Association fonds
Mountains of madness : concert pitch
Part of Upstream Music Association fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Monk on time : clarinet in B-flat
Part of Upstream Music Association fonds
Cram, Paul
Mediterranean eyes : version for small orchestra : [score]
Part of Upstream Music Association fonds
Tittle, Steve
March of the Philistines : saxophone in E-flat and clarinet in B-flat
Part of Upstream Music Association fonds
Cram, Paul
Part of Paul Cram fonds
Les mouton à l'abattoir : [score]
Part of Upstream Music Association fonds
Cram, Paul
Part of Upstream Music Association fonds
Cram, Paul
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Cram, Paul
Logan, John Daniel
Jazz in the zebra zone : [part]
Part of Paul Cram fonds
Irons in the fire / by Paul Cram
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Reilly, Jeff
In Flanders Fields : [manuscript vocal score]
Part of John Daniel Logan fonds
Archibald, Edith Jessie