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Material relating to Colonel Sidney C. Oland's Estate

File consists of correspondence from Stewart MacKeen & Covert to Norman Stanbury; from John Jay, Canadian Plant and Process Engineering Limited to Doug Mathews, Stewart MacKeen & Covert and a copy of part of the Colonel Sidney C. Oland's estate will.

Material concerning the property in Upper Sackville purchased by Culverwell Holdings Limited from Lewis Leroy Maxwell

File consists of a legal description of lands owned by L. Leroy Maxwell prepared by Paul Wendt, consulting engineer; the indenture between Lewis Leroy Maxwell, Anna Mabel Maxwell and Culverwell Holdings Limited; statutory declaration; a memo referring to the transfer of property and correspondence.

Massey medals 1970

File consists of records relating to the exhibition 'Massey Medals for Architecture 1970', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from November 1-30, 1971.

Records consist of a condition report, exhibition agreement contract, descriptive exhibition text and packing lists, correspondence with the National Gallery, handwritten notes, and a press release from the Royal Architecture Institute of Canada (RAIC) regarding the finalists and winning entries for the Massey Medals Awards Competition.

Massey landscapes collection exhibition

File consists of records related to the exhibition 'Massey Collection: Landscapes', organized an circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery in November 1966.

Records consist of an exhibition catalogue, box list, contractual documents, invoices, and correspondence.

Massey bequest

File consists of records related to the circulation of the 'Vincent Massey Bequest' exhibition of Canadian Paintings organized by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery from October 15 to December 5, 1971.

records consist of loan and packing lists of artworks being loaned for the exhibition, a condition report, loan agreement forms, and correspondence between the Dalhousie Art Gallery and the National Gallery of Canada.

"Masks without masquerades" (African masks) exhibition

File consists of records related to the Mask Without Masquerades exhibition held at Dalhousie Art Gallery from February 6 to March 3, 1974. The exhibition planned in conjunction with Dr. Jacqueline Fry (Department of Anthropology of the University of Montreal) and the Dalhousie committee on African studies.

Records consist mainly of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and Jacqueline Fry (Department of Anthropology, University of Montreal) regarding selecting pieces, catalogues shipments, list of owners, and material descriptions. File also contains insurance documents, invitation lists, interdepartmental memos, packing instructions, letters and loan agreement forms, newspaper clippings, a slide (untitled), and incoming letters from the Royal Ontario Museum, the New Brunswick Museum, and the National Museum of Canada regarding transferring African masks.

Mary Vingoe's correspondence with Canadian theatre companies regarding her play Living Curiosities

File contains correspondence with companies including Alberta Theatre Project; Young People's Theatre; Belfry Theatre; Prairie Theatre Exchange; Great Canadian Theatre Company; North Light Theatre; Canadian Stage Company; Caravan Farm Theatre; and others. There are also readers' comments, memorandums of agreement, and records regarding the play's inclusion in the anthology Adventures for (Big) Girls.

Mary Vingoe's Canadian Actors' Equity Association artists' contracts

File includes contracts for The Studhorse Man, One on the Way, Black and Blue (Factory Theatre Lab), The Railroad Show, The True Story of Ida Johnson, The Singular Life of Albert Nobbs, and Another Story. There is also one ACTRA contract with CBC for Homefires, and a 1981 Canadian Equity newsletter outlining salary adjustments.

March 11, 1971 inaugural exhibition Dalhousie art gallery - arts center

File consists of records related to organizing artworks and exhibitions to be shown at the Dalhousie Art Gallery during March 1971, to coincide with the Dalhousie Art Gallery official opening at it's current home in the then newly built Dalhousie Art Centre.

Records consist of plans for exhibitions, bequest agreements, and correspondence regarding the loan of artworks from other galleries.

Manuscripts, correspondence, and contract for film adaptation of Letter from Matt Arthur's Fishpond

File contains multiple drafts of a teleplay adapted by Chris Heide from the short story published in Canadian Fiction Magazine, as well as correspondence, a contract, and a chronology of events beginning with the submission to CBC Television Drama and ending with a cancelled contract with National Film Board.

Lynch Greater Exposition Shows contract forms

File contains five copies of Lynch Greater Exposition Shows contract forms. The stipulations include supplying a show suitable for ladies and children, the right to cancel the contract in the occurrence of unforeseen circumstances such as cyclones or war, and a space to set out the required number of performances per week. It specifies that the contract is for Canada only, but that the salary will be paid half in American and half in Canadian dollars.

L.L. Fitzgerald

File consists of records related to the L. L. (Lionel Lemoine) Fitzgerald exhibition organized by the National Gallery of Canada and presented at Dalhousie Art Gallery in March 1967.

