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Eyelevel Gallery fonds Item Visual artists
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List of first directors of Eye Level Gallery Society

Item is a list of the first directors of the Eye Level Gallery Society, created on November 21, 1974. The list identifies ten individuals who were to serve on the board until November 18, 1975: John Greer (artist), David Haigh (artist), Joyce Hanson (artist), Julia Schmitt Healy (artist), Mary Kenny (photographer), Keith Laws (accountant), Karl MacKeeman (artist), Hatti Prentiss (writer), Donald Purdy (businessman), and Roger Savage (artist).

General membership meeting memo

Item is memo for a general membership meeting that happened at the Eye Level Gallery on April 17, 1975. The letter identified agenda items, which included a discussion policy, the slide bank, a gallery newsletter and a new space for next year. The letter is from Julia Schmitt Healy.

Resignation of David Haigh

Item is a letter from David Haigh outlining the reasons why he resigned from his position on the Board of Directors of Eye Level Gallery.

Photograph of a photograph displayed as part of Locations/National group exhibition

Item is a photograph of a photograph displayed as part of the Locations/National group exhibition. The photograph shows a mural with the phrases "Our government places corporate development and profit before people" and "Fight cutbacks" written next to a lion with the text "single mom" and a female gender symbol. The photograph was made by Barbara Lounder or Cathy Quinn.

Photograph of letter detailing John Murchie's One Way Ticket proposal for the Locations/National group exhibition

Item is a photograph of a letter from John Murchie to the Eye Level Gallery Board of Directors, sent on June 7, 1983. In the letter, Murchie details his proposal for the Locations/National exhibition. Murchie proposed One Way Ticket, a work "intended to respond to some of Canada's political, social, and geographic specifics." Murchie proposed to send an invitation to John Bentley Mays, art critic for the Globe and Mail, to speak in Halifax during the opening of the Locations/National exhibition in Halifax. Murchie also proposed to send Mays a cheque for $99.00, "which is equivalent to the fare for a one-way ticket from Toronto to Halifax, or Halifax to Toronto, on a Via Rail Coach."

Photograph of Eye Level Gallery Directory Garry Conway

Item is a photograph of Eye Level Gallery Directory Garry Conway sitting in the gallery office in 1977. In front of Conway in the binder is minutes from a Board of Directors meeting at Eye Level Gallery from May 24, 1977. On the desk there also is the third page of a report entitled "Parallel Cooperative Galleries" visible.

Letter from Julia Schmitt Healy to Ron Shuebrook

Item is a letter from Julia Schmitt Healy to Ron Shuebrook concerning his omission from the Board of Directors of Eye Level Gallery. In the letter, Healy reveals that the selection process was "basically fascism prompted by our Catch-22 situation: To apply for the grant we had to have a board of directors yet we had no members who, under a true co-operative would elect the board." She invites Shuebrook to contribute a piece to the gallery's first show, Peggy's Cove Syndrome.

Letter from Marina Stewart to Michael Fernandes

Item is a letter from Marina Stewart to Michael Fernandes regarding a deficit Stewart was alleged to have left at the end of the 1981 fiscal year. In the letter, Stewart asks Fernandes to bring up the matter at the first Eye Level Gallery meeting of the 1982-1983 gallery season.

Letter from Mary Kenny to Roger Savage

Item is a letter from Mary Kenny to Roger Savage written on July 2, 1974. In the letter, Kenny accepts an offer from Karl MacKeeman to serve on the Board of Directors of Eye Level Gallery. Kelly offers her services as a photographer or as coordinator of TELED's Media Resource Centre.

Exhibitions and events at Eye Level Gallery

Item consists of a list of exhibitions and events that occurred at Eye Level Gallery between October, 1977 and June, 1981. The list identifies the year, the artist, the title and the medium or material of the exhibitions.
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