File contains two copies of a poster for a concert by the Halifax Camerata Singers, which took place at the Saint Benedict Parish in Halifax, Nova Scotia.
Item is a poster for the Nova Scotia Mass Choir's annual Martin Luther King concert, "I Have a Dream." The concert featured choir director, Owen Lee, and special guests, Patricia Shirley, Cyndi Cain, El Jones, J-Bru, Alondrea, and Asante.
Item is a poster for the Nova Scotia Mass Choir's annual Martin Luther King concert, featuring Gary Beals, Reeny Smith, host Moh Hashem, and director Marko Simmonds.
Item is a poster for Nova Scotia Mass Choir's annual Martin Luther King concert, "I Have a Dream," at the Rebecca Cohn Auditorium. Directed by Owen Lee, featuring guest artist Woody Woods.
Item is a copy of Steven Naylor's composition for flute, violin, oboe, trumpet, viola, clarinet, accordion, cello, bassoon, electric bass, bass clarinet, contrabass, and percussion. Each instrument plays a short phrase repeatedly until the end of the piece with entries staggered between instruments.
Item is a poster for "Heart and Soul," a benefit concert presented by the James A. MacPherson Memorial Society. The event featured performances by Lisa MacDougall, Linda Carvery, Jeremiah Sparks, the Nova Scotia Mass Choir, Touch of Hope, and others.
Item is a poster for "Heart and Soul," the second annual benefit concert presented by the James A. MacPherson Memorial Society on August 11, 2002. The event includes performances by Linda Carvery, Lisa MacDougall, John Dalton, and others.
File contains annotated parts for "Have a Heart," written by Paul Cram for the Paul Cram Orchestra. Parts include piano; alto saxophone; trombone; bass; trumpet; clarinet; guitar; cello; and drums.
File contains annotated parts for "Have a Heart," composed by Paul Cram for the Paul Cram Orchestra and performed on their May 2000 concert tour in Halifax, Toronto, Victoriaville, Quebec, and Ottawa. The composition was created in 1987 and revised in 1998. Parts include guitar, piano, trombone, bass, clarinet, drums, cello, reed 1 (alto sax); and reed 2 (tenor sax). File also contains a press release with tour details.
File contains parts for "Have a Heart," written by Paul Cram for the Paul Cram Orchestra. Parts include piano; alto saxophone; trombone; bass; trumpet; clarinet; guitar; cello; and drums.
Item is a poster for Harvey Millar's release party for the new album, "Milestones." The event was held at Hell's Kitchen in Halifax, Nova Scotia and featured guest artist, Shy Luv.
Item is a video recording of the Dalhousie Department of Theatre production of Happy End by Bertolt Brecht, Kurt Weill and Dorothy Lane, performed from 29 November to 3 December 1989. The production was directed by R.H. Thompson and produced by Dalhousie Theatre Productions with musical direction by Pierre Perron. The production was staged at the Sir James Dunn Theatre.
File contains a poster for a concert by the Halifax Camerata Singers in collaboration with Symphony Nova Scotia at the Rebecca Cohn Auditorium in Halifax, Nova Scotia.
File contains a poster for a concert by the Halifax Camerata Singers in collaboration with Symphony Nova Scotia, which took place at the Rebecca Cohn Auditorium in Halifax, Nova Scotia.
File contains a poster for a concert by the Halifax Camerata Singers in collaboration with Symphony Nova Scotia at the Rebecca Cohn Auditorium in Halifax, Nova Scotia.
File contains two programs for two performance of Handel's Messiah by Symphony Nova Scotia, conducted by Georg Tintner, with the Halifax Camerata Singers and Truro Cantabile Singers, directed by Jeff Joudrey. The concerts took place at the First United Church in Truro, Nova Scotia and at the Rebecca Cohn Auditorium in Halifax, Nova Scotia. The file also includes a newspaper review of the concert.
File contains a program for a performance by Symphony Nova Scotia, conducted by Georg Tintner, with the Halifax Camerata Singers and Truro Cantabile Singers, directed by Jeff Joudrey. The file also contains two newspaper clippings advertising the concert.
File contains two copies of a program for a concert by Symphony Nova Scotia, conducted by Georg Tintner, with the Halifax Camerata Singers and Cantabile Singers of Truro, directed by Jeff Joudrey. The programs also include flyers for upcoming concerts by Symphony Nova Scotia and the Halifax Camerata Singers.
File contains two programs for two performances of Handel's Messiah by Symphony Nova Scotia, conducted by Georg Tinter, with the Halifax Camerata Singers and Cantabile Singers of Truro, directed by Jeff Joudrey. The concerts took place at the DeCoste Entertainment Centre in Pictou, Nova Scotia and at the Rebecca Cohn Auditorium in Halifax, Nova Scotia. The file also contains two newspaper clippings of concert reviews.
File contains a poster for a concert by the Halifax Camerata Singers in collaboration with Symphony Nova Scotia, which took place at the Rebecca Cohn Auditorium in Halifax, Nova Scotia.
File is an audio cassette tape recorded by Sheila Piercey on November 22, 1985, with handwritten notes on the label inserted in the case that reads: "Handel - music for St. Cecilia Day, side 1: 1 to 7 side 2: 8 to 12, St Andrew's United Church, November 22, 1985, soprano soloist Sheila Piercey."