Records consist of lists of works, contractual documents, a condition report, and a letter to Evelyn Holmes regarding exhibition fees.

Lewis, J. and Sons fonds

  • MS-4-128, SF Box 3, Folder 2
  • File
  • 1920-1968
This fonds comprises three property deeds between George and/or Frank Lewis, of J. Lewis and Sons, and other parties.

J. Lewis and Sons, Ltd.

Letter of agreement between Dalhousie University and the University of Malta, Msida

File includes a letter to the director of the International Office at University of Malta regarding the agreement, which notes a particular interest in institutional cooperation in the areas of marine science, marine law, coastal zone management and other areas concerned with oceans/marine affairs and the area of humanities, specifically classics, history and literature.

Lesbian Gay Bisexual Youth Project summer retreats 2000-2001

File contains materials relating to Lesbian Gay Bisexual Youth Project summer retreats from 2000-2001. Materials include registration forms, correspondence, invoices, contracts, travel itineraries, budgets, notes, and news clippings.

Lawren P. Harris exhibition

File consists of records related to the exhibition 'Lawren Phillips Harris Retrospective', organized and circulated by the National Gallery of Canada. The exhibition was presented at Dalhousie Art Gallery in December 1972.

Records consist mainly items of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and others. Including loan agreement forms, condition reports, insurance files, and others. Correspondents include: staff at the National Gallery of Canada, Lawren P. Harris, Christopher Gabriel-Lacki (Curator, Sir George Williams University Art Gallery) and other galleries. File additionally contains four photographs of paintings.

Landed immigrant

File contains documents related to Alexander Leighton's landed immigrant status. Documents include correspondence, forms, immigration records, applications, affidavits, and receipts.

Joseph Sleep

File consists of records related to the exhibition of paintings by Joseph Sleep, held at Dalhousie Art Gallery from September 16 to October 2, 1975.

Records consist of a loan agreement, a biography, a list of expenses, a price list of artworks, a newspaper clipping, interdepartmental memo, a floor plan, and draft letter-size poster and poster order form.

John Will and Marvin Jones

File consists of records related to the planning of a joint exhibition of works by John Will and Marvin Jones, organized and circulated by Glenbow-Alberta Institute and presented at Dalhousie Art Gallery from September 4-28, 1975.

Records consist of correspondence with other galleries, a floor plan, a list of expenses, and a loan agreement form.

John and Joice Hall

File consists of records related to a joint exhibition of artworks by John and Joice Hall, titled John Hall: Paintings, and Joice Hall: Celebration Landscapes. The exhibition was presented at Dalhousie Art Gallery from July 5-31, 1976.

Records consist of correspondence, a news release, a list of artworks, financial statement for exhibition expenses and interdepartmental memos, a floor plan, loan agreements, and clippings. Records also include photographic prints of paintings.

Joe Plaskett and his Paris - a search for time past exhibition

File consists of records related to the Joe Plaskett and His Paris - A Search for Time Past Exhibition, held at the Dalhousie Art Gallery from February 15 to March 15, 1973.

Records consist of contractual documents between Dalhousie Art Gallery and the National Gallery of Canada, including agreement forms and sales policy.

Independent artists projects policy engagement contracts

File contains six contracts related to Home First Production's 2010 production of the play Home by Colleen Wagner. Contracts are between Home First Productions and Mary Vingoe (director), Karren Bassett, John Beale Jr., Mary-Colin Chisholm, David Hughes, and Sarah English (performers). File also includes a letter from the Canadian Actors' Equity Association and a copy of the association's independent artists projects policy.

Image 6/Federation des centres culturels de la province de Quebec inc. December 1971

File consists of records relating to the presentation of 'Image 6', an exhibition organized by the Still Photography Division of the National Film Board, and circulated through the Atlantic Provinces Art Circuit (APAC).

Records consist of a condition report, correspondence between Dalhousie Art Gallery and staff of the National Film Board, a review of the exhibition, French-language documents regarding the reservation of the exhibition, a price list, and French-language descriptive text for the exhibition.

I Ain't Dead Yet — Mermaid Theatre original production

File includes correspondence, notes, manuscripts, a contract, evaluations forms, reviews and a chronology outlining the project from its conception as "Grandmother's Story" through to Christopher Heide's residency at Mermaid Theatre and the company's workshop production of "I Ain't Dead Yet."

I Ain't Dead Yet — correspondence and contract

File includes press materials, reviews and correspondence for The Lunenburg Playhouse Theatre's 1990 production of "I Ain't Dead Yet!" and correspondence with various theatres and directors about the possibility of mounting the play.
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