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Archival Description
Exhibitions
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Photographic exhibition 1968-69

File consists of records related to a series of exhibitions organized by the George Eastman House of Photography.

Records consist mainly of informational pamphlets about the exhibition offerings, in addition to a news release from George Eastman House regarding the exhibition 'Photographs by Mario Giacomelli' which the Dalhousie Art Gallery loaned and presented in October 1968.

Photographs and slides Dalhousie student, staff, and alumni exhibition

File consists of records related to the Nineteenth Annual Dalhousie Student, Staff, and Alumni exhibition held at Dalhousie Art Gallery from February 6 to February 18, 1973.

Records consist of letters from Evelyn Holmes (curator, Dalhousie Art Gallery) to the judges for the photographic section of the exhibition. Records also include the list of artworks.

Photography in the city

Item is a poster for exhibitions and events dealing with photography and photo-based artworks, presented at various public art institutions in the city of Halifax during January and February 1992.

Plasket[t] pastels

File consists of records related to the exhibition 'Plaskett', a collection of pastel drawings by Joseph Plaskett organized by the Art Center of the University of New Brunswick for the Atlantic Provinces Art Circuit (APAC). The exhibition was presented at Dalhousie Art Gallery in May 1970.

Records consist of two condition reports and an accompanying drawing depicting areas of damage, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and curators of other APAC member galleries .

Pop artists exhibition

File consists of records related to the exhibition '11 Pop artists: The New Image' organized by the Confederation Art Gallery for the Atlantic Provinces art Circuit (APAC), and sponsored by Benson & Hedges (Canada) Ltd. The exhibition was presented at Dalhousie Art Gallery in December 1968.

Records consist of an exhibition statement written by Antonio Toledo (Executive Vice-President, Benson & Hedges), a list of artworks, correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and curators of APAC member galleries, and a condition report.

Portraying people

Item is a poster for a panel discussion presented with the exhibition 'From the Background to the Foreground: the photo-backdrop and cultural expression,' held at the Dalhousie Art Gallery on October 31, 1999.

Printed matter : jury print show

Items are catalogues for a juried exhibition of printed matter from an selection of international artists, organized by the Owens Art Gallery, Mount Allison University. The exhibition was presented at Dalhousie Art Gallery in April and May 1975.

Catalogues contain images of work in the exhibition, an introduction by Christopher Youngs (Director, Owens Art Gallery), and short biographies for artists included in the show.

Printed matter: jury print show

File consists of records related to the Printed Matter exhibition, organized by the Owens Art Gallery, Mount Allison University in Sackville, New Brunswick. The exhibition was presented at Dalhousie Art Gallery from April 22-May 11, 1975.

Records consist of an invoice, correspondence, a newspaper clipping, condition reports, and a price list.

Prints by David Silverberg exhibition

File consists of records relating to the exhibition ‘Prints by David Silverberg’, held in November 1965 at the Dalhousie Art Gallery.

Records consist of an invitation, clippings, a photocopied review by Martin Kemp, an artwork price list, text for Silverberg’s lecture on printmaking, presented during the exhibition opening, a Dalhousie University newsletter, a shipment receipt, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery), David Silverberg (Associate-Professor, Fine Arts, Mount Allison University), and Lawren Harris (Professor, Fine Arts, Mount Allison).

Prints by Dongkuk Ahn

File consists of records related to the exhibition 'Prints by Dongkuk Ahn', organized by and presented at the Dalhousie Art Gallery from March 1-25, 1972.

Records consist of correspondence between the Dalhousie Art Gallery and Ahn, a biography and C.V., list of prints, insurance certificate, and photocopy of a newspaper clipping.

Prints of Venice

File consists of a catalogue which unfolds into a poster for the exhibition 'Prints of Venice', organized and circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery from October 15 to November 15 1971.

Progress in conservation

File consists of a catalogue for the exhibition 'Progress in conservation'. The exhibition was presented at Dalhousie University in May 1974.

Catalogue contains a table of contents, acknowledgements, introduction, col. and b&w photographs, list of artworks and notes, and an itinerary. The catalogue contents are divided into six sections.

Progress in conservation exhibition

File consists of records related to the Progress in Conservation Exhibition, organized by the National Conservation Research Laboratory and circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery in May 1974.

Records consist of correspondence between Ernest Smith (Director, Dalhousie Art Gallery) and George Rogers (National Museum of Canada), newspaper clipping, floor plan, insurance documents, condition report, press release, and event calendar of the exhibition at Rothmans Art Gallery of Stratford in November 1973.

Railway passes documenting travel for members of The Bill Lynch Shows

  • MS-4-218, Box 1, Folder 6
  • File
  • September 28, 1942 - September 17, 1951, predominant July 25, 1943 - October 4, 1943
  • Part of The Bill Lynch Shows fonds

File contains twenty-six railway passes from 1942 and 1943 documenting travel for members of the Bill Lynch Shows. Destinations and departure points include Halifax, Saint John, Toronto, Bridgewater, Yarmouth, Lawrencetown, Newcastle, Moncton, New Glasgow, and Sydney. All the tickets are first class, except for the three in 1951, which are coach. There are three tickets each for: July 25, 1943, September 4, 1943, September 25, 1943, October 4, 1943, and September 17, 1951. There are two tickets for August 12, 1943. There is one ticket each for September 8, 1942, and September 16, 1943.

Receipts for The Bill Lynch Shows

File contains 28 receipts and one envelope for The Bill Lynch Shows from June - August, 1951. Some of the receipts are for services including "grind shows," "girl shows," and "esquire." The locations include Moncton, Campbellton, Charlottetown, Lunenberg, New Glasgow, Fredericton, Amherst, Woodstock, Halifax, Saint Stephen, and Saint John.

Recent acquisitions of old master drawings exhibition

File consists of records related to the Recent Acquisitions of Master Drawings Travelling Exhibition organized and circulated by the National Gallery of Canada and presented at Dalhousie Art Gallery from November 15 - December 15, 1974.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Cecile Valin (Exhibition Administrator, National Gallery of Canada), a condition report, lists of artworks, press releases, loan agreement, and photocopies of newspaper clippings. Records include photographs of an eighteenth-century French drawing titled 'The Paralytic' by Jean-Baptiste Greuze and a nineteenth-century French drawing titled 'The Entombment of Atala' by Anne-Louis Girodet-Trioson.

Reconstruction project

Item is a poster for Reconstruction Project, a group exhibition organized by Sabra Moore. The exhibition was presented at Eye Level Gallery from September 9-26, 1987.

Reel baroque

Item is a poster for screening selected films of Reel Baroque at the Dalhousie Art Gallery during the Scotia Festival of Music. The films were screened from 28 May to 8 June 2001.

Revisited : prints by Karl McKeeman

Item is a catalogue for an exhibition of prints by Karl McKeeman, presented at the Dalhousie Art Gallery from September 4-28, 1975.

Catalogue contains an excerpt from McKeeman's notebook, two images of artworks, and a list of artworks.

Richards Jarden

Item is a catalogue for an exhibition of work by Richards Jarden, organized and presented at the Dalhousie Art Gallery from March 7 to April 1, 1978.

Catalogue contains a list of works, essay by Marcia Ross Jarden, biography of Richards Jarden, and images of his works.

Robert Annand

File consists of catalogues for an exhibition of artworks by Robert Annand, organized and presented by the Dalhousie Art Gallery from April 30 to June 2, 1974.

Catalogues consist of images of Annand's paintings, a portrait of Annand, a biography, artist statement, list of artworks in the exhibition, and a biographical sketch written by Ian Muncaster.

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