- MS-5-21, Box 9, Folder 30
- Item
- 1999
Part of Paul Cram fonds
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Part of Paul Cram fonds
Spectacles : [performance instructions]
Part of Upstream Music Association fonds
Part of Upstream Music Association fonds
Moore, Sandy
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Naylor, Steve
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Cram, Paul
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Bauer, Bob
Scores for Paul Cram's "Down to Earth" and "Hammer and Tongs"
Part of Paul Cram fonds
Scores catalogued by the Canadian Music Centre (CMC)
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Cram, Paul
Part of Paul Cram fonds
Ronald St. John Macdonald’s personal records
Part of Ronald St. John Macdonald fonds
Ronald St. John Macdonald’s memorabilia
Part of Ronald St. John Macdonald fonds
Ronald St. John Macdonald fonds
Macdonald, Ronald St. John, 1928-2006
Riffs a la rondo : [for piano]
Part of Upstream Music Association fonds
Palmer, Chris
Rest Christian calmly : [choral score]
Part of John Daniel Logan fonds
Research and program notes for composers G to L
Part of Anthony Pugh fonds
File contains drafts of, and research for, program notes by Anthony Pugh pertaining to the following composers: Giovanni Gabrieli, Francesco Geminiani, George Gershwin, Alexander Glazounov, Christoph Willibald Gluck, Mikhail Glinka, Edvard Grieg, Johan Halvorsen, George Frideric Handel, Franz Joseph Haydn, Paul Hindemith, Josef Holbrooke, Arthur Honnegger, Johann Nepomuk Hummel, Gustav Holst, Charles Ives, Dmitry Kabalevsky, Aram Khachaturian, Zoltan Kodaly, Édouard Lalo, Witold Lutoslawski, and Fritz Kreisler. As part of his research, Pugh analyzed music scores, and the annotated scores for Zoltan Kodaly's Cello Sonata, Op. 8 and Charles Ives' "The Unanswered Question," are included in the file.
The file also includes two programs for which Pugh wrote program notes: a concert presented by University of New Brunswick and Saint Thomas University Creative Arts society, "I Musici de Montreal" with Yuli Turovsky, conductor and cellist; and a Creative Arts concert by the resident musicians of UNB (January 29, 1989). Two other programs from concerts by the Liverpool Philharmonic Society are included as they were part of his research. The file also includes a letter to Anthony Pugh from "Don" (dated August 25, 1957 from Keele, England), which includes information on Hindemith.
Requiem for solo voices and chorus
Part of John Daniel Logan fonds
Verdi, Giuseppe
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Cram, Paul
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
One heart broken into song : [parts]
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Nova Scotia Mass Choir : [musical scores and lyrics]
Part of Joy O'Brien fonds
File contains vocal scores and lyrics to songs performed by the Nova Scotia Mass Choir.
Titles include "By and By, Lord," "Come Unto Me," "Go Tell It On The Mountain," and others.
Nova Scotia Mass Choir : [musical scores and lyrics]
Part of Joy O'Brien fonds
File contains vocal scores and lyrics to songs performed by the Nova Scotia Mass Choir.
Titles include "The Lord is my Shepherd," "Nobody Knows the Trouble I've Seen," "Save the Children," and others.
Part of Upstream Music Association fonds
Naylor, Steve
Neither fire nor place : [score]
Part of Upstream Music Association fonds
Frith, Fred
Nature of the beast / Paul Cram
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Subseries contains the conductor’s score, instrumental, and vocal parts used for the premiere performance of Nasca Lines by Barry Guy. Nasca Lines is a one-hour, seven-part work that was commissioned by the Upstream Ensemble and premiered in collaboration with the Symphony Nova Scotia on June 3, 2001 at the Scotia Festival with conductor and composer, Barry Guy.
The composition is named after and inspired by the geoglyphs in the Nazca Desert, Peru, which include outlines of animals and various geometric shapes. Graphical representations of a selection of these geoglyphs are used in the graphic notation of this score, particularly in parts 3 and 7.
Nasca Lines is an atonal work that uses a combination of composed material, based on tone rows and pitch class sets, and guided improvisation. There are twenty instrumental parts and one vocal part.
Muraille de Cayne : tenor saxophone
Part of Upstream Music Association fonds
Mountains of madness : concert pitch
Part of Upstream Music Association fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Part of Paul Cram fonds
Monk on time : clarinet in B-flat
Part of Upstream Music Association fonds
Cram, Paul
Mediterranean eyes : version for small orchestra : [score]
Part of Upstream Music Association fonds
Tittle, Steve
March of the Philistines : saxophone in E-flat and clarinet in B-flat
Part of Upstream Music Association fonds
Cram, Paul
Part of Paul Cram fonds
Les mouton à l'abattoir : [score]
Part of Upstream Music Association fonds
Cram, Paul
Part of Upstream Music Association fonds
Cram, Paul
Part of Paul Cram fonds
Part of Upstream Music Association fonds
Cram, Paul