The file contains material for the exhibition "The Impossible Museum is an exploration of the Thomas McCulloch Museum's history and collection through artworks that question, critique, and recontextualize the contents of this 19th century collection."
Fonds consists of materials collected by Ronald Justin Inness about ships and shipping companies, including pamphlets, manuscripts, clippings, and correspondence. Fonds also contains manuscripts written by Ronald Justin Inness about the Innes' genealogy.
Fonds consists of manuscripts and proofs of Budge Wilson's books and short stories; correspondence with publishers, students, and teachers; publicity material; photocopies and clippings of reviews, profiles, and notices regarding awards and appearances; diaries; recorded radio interviews; and an assortment of other documents created and collected by the author throughout her writing career. The fonds also contains materials relating to the adaptation of Wilson's novel "Before Green Gables" into a Japanese animated television series.
Series contains materials created by Budge Wilson that not directly related to her career as an author. Files include Budge Wilson's diaries and calendars and materials relating to her job as a fitness instructor and photographer.
Series consists of Henry Orenstein's materials regarding his professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds contains several of Henry Orenstein's art pieces and sketches, including related to the "Sudbury Industrial Landscape" project. In the 1950s, Henry Orenstein was commissioned by the Mine, Mill and Smelter Workers of Sudbury to paint a mural for the local union hall, which was the centre of a broad-ranging cultural role of Mine Mill Local 598 in the Sudbury area. At that time, Mine Mill was in the midst of a series of raids by the United Steelworkers.
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.
Fonds comprises Ronald St. John Macdonald's records regarding his personal, academic, and professional activities as a jurist, judge, and professor. Records include those related to Macdonald's involvement with Osgoode Hall, University of Western Ontario, University of Toronto, Dalhousie University, the European Court of Human Rights, the Hague, Peking University, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Records types include correspondence; meeting minutes and agendas; research materials; photographs; newsletters; newspaper clippings; manuscripts; and off-prints.
Subseries consists of Ronald St. John Macdonald's items of interest collected throughout his life, including biographical materials, art pieces, newspaper clippings, periodicals, books, and other materials.
Fonds contains architectural drawings created by Drew Sperry as a student at Nova Scotia Technical College and later as a certified architect. His student work comprises presentation drawings, while the designs for his own home in Dartmouth, Nova Scotia, and two other residential commissions include both presentation and construction drawings. There are two folders of textual records, which comprise a transcript of an interview with Drew and Sheila Sperry, real estate appraisals of their Dartmouth residence, and early budget breakdowns from Sperry's architectural practice.
File consists of students drawings, from the Halifax Grammar School, Halifax, Nova Scotia, of Victor the boa constrictor, as represented in the poem Victor by Budge Wilson.
File contains three sets of drawings for the Central Services parkade produced by Chebucto Engineering Limited Consulting Engineers, Brandys McBride Richardson Engineering, and Rendan Fabricators.
File contains a incoming correspondence from Eugenie Fernandes, the illustrator for Budge Wilson's book "The Fear of Angelina Domino," and copies and drafts of Wilson's outgoing correspondence. The file also contains some of Fernandes' drawings and sketches for the book.
File contains two drafts of Budge Wilson's book "Duff's Monkey Business" and related correspondence with the publisher, Formac Publishing Company Limited, which include early proposed drawings by the illustrator Kim LaFave.
Fonds comprises Alan Andrew's personal and professional correspondence; reports; newsletters; journals; conference notes; committee minutes and budgets; theatre scripts and production records including costume sketches and photographs.
File contains correspondence regarding Budge Wilson's book "Harold and Harold," between Wilson and various people involved in its publication, including Lesley Choyce of Pottersfield Press, Terry Roscoe, the editor (including sketches of possible illustrations), and Sheila Dalton, Wilson's copy editor. The file includes incoming correspondence and copies of Wilson's outgoing correspondence.
File contains a photograph of the illustration for the front cover of "Cassandra's Driftwood" (illustrate by Terry Roscoe), a photocopy of the proposed front cover, and an envelope addressed to Lesley Choyce.
File contains set and lighting designs for Neptune Theatre's 1992 production of "Goodnight Desdemona," directed by Mary Vingoe and designed by Stephen Osler (set) and Leslie Wilkinson (lights).
Item consists of notes and assembly diagrams for exhibits at the Black Wimmin: When And Where We Enter exhibition at Eye Level Gallery, September 1989.
File includes an article about Mildred MacDonald's time at Dalhousie University, newspaper clippings of a poem by E. Anne Ryan and of an advertisement of the opening of the Park Lane building in Halifax, three art pieces regarding Canada's landscape, invitations, a Dalhousie University programme of a symposium on undergraduate education, and other materials.
File contains sketches of various persons and scenes, including Joan rehearsing "La Sagouine," "Purcell's Cove Social Club, 1960s," "Extinct Species, Fisherman 1960s," "Do you know Anyone who Wants A Man?" "Musicians," "Instruments," "Masks," and three sketches of unidentified persons. File also contains a copy of the sketch "Juno & the Paycock" and a photograph of the "Masks" exhibition attached to the sketch.
Subseries comprises records created or collected by the Office of the Architect and Facilities Management at Dalhousie University related to the design and layout of the Studley and Carleton Campuses. Records include topographical maps and layouts.
Series contains published and manuscript copies of Kenneth Leslie's writing, as well as artwork, music and research notes created and compiled by Leslie.
File is a reproduction of a sketch from The Nova Scotia Museum Centennial Collection. Inscription: The Medical Warehouse, built about 1850, was situated at the corner of Granville and George Streets. The site is now occupied by the Canadian Imperial Bank of Commerce. After a photograph courtesy of The Nova Scotia Museum.
