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File consists of records relating to the exhibition 'Massey Medals for Architecture 1970', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from November 1-30, 1971.

Records consist of a condition report, exhibition agreement contract, descriptive exhibition text and packing lists, correspondence with the National Gallery, handwritten notes, and a press release from the Royal Architecture Institute of Canada (RAIC) regarding the finalists and winning entries for the Massey Medals Awards Competition.

File consists of records related to the exhibition 'Massey Collection: Landscapes', organized an circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery in November 1966.

Records consist of an exhibition catalogue, box list, contractual documents, invoices, and correspondence.

File consists of records related to the circulation of the 'Vincent Massey Bequest' exhibition of Canadian Paintings organized by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from October 15 to December 5, 1971.

records consist of loan and packing lists of artworks being loaned for the exhibition, a condition report, loan agreement forms, and correspondence between the Dalhousie Art Gallery and the National Gallery of Canada.

File consists of records related to the Mask Without Masquerades exhibition held at Dalhousie Art Gallery from February 6 to March 3, 1974. The exhibition planned in conjunction with Dr. Jacqueline Fry (Department of Anthropology of the University of Montreal) and the Dalhousie committee on African studies.

Records consist mainly of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Jacqueline Fry (Department of Anthropology, University of Montreal) regarding selecting pieces, catalogues shipments, list of owners, and material descriptions. File also contains insurance documents, invitation lists, interdepartmental memos, packing instructions, letters and loan agreement forms, newspaper clippings, a slide (untitled), and incoming letters from the Royal Ontario Museum, the New Brunswick Museum, and the National Museum of Canada regarding transferring African masks.

File consists of records related to an exhibition of works by a Newfoundland painter, Mary Pratt, organized by the Memorial Art Gallery. The exhibition was presented at Dalhousie Art Gallery from December 9, 1975, to January 4, 1976.

Records consist of a condition report, correspondence, a floor plan, a list of exhibition expenses, invoices, interdepartmental memos, newspaper clipping, and an opening invitation.

File consists of records related to an exhibition of works by sculptor Mark Gomes, held at the Dalhousie Art Gallery from 12 March to 12 April 1981.

Records consist of correspondence with other galleries regarding exhibition proposals, letters to/from Mark Gomes, grant applications, exhibition agreement, biography, clippings, research notes, invoices, and other administrative documents(business office).

The file consists of records related to an exhibition of photographs by Mario Giacomelli organized by George Eastman House of Photography and presented at Dalhousie Art Gallery from October 8-25, 1968.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and staff of George Eastman House, an exhibition report form, descriptive text for the exhibition, and a list of artworks.

File consists of records related to the Marina Stewart exhibition, held at Dalhousie Art Gallery in September 1973.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Stewart, a shipping insurance letter, a press release draft, and a newspaper clipping titled 'Marina Stewart - a supernatural quality' by Ernest Smith.

File consists of records related to organizing artworks and exhibitions to be shown at the Dalhousie Art Gallery during March 1971, to coincide with the Dalhousie Art Gallery official opening at it's current home in the then newly built Dalhousie Art Centre.

Records consist of plans for exhibitions, bequest agreements, and correspondence regarding the loan of artworks from other galleries.

File consists of records related to the exhibition, 'Mansaram Panchal' organized and circulated by the Art Gallery, Memorial University through the Atlantic Provinces Art Circuit. The exhibition was meant to be presented at Dalhousie Art Gallery in March 1972, however it was not mounted due to time constraints resulting from receiving the artworks by mail too late in the exhibition period.

Records consist mainly of correspondence between the Dalhousie Art Gallery and the Art Gallery, Memorial University. Additional records consist of shipment receipts from the Confederation Art Gallery.

File consists of records related to the exhibition 'Man at Leisure and Play' organized and toured by the National Gallery of Canada and presented at Dalhousie Art Gallery in November 1970.