Item is an audio recording of Sheila Piercey singing "Handel: Ode for St. Cecilia's Day" at St Andrew's United Church in Halifax on November 22, 1985. Handwritten notes on the label inserted in the case read: "side 1(A): 1 to 7, side 2(B): 8 to 12." The recording is on side B of audio cassette.
Item is an audio recording of Sheila Piercey singing "Handel: Ode for St. Cecilia's Day" at St Andrew's United Church in Halifax on November 22, 1985. Handwritten notes on the label inserted in the case read: "side 1(A): 1 to 7, side 2(B): 8 to 12." The recording is on side A of audio cassette.
Item is a concert score for Paul Cram's Hall of Mirrors for koto, shakuhachi, soprano sax, tenor sax, bass clarinet, synthesizer/Irish harp, synthesizer/piano, and percussion. Koto tuning: C F G C# D E G# A B D# F# A# C.
Item is a revised concert score for Paul Cram's Hall of Mirrors for harp/synth, koto, shakuhachi, soprano sax, tenor sax, clarinet, cello, guitar, synth/piano, electric bass, and drums.
Item is an audio cassette with a recording of the concert work "Hall of Mirrors" composed by Paul Cram and performed by the Upstream Ensemble at CBC in Halifax, Nova Scotia.
Fonds consists of records created for and as a result of the performance activities of the Halifax Camerata Singers. Records include posters and programs from concerts\ and administrative and financial records from the Board of Directors of the not-for-profit society.
File contains two copies of a poster for a concert by the Halifax Camerata Singers in collaboration with the Rhapsody Quintet and Jeremy Webb, which took place at the Paul O'Regan Hall in the Halifax Central Library.
File contains an annotated one-page score for "Halifax—i," written for clarinet, bass clarinet, soprano sax, baritone sax, trumpet in Bb, drums, guitar, piano, violin and bass, and a transposed score for "Halifax—iii." There are also Bb parts for "Halifax—ii", "Halifax iv," and "Halifax v,"; and a drum part for "Halifax—ii."
Item is a video recording of the Dalhousie Department of Theatre production of The Good Woman of Setzuan by Bertolt Brecht as translated by Eric Bentley performed from 7 to 10 February 1996. The item is a recording of act II. The production was directed by Jure Gantar and produced by Dalhousie Theatre Department Productions with musical direction by John Scott. The production was staged at the David MacK. Murray Theatre.
Item is a video recording of the Dalhousie Department of Theatre production of The Good Woman of Setzuan by Bertolt Brecht as translated by Eric Bentley performed from 7 to 10 February 1996. The item is a recording of act I. The production was directed by Jure Gantar and produced by Dalhousie Theatre Department Productions with musical direction by John Scott. The production was staged at the David MacK. Murray Theatre.
Item is a manuscript of Edith J. Archibald's song for solo voice and piano in G Major entitled "Going West." The text for the song was written by Rev. Mrs. Ross(?) of Hamilton, Ontario.
File contains the sheet music for Edith J. Archibald's "God Bless Our Canada" and a manuscript version of the English lyrics for the anthem by Archibald. The song is written in F Major for four-voice chorus (soprano, alto, tenor, and bass) and piano with lyrics in English and French.
File is an audio recording of Sheila Piercey performing in opera "Orphée" on February 2, 1988, recorded by Dr. Welch. Handwritten notes on the label inserted in the case read: Dalhousie Chorale (choirs) SNS members: Elvira Gonnella, Sheila Piercey, and Jane Howlette. The recording is on side B of audio cassette.
File is an audio recording of Sheila Piercey performing in opera "Orphée" on February 2, 1988, recorded by Dr. Welch. Handwritten notes on the label inserted in the case read: Dalhousie Chorale (choirs) SNS members: Elvira Gonnella, Sheila Piercey, and Jane Howlette. The recording is on side A of audio cassette.
File is an audio cassette tape with recordings of Sheila Piercey performing in opera "Orphée" on February 2, 1988, recorded by Dr. Welch. Handwritten notes on the label inserted in the case read: Dalhousie Chorale (choirs) SNS members: Elvira Gonnella, Sheila Piercey, and Jane Howlette.
File contains two annotated copies of the score for Jeff Reilly's "Ghost Tracks," one in concert pitch and one in B-flat. The concert pitch score was used by Susan (Sue) Sayles, a violist with the Upstream Ensemble. The score is in three large sections, each of which have various musical phrases notated in common music notation. The pitch material for the composition is derived from seven notes: F-sharp, G, G-sharp, B, C-sharp, D, and E (at concert pitch).
File contains annotated parts for Reilly's composition "Ghost Tracks," for concert, E-flat, and B-flat instruments. According to one of the annotations, the composition was performed as an octet at the Pier 21 Museum in Halifax, Nova Scotia.
Item is a video recording of the Dalhousie Department of Theatre production of Fuente Ovejuna by Lope de Vega as adapted by Adrian Mitchell, performed from 8 to 11 February 2006. The production was directed by Roberta Barker and produced by DalTheatre in musical collaboration with El Viento Flamenco. The production was staged at the David Mack. Murray Theatre.