Item is a poster advertising a concert at Saint Mary's University Art Gallery sponsored by Canada Council Explorations Program and Nova Scotia Department of Tourism and Culture, featuring Paul Cram, saxophone; Sandy Moore, Irish harp and synthesizer; Bob Bauer, guitar; Steve Tittle, trumpet and flugel horn; Tom Roach, percussion; Don Palmer, saxophone and flute; Steven Naylor, keyboards; and Jeff Reilly, clarinet and bass clarinet.
File contains two copies of a poster, newspaper clippings, and a program for a concert by the Halifax Camerata Singers as part of the Saint Cecilia concert series. The file also includes a pamphlet for the 1994-1995 concert series and a copy of "Camerata News" (Volume 3, no. 1), the Singers newsletter.
File contains a program for a concert by the Halifax Camerata Singers, performed in collaboration with the Cantabile Singers of Truro, members of Symphony Nova Scotia and guest soloists (Lorraine Thompson, Susan MacKay, Nancy Chisling, Douglas Rose, Ray Grant, Sue Doran, Christopher Francis, David Loughead and Gordon Murray). The file also includes a pamphlet for the Saint Cecelia 1992-1993 concert series and a newspaper clipping of a review of the concert.
File contains a program and newspaper clippings from a performance by the Halifax Camerata Singers in collaboration with the Truro Cantabile Singers, performed as part of the Saint Cecilia 1993-1994 concert series.
File contains a program for a concert featuring the Halifax Camerata Singers, Linda Verbier, David Murray, Pamela MacDonald, the Niagara Brass Ensemble, George Maxmann, Scott MacMillan, and Olga Milosevich. The concert included the world premiere of "The Three that Seek My Heart" by Scott MacMillan. The file also includes an account of tickets sold by the Halifax Camerata Singers for the concert and two newspaper clippings. The concert celebrated the fifth anniversary of the Saint Cecilia concert series in Halifax, Nova Scotia.
File contains a program for the 1995-1996 Saint Cecilia concert series, which included a performance of Mendelssohn's Elijah by the Halifax Camerata Singers, Cantabile Singers of Truro, Cape Breton Chorale, and Kings Chorale, conducted by Jeff Joudrey, with Symphony Nova Scotia at the Rebecca Cohn Auditorium in Halifax, Nova Scotia. The file also includes a copy of the Nova Scotia Choral Federation's magazine Chorus, and newspaper clippings advertising the concert.
File contains two sets of parts for Paul Cram's "Royal Hotel." The first has "Words — Michael Ondaatje" printed at the top and includes parts for voice 1; tenor; trumpet; guitar; violin; baritone; bass; and drums. The second set is marked with the SOCAN copyright date 2005 and includes parts for Eb soprano; alto; bass; tenor; trumpet; guitar; violin; bass clarinet; drums; electric bass; and stereo grand. There is a single part for audio 1 that appears to be from a different printing.
Item is an audio cassette with a recording of a performance at the St. Mary's University Art Gallery by the Upstream Ensemble with members of Symphony Nova Scotia.
Item is an audio cassette with a recording of a performance by the Upstream Ensemble. The container label identifies "Part the 1st" and "Part the 2nd".
Item is a piano arrangement of one of the folk songs from "Huits Chants Populaires pour Orchestre" by Anatoly Lyadov (also spelled Liadov), which was originally written in 1905. The score is dated August 15, 1916 at San Sebastien and accompanied by a note from Scribner's publishing house that the score is an original manuscript of the composer's arrangement for pianoforte solo. However, Liadov died August 28, 1914. The publisher's note also indicates that it was previously part of the collection of Serge Diaghileff (Diaghilev).
Subseries consists of Ronald St. John Macdonald's items of interest collected throughout his life, including biographical materials, art pieces, newspaper clippings, periodicals, books, and other materials.
Fonds comprises Ronald St. John Macdonald's records regarding his personal, academic, and professional activities as a jurist, judge, and professor. Records include those related to Macdonald's involvement with Osgoode Hall, University of Western Ontario, University of Toronto, Dalhousie University, the European Court of Human Rights, the Hague, Peking University, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Records types include correspondence; meeting minutes and agendas; research materials; photographs; newsletters; newspaper clippings; manuscripts; and off-prints.
