1981 list of Directors at Eye Level Gallery
- MS-3-35, Box 18, Folder 12, Item 17
- Item
- 1981
Part of Eyelevel Gallery fonds
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1981 list of Directors at Eye Level Gallery
Part of Eyelevel Gallery fonds
1983/84 overview for the Eye Level Gallery
Part of Eyelevel Gallery fonds
20th century European sculpture
Part of Dalhousie Art Gallery fonds
File consists of records relating to the exhibition entitled '20th century European sculpture,' organized and circulated by the Montreal Museum of Fine Arts. The exhibition was presented at the Dalhousie Art Gallery from March 28 to April 28, 1985.
Records consist of correspondence, exhibition contract agreements, budgets, publicity material created by the Montreal Museum of Fine Arts, news release re. the lecture series was being held in conjunction with the exhibition held at the Dalhousie Art Gallery, and two photocopies of the lecture series posters.
3 letters to artists requesting board membership from Michael Fernandes at Eye Level Gallery
Part of Eyelevel Gallery fonds
A letter regarding the Joseph Howe Festival
Part of Eyelevel Gallery fonds
A little taste group exhibition
Part of Eyelevel Gallery fonds
Advertisement for the Director position at Eye Level Gallery
Part of Eyelevel Gallery fonds
Agenda and minutes from a Board of Directors meeting held on September 6, 1983
Part of Eyelevel Gallery fonds
Agenda and minutes from Board of Directors meeting held on November 9, 1982
Part of Eyelevel Gallery fonds
Agenda and minutes from Board of Directors meeting held on September 30, 1982
Part of Eyelevel Gallery fonds
Part of Eyelevel Gallery fonds
Agenda for an Eye Level Gallery meeting
Part of Eyelevel Gallery fonds
Agenda for board meeting held on December 18, 1975
Part of Eyelevel Gallery fonds
Agenda for board meeting held on May 3, 1982
Part of Eyelevel Gallery fonds
Agenda for Board of Directors meeting, September 9, 1982
Part of Eyelevel Gallery fonds
Fonds includes Alan Creighton's diaries, which cover many of the years from 1920 to 2000. Writings from the period 1920 to 1954 (many undated) are mainly short stories and poems. These writings include handwritten and typed, complete and incomplete, and published and unpublished works. There is also some correspondence throughout as well as copies of his two books of poetry. The fonds includes writings with titles such as "About Poetry," "Poetry Courses," "Thoughts," "Music & Art," and "Bedford Basin." His notebooks include evidence of a variety of courses taken, including French and Greek, music, poetry, and art (both practice and history, including Chinese art). There is also a record of his art sales from 1964 to 1999. Personal and family documents are included in the fonds.
Alan Creighton's artwork is extensive and primarily in the form of sketches and watercolours, with a few oil paintings. Many of his sketches are in albums, many of which are used exclusively for one particular aspect of his studies. For example, album labels include "People," "Trees," "Skies," "Rock Formations," "Buildings," "Railway Sketches" (scenes from train journeys), and "Outdoors." Others identify a place and time and include such labels as "At the Zoo," "Nova Scotian Sketches 1951," "South Shore 1982," and "Toronto 1996." Still others contain a mixture of styles and themes. There are also numerous loose sketches and watercolours which have been loosely arranged into similar groupings such as "Clouds," "Boats," "Flowers," and so forth. Photograph albums include photos of family and of scenes taken by Alan as a reference for future paintings.
Included with Alan Creighton’s personal items are papers, writings, art, and memorabilia belonging to his friend and roommate Christine Eyles, who died without heirs. Some relate to her employment as a violinist in England and in Toronto, Ontario and some contain her poetry, plays, and artwork (in sketchbooks and on loose paper). Published and handwritten music scores, mostly for the violin, are also included. A photograph album contains many formal portraits of family and friends taken in England in the early 20th century. Records also include papers by and about her father, Charles Eyles, a famous violin-maker. Such materials include advertisements, brochures, and letters attesting to the high quality of his craftsmanship.
