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Centre for Art Tapes tape collection Brousseau, Dean
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Videotex for Artists Halifax

Item consists of five video works : Debert Debunkers: By Invitation Only, 1984-85 by Liz MacDougall (2min., 10sec.);
John Turner Goes to Hollywood, April 27th, 1985, by Doug Barron (4 min., 8 sec.);
Monoltage, by Mark Clifford (6 min.,18 sec.);
Vernacular Designs, Laura MacDonald and Paula Fairfield, (3 min., 20 sec.);
Performance from the Arts and Culture Assembly, January 27th, 1985, Cathy Quinn (3 min., 31 sec.).

Inkpen, Alan

Halifax-Lublin exchange videotapes : Popular Projects, Girls just want to have fun, Sirensong, Fascynacja, Nothing personal, Obey your heart

Item consists of video recordings by Halifax-Lublin Exchange Videotapes: Popular Projects, Girls Just Want to Have Funds by Cathy Busby and Melodie Calvert, Sirensong by Jan Peacock, Fascynacja by Doug Porter, Nothing Personal by Melodie Calvert and Obey Your Heart by Dean Brousseau.

Brousseau, Dean

Halifax Independent Producers series (2 of 5)

Item is a video work created by Dean Brousseau in 1984. Video was produced through the Centre for Art Tapes. Videos part of Halifax Independent Producers series (2 of 5). Dinner is an experimental documentary using a universal family event as its focus. Framed in snap-shot style, the video seems to arbitrarily “crop off” the participants, saving anonymity. This tape allows the viewer to concentrate on details of inpromptu etiquette and casual conversation around the dinner table, until, in the end, as with any family event, the camera is brought out to take pictures. On the cue “okay, smile!” the photographs taken are tossed one by one into the video frame, revealing at last the dinner participants in fuzzy Polaroids.

Brousseau, Dean

Centre for Art Tapes compilation

Item is a video compilation of Centre for Art Tapes produced videos. Videos include: Sing it the Best That You Can (4 min., 38 sec.) created by Bruce Campbell and Garry Conway; Invasion of Our Homeland (1 min., 40 sec.) created by Liz MacDougall and INNU Project; D.A.N.S. promo (30 sec.) created by Dean Brousseau; Quarter Moon (4 min., 10 sec.) created by David Askevol;, The Absence of Us (2 min., 55 sec.) created by Pamela Pike and The Halifax Conference: A Forum on National Policy (12 min., 27 sec.).

MacDougall, Liz

Promotional video for workshop

Item is a video work created by Dean Brousseau in 1985. The video is documentation of First Edition A & E featuring group of singers called For the moment and Centre for Art Tapes. Item is an energetic pseudo-narrative promotional tape for the Centre for Art Tapes, utilizing pixilation techniques and starring the audio and video equipment.

Brousseau, Dean

Video compilation

Item consists of five video works : Debert Debunkers: By Invitation Only, 1984-85 by Liz MacDougall (2min., 10sec.); John Turner Goes to Hollywood, April 27th, 1985, by Doug Barron (4 min., 8 sec.); Monoltage, by Mark Clifford (6 min.,18 sec.); Vernacular Designs, Laura MacDonald and Paula Fairfield, (3 min., 20 sec.); Performance from the Arts and Culture Assembly, January 27th, 1985, Cathy Quinn (3 min., 31 sec.).

MacDougall, Liz

Centre for Art Tapes compilation

Item is a video compilation of Centre for Art Tapes produced videos. Videos include:
Sing it the Best That You Can (4:38) created by Bruce Campbell , Garry Conway,
Invasion of Our Homeland (1:40) created by Liz MacDougall and INNU Project,
D.A.N.S. promo (00:30) created by Dean Brousseau,
Quarter Moon (4:10) created by David Askevold, The Absence of Us (2:55) created by Pamela Pike and The Halifax Conference: A Forum on National Policy (12:27).

MacDougall, Liz

Life like it : [exhibition video compilation]

Item consists of two separate video recordings for the video exhibition "Like Life It": Some Hfx. Video and Catie. These video works were created by Dean Brousseau and were a part of the 1986 video exhibition, "Life Like It", which featured Halifax-based video artists and traveled nationally.

Brousseau, Dean

Dinner

Item is a video work created by Dean Brousseau in 1984. Dinner is an experimental documentary using a universal family event as its focus.Framed in snap-shot style, the video seems to arbitrarily “crop off” the participants, saving anonymity. This tape allows the viewer to concentrate on details of inpromptu etiquette and casual conversation around the dinner table, until, in the end, as with any family event, the camera is brought out to take pictures. On the cue “okay, smile!” the photographs taken are tossed one by one into the video frame, revealing at last the dinner participants in fuzzy Polaroids.

Brousseau, Dean