File contains a score and annotated trumpet part for Paul Cram's "Revolutions 2008." The score is for violin, trumpet, alto sax, tenor sax, bass clarinet, guitar, piano, electric bass and drums.
File contains an eight-page annotated guitar part and a four-page annotated tenor part for Paul Cram's "Revolutions." There is also one page of graphic notation for insertion at bar 211.
File contains parts for "Revolutions," a concert work composed by Paul Cram for the Upstream Ensemble in 1992. Parts include trombone, drums, alto saxophone (reed one), tenor saxophone (reed two), bass clarinet (reed three), trumpet, cello, guitar, piano, and bass.
Item is the manuscript for a hymn "Rest Christian Calmly," with words by Jessie P. MacKay and music by Addie MacKay. The music is for four-part chorus (soprano, alto, tenor, and bass) and is in F Major with four verses.
File consists of various research materials on music collected by Anthony Pugh. The file includes the newsletter of the New Brunswick Registered Music Teachers' Association (January 1972); correspondence from the Institute for Bach Studies; list of music positions and organizations in the Fredericton area; a chronological list of music compositions; and two program notes written by Anthony Pugh.
File contains research notes pertaining to Alban Berg, used by Anthony Pugh for the writing of program notes. The file includes photocopied pages on Berg's opera "Woyzeck", a copy of program notes by A.K. Holland and Basil Horsfield for a performance by the Royal Liverpool Philharmonic Society, and a program (with notes) for a concert by the BBC Symphony Orchestra.
File contains research notes by Anthony Pugh and three programs for performances of Claude Debussy's opera "Pelléas et Mélisande" by the Orchestre National de France and Choeur de Radio France, the Canadian Opera Company, and at the Krannert Center for the Performing Arts (University of Illinois at Urbana-Champaign).
Series contains clippings on music, Canadian literature, J.J. Stewart, and Allen M. Reid, as well as a scrapbook compiled by Reid on church organ music and organs. Series also contains research notes and materials for essays and lectures.
File contains research notes and drafts of program notes by Anthony Pugh pertaining to the music of William Walton. The file also contains programs used in his research from the Royal Liverpool Philharmonic Society.
File contains research notes and drafts of program notes by Anthony Pugh pertaining to the music of Giuseppi Verdi. The file also contains programs used in his research from the University of Bristol, Glyndebourne Festival, and the Hippodrome in Bristol. The file also includes a newspaper clipping about the Glyndebourne Opera Company's production of "Falstaff" by Giuseppi Verdi.
File contains drafts of program notes by Anthony Pugh pertaining to the music of Ralph Vaughan Williams. The file also includes Pugh's analytical notes on the London Symphony and programs used in his research from the Liverpool Philharmonic Society, Cambridge University Musical Society, and "His Master's Voice" gramophone record. The file also includes two newspaper clippings about Vaughan Williams' performances.
File contains a draft of program notes by Anthony Pugh for String Quartet no. 2 by Michael Tippett. The file also includes a program from the Liverpool Philharmonic Society used in Pugh's research and a newspaper clipping with a profile article on Tippett.
File contains drafts of program notes by Anthony Pugh and research materials concerning the music of Igor Stravinsky. The file includes three programs, as part of Pugh's research material, from the BBC Symphony Orchestra, Liverpool Philharmonic Society, and Edinburgh International Festival.
File contains drafts of program notes by Anthony Pugh and research materials concerning the music of Richard Strauss. The file includes a notebook with handwritten excerpts (written by Pugh) from Strauss's Till Eulenspiegels lustige Streiche, Op.28.
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Jean Sibelius. The file also includes a Toronto Symphony Orchestra program that Pugh used in his research.
File contains drafts of program notes and research notes by Anthony Pugh pertaining to works by Dmitri Shostakovich. The file also includes two programs that Pugh used in his research from the Edinburgh International Festival and Saison Musicale de Radio France. Included in his research notes are handwritten excerpts by Pugh from various pieces by Shostakovich.
File contains drafts of program notes by Anthony Pugh pertaining to works by Robert Schumann, as well as complete programs from concerts presented by the Creative Arts Committee of the University of New Brunswick and Saint Thomas University (for which Pugh regularly wrote program notes). The file also contains a program from a concert produced by Jeanine Roze, which Pugh used for his research.