Creighton, Alan
Alligator / Henry Orenstein : [art piece]
Part of Joan and Henry Orenstein fonds
Part of Dalhousie Art Gallery fonds
File consists of records related to the exhibition of works by sculptor Andrew Bodor, funded by the Canada Council, presented at the Dalhousie Art Gallery from September 18 to October 19, 1980.
Records consist of correspondence and administrative documents (business office correspondence) regarding grant applications and budgets, exhibition text including introduction and biography, and postcards.
Art Gallery of Nova Scotia journal. Vol. 15/2
Part of Joan and Henry Orenstein fonds
Art Gallery of Toronto's Contemporary Canadian Arts exhibition catalogue
Part of Joan and Henry Orenstein fonds
Artist statement for The Glass Bead Game by Timothy Watters
Part of Centre for Art Tapes fonds
Part of Eyelevel Gallery fonds
Board of directors meeting minutes
Part of Eyelevel Gallery fonds
BOGACH: If we were any good we wouldn't be here (a long song & dance)
Part of Eyelevel Gallery fonds
Bruce Oland's correspondence related to the Rowley Murphy's collection of drawings and paintings
Part of Oland family fonds
Canada's progressive Jewish magazine outlook. Vol. 36. No. 6
Part of Joan and Henry Orenstein fonds
Carleton Stanley's address to the Art Association
Part of President’s Office fonds
Cash flow projection for the period 15 Feb. to 30 June, 1984 : [report]
Part of Eyelevel Gallery fonds
Catalogue of Henry Orenstein's prints and paintings
Part of Joan and Henry Orenstein fonds
Catherine Creighton and family fonds
Fonds consists of papers created and/or accumulated by Catherine Creighton and her family, including those of her husband Graham and children Edith, Anna, Lois, Frieda, and Howard. While the fonds includes correspondence from Wilfred Creighton to his siblings and parents, Wilfred's papers are not included as a sous-fonds within the fonds.
The bulk of the fonds consists of correspondence from family and friends, but also includes diaries, photographs, financial papers, personal papers, memorabilia, print materials, scrapbooks, articles, and artwork. Records in the fonds provide a well-rounded depiction of the family's daily activities and lives - from their relationships with each other, their extended family, and their community, to their financial status, values, education, and careers.
Creighton Family
CBC 1972 Festival of Music programs featuring Henry Orenstein's sketches
Part of Joan and Henry Orenstein fonds
CBC Radio program pamphlets featuring Henry Orenstein's sketches
Part of Joan and Henry Orenstein fonds
CBH Radio program pamphlets featuring Henry Orenstein's sketches
Part of Joan and Henry Orenstein fonds
Centre for Art Tapes
Centre for Art Tapes tape collection
Centre for Art Tapes
Chappo/Chapeau / by Sara Shelton Mann
Part of Eyelevel Gallery fonds
Contact sheet of photographs from the 1985 Arts and Culture Assembly
Part of Centre for Art Tapes fonds
Contact sheet of photographs from the 1985 Arts and Culture Assembly
Part of Centre for Art Tapes fonds
Contact sheet of photographs of Cathy Quinn's performance at the 1985 Arts and Culture Assembly
Part of Centre for Art Tapes fonds
Contact sheet of photographs of The Glass Bead Game installation by Timothy Watters
Part of Centre for Art Tapes fonds
Part of Eyelevel Gallery fonds
Correspondence between Brian Paul and Michael Fernandes
Part of Eyelevel Gallery fonds
Correspondence between Garry Conway and Roger Savage
Part of Eyelevel Gallery fonds
Part of Joan and Henry Orenstein fonds
Correspondence between the Eye Level Gallery and the Dalhousie University President
Part of Eyelevel Gallery fonds
Correspondence regarding Marina Stewart becoming a board member
Part of Eyelevel Gallery fonds
Correspondence to Canada Council
Part of Eyelevel Gallery fonds