Invoice from Sowelu Inc. for bookkeeping services
- MS-5-16, Box 4, Folder 5
- File
- June 22, 2001
Part of Upstream Music Association fonds
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Invoice from Sowelu Inc. for bookkeeping services
Part of Upstream Music Association fonds
Invoices from Symphony Nova Scotia
Part of Upstream Music Association fonds
Japan-Canada concert and rehearsals
Part of Upstream Music Association fonds
Japan-Canada Concert with Akikazu Nakamura and Miwa Inaba
Part of Upstream Music Association fonds
Job descriptions and contracts for positions in the Upstream Music Association
Part of Upstream Music Association fonds
Part of Upstream Music Association fonds
Cram, Paul
Part of Upstream Music Association fonds
Cram, Paul
Labels for Upstream excerpts audio cassette
Part of Upstream Music Association fonds
Les mouton à l'abattoir : [score]
Part of Upstream Music Association fonds
Cram, Paul
Letter from Paul E. Vandall Jr. to the Upstream Music Association
Part of Upstream Music Association fonds
Manufacturing and distribution records of Open Waters CD
Part of Upstream Music Association fonds
March of the Philistines : saxophone in E-flat and clarinet in B-flat
Part of Upstream Music Association fonds
Cram, Paul
Mediterranean eyes : version for small orchestra : [score]
Part of Upstream Music Association fonds
Tittle, Steve
Memorandum of association and by-laws of Upstream Music Association
Part of Upstream Music Association fonds
Memorandum of association and by-laws of Upstream Music Association
Part of Upstream Music Association fonds
Memorandum of association and by-laws of Upstream Music Association
Part of Upstream Music Association fonds
Minutes and correspondence of the Board of Directors
Part of Upstream Music Association fonds
Minutes of the annual general meeting of the Upstream Music Association
Part of Upstream Music Association fonds
Minutes of the Board of Directors
Part of Upstream Music Association fonds
Minutes of the Board of Directors
Part of Upstream Music Association fonds
Minutes of the Board of Directors
Part of Upstream Music Association fonds
Minutes of the Board of Directors
Part of Upstream Music Association fonds
Minutes of the Board of Directors
Part of Upstream Music Association fonds
Minutes of the Board of Directors
Part of Upstream Music Association fonds
Minutes of the Board of Directors
Part of Upstream Music Association fonds
Minutes of the Board of Directors
Part of Upstream Music Association fonds
Minutes of the Board of Directors
Part of Upstream Music Association fonds
Minutes of the Board of Directors and edits to the Memorandum of Association
Part of Upstream Music Association fonds
Minutes of the Board of Directors, correspondence, and financial statements
Part of Upstream Music Association fonds
Minutes of the Board of Directors, correspondence, and financial statements
Part of Upstream Music Association fonds
Minutes of Undercurrent meetings
Part of Upstream Music Association fonds
Minutes of Undercurrent records meeting
Part of Upstream Music Association fonds
Minutes, budgets, and correspondence of the Artistic Directors
Part of Upstream Music Association fonds
Minutes, correspondence, and financial statements for the Board of Directors
Part of Upstream Music Association fonds
Monk on time : clarinet in B-flat
Part of Upstream Music Association fonds
Cram, Paul
Mountains of madness : concert pitch
Part of Upstream Music Association fonds
Muraille de Cayne : tenor saxophone
Part of Upstream Music Association fonds
Part of Upstream Music Association fonds
My 20th century multimedia concert : music/video/theatre : [poster]
Part of Upstream Music Association fonds
Part of Upstream Music Association fonds
Subseries contains the conductor’s score, instrumental, and vocal parts used for the premiere performance of Nasca Lines by Barry Guy. Nasca Lines is a one-hour, seven-part work that was commissioned by the Upstream Ensemble and premiered in collaboration with the Symphony Nova Scotia on June 3, 2001 at the Scotia Festival with conductor and composer, Barry Guy.
The composition is named after and inspired by the geoglyphs in the Nazca Desert, Peru, which include outlines of animals and various geometric shapes. Graphical representations of a selection of these geoglyphs are used in the graphic notation of this score, particularly in parts 3 and 7.
Nasca Lines is an atonal work that uses a combination of composed material, based on tone rows and pitch class sets, and guided improvisation. There are twenty instrumental parts and one vocal part.
Nasca lines : accordion, Irish harp, and synthesizer
Part of Upstream Music Association fonds
Nasca lines : Alan Davie texts
Part of Upstream Music Association fonds
Guy, Barry
Nasca lines : alto saxophone in E-flat and soprano saxophone in B-flat
Part of Upstream Music Association fonds
Nasca lines : baritone saxophone in E-flat
Part of Upstream Music Association fonds
Nasca lines : bass clarinet in B-flat
Part of Upstream Music Association fonds
Part of Upstream Music Association fonds
Nasca lines : clarinet in B-flat
Part of Upstream Music Association fonds
Nasca lines : conductor's score
Part of Upstream Music Association fonds
Part of Upstream Music Association fonds
Part of Upstream Music Association fonds