Records consist of a newspaper clipping, correspondence of Evelyn Holmes (Curator, Dalhousie Art Gallery) and Ernest Smith (Director, Dalhousie Art Gallery), a packing list, and a notice from the Maritime Art Association (M.A.A).

File consists of records related to the exhibition 'Man and His Environment' organized by the National Gallery of Canada and presented at Dalhousie in April 1970.

Records consist of a packing list, two newspaper clippings, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and the National Gallery of Canada.

File consists of records related to the exhibition of works by sculptor Louis Stokes entitled "Alchemy Spirals," presented at the Dalhousie Art Gallery from January 31 to February 24, 1980.

Records are divided into 6 folders: folder 9 - administrative files; folder 10 - grant application; folder 11 - report; folder 12 - publicity and advertising; folder 13 - financial; folder 14 - photographs.

Note:
- foler 9 'administrative files' contains proposed outline, biography, resume, exhibit agreement, correspondence, packing instruction, and transportation.
- folder 12 'publicity and advertising' contains advertising, clippings, reviews, exhibition texts, exhibition pamphlet, and catalogue order.
- folder 13 'financial' contains insurance, budget, payment, invoices, expenses (business records), final expense report.

File consists of records related to a retrospective exhibition of artwork by Louis de Niverville, organized by the Robert McLaughlin Gallery, Oshawa. The exhibition was presented at Dalhousie Art Gallery from December 21 to January 14, 1979.

Records consist of clippings, media releases, exhibition itineraries, correspondence, and other administrative documents.

File contains seven letters (three typed and four hand-written), written between 1972 and 1973, by David B. Lord (from Jacksonville, FL). Five of the letters are addressed to Kenneth Leslie, while one is addressed to his wife, Nora, and another addressed to Kurt Anderson (New York, NY), with Kenneth Leslie and George Bilankian carbon-copied.

The first letter, dated March 25, 1972, addresses Lord's appreciation of Leslie's poetry, discusses the passing of Lord's acquaintance Harold Cohn and a misdeed the Cohn had done to Lord, as well as a request for more copies of the previous issue of New Man.

The following two letters are dated June 12, 1972. The first, addressed to Nora, expresses his closeness to her despite Lord's not having met her, having heard good things from a mutual friend in California. The other letter, addressed to Kenneth but undated (same stationery and ink), expresses Lord's regret at taking so long to answer the previous message. Lord expresses his disgust with "the shame of Vietnam" and of "Tricky Dick [...] claiming to be a Quaker, with Billy Graham as his co-pilot" as being a "good example of religion at its lowest", but expressing admiration of the "young, protesting with their bodies, but [that] the sadistic pigs are having their field day."

The fourth letter, dated December 10, 1972 and addressed to Kurt Anderson, responds to Anderson's article "From life to money to body counts" which appeared in the October 1972 issue of The Churchman. It includes excerpts from Kenneth Leslie's and George Bilankian's responses to the same article.

The fifth is a postcard sent from France, dated January 12, 1973, expressing the view that "America has failed the world."

The sixth is a handwritten four-page letter of the same date, from Foix, Languedoc, draws comparisons between the present destruction of Vietnam with the past "attempted destruction" of the "Albigensian civilization", addressing how one should address to the "hopeless disaster" while living in a country that now seems "resigned to its fate". Lord also is reminded of an article he wrote for The Protestant "more than thirty years ago" entitled 'The spirit of crucified Spain'.

In the final letter, dated March 10, 1973, Lord expresses his pleasure at having returned from France to an awaiting copy of 'O'Malley to the Reds', recounts his visit with George Bilankian in London, and remarks on the "history of dissent" found while following his family trail through genealogical work. He mentions being "indebted to Rev. James B. Leslie, M.A. Rector of Kilsaran" for directing Lord's research efforts in the right direction.

File consists of records related to the L. L. (Lionel Lemoine) Fitzgerald exhibition organized by the National Gallery of Canada and presented at Dalhousie Art Gallery in March 1967.

Records consist of lists of works, contractual documents, a condition report, and a letter to Evelyn Holmes regarding exhibition fees.