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Archival Description
Nova Scotia File English
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The Bill Lynch Shows business correspondence

File contains four business letters written to and from the Bill Lynch Shows from August 19, 1942 to July 16, 1947. The first is from the Bill Lynch Shows regarding a wallet lost on August 18, 1942 by Elmer Rogers and subsequently found, and is dated August 19, 1942. The second is from the Rudolph Wurlitzer Company regarding reconditioning a Caliola organ, and is dated October 6, 1942. The third is from the Annapolis County Exhibition Committee signed by Donald White regarding the Bill Lynch Shows returning from September 14-17, 1943, and is dated June 11, 1943. The fourth is from Teasdale and Foot, Limited and signed by Eric Teasdale regarding purchasing a car and multiple trucks for the Bill Lynch Shows, dated July 16, 1947.

The Canadian-Chinese programme in international and comparative law : a proposal for human resource development and technology transfer in legal training and research : [report and correspondence]

File contains a copy of the report "A Canadian-Chinese Prorgamme in International & Comparative Law" drafted by the College of Law at Peking University and the Faculty of Law at Dalhousie University. File also contains correspondence between Ronald St. John Macdonald, Paul Brennan, Marc Dolgin, Peter Hoffman, W. Andrew Mackay, H.L. O'Brien, Alasdair Sinclair, and Wang Tieya.

The decorative fruit and flower arrangements

File consists of records related to the planning of an exhibition entitled "The Decorative Fruit and Flower Arrangements," prepared by the Hunt Institute for Botanical Documentation at Carnegie-Mellon University of Pittsburgh. The exhibition was presented at the Dalhousie Art Gallery from May 31 to July 8, 1979.

Records consist of correspondence, newspaper clippings, insurance files, a loan agreement, and other administrative documents. Also includes a brochure for the Hunt Institute for Botanical Documentation (travel shows) and a pamphlet for the Decorative Fruit and Flower Arrangements.

The drawing of Christiane Pflug

File consists of records related to planning an exhibition of works by Christiane Pflug, organized and circulated by the Winnipeg Art Gallery. The Exhibition was presented at the Dalhousie Art Gallery from May 9 to June 8, 1980.

Records consist mainly of correspondence with the Winnipeg Art Gallery and Michael Pflug. The file also includes a list of works, a booking form, and a news release.

The fifth Dalhousie drawing exhibition

File consists of records related to the planning of the 5th Dalhousie drawing exhibition, organized by and presented at Dalhousie Art Gallery from April 4 to May 4, 1980.

Records are divided between 8 folders: Folder 2 - loan agreements; Folder 3 - grants; Folder 4 - administrative files; Folder 5 - curriculum vitae-originals; Folder 6 - general correspondence; Folder 7 - exhibition catalogues; Folder 8 - financial; Folder 9 - Maxwell Bates

Note:
- Folder 3 'grants' contains grant worksheet, original grant application, and Canada Council visiting artists programme.
- Folder 4 'administrative files' contains contract for guest curator, transport correspondence, packing instructions, and opening preparation.
- Folder 6 'misc. 'correspondence' contains general correspondence and one photograph
- Folder 7 'exhibition catalogues' contains draft preface, exhibition texts (biographical information), catalogue quotation, and related correspondence.
- Folder 8 'financial' contains insurance, printing estimates, and payments.
- Folder 9 'Maxwell Bates' contains photographs, correspondence, and biography.

The Flood — CBC produced

File contains three drafts copies of The Flood, broadcast by CBC Radio in 1977. File also contains a contract, correspondence and a chronology outlining the evolution of the script and its production.

The fourth Dalhousie drawing exhibition

File consists of records related to the planning of the 4th Dalhousie drawing exhibition, organized by and presented at Dalhousie Art Gallery from March 1 to April 1, 1979. The exhibition presented the works of Alex Colville, Charlotte Hammond, Graham Metson, Brian Porter, Roger Savage, and Ruth Wainwright.

Records are divided between 12 folders (Titles transcribed from original folder labels.) and photographs of drawings are included in each artist file; folder 50 - Alex Colville; folder 51 - Charlotte Hammond; folder 52 - Graham Metson; folder 53 - Brian Porter; folder 54 - Roger Savage; folder 55 - Ruth Wainwright; folder 56 - budget; folder 57 - publicity; folder 58 - misc. (correspondence and slides); folder 59 - insurance; folder 60 - price list; folder 61 - Canada Council.

The gift : handwritten first draft

File contains the first handwritten draft of Budge Wilson's book "The Gift," later published as "The Best / Worst Christmas Present Ever," and a letter to Sandra Bogart, Acquisitions Editor at Scholastic Books.

The magic eye : definitions of photography

File consists of records related to planning an exhibition entitled "The magic eye : definitions of photography" organized and circulated by the National Gallery of Canada (original title: "Photography: A Celebration"). The Exhibition was presented at the Dalhousie Art Gallery from July 10 to August 10, 1980.

Records consist mainly of correspondence with the National Gallery of Canada. The file also includes a condition report, packing instructions, and press releases.

The photograph as object

File consists of records related to the planning of the exhibition ' The Photograph as Object', organized and circulated by the National Gallery of Canada. The Exhibition was presented at Dalhousie from April 15 to May 14, 1971.

Records consist of packing and artwork lists, loan agreements, a newspaper clipping titled 'The Photograph as Object, next Killam exhibition', a condition report, handwritten condition notes written on index cards, and correspondence between Dalhousie Art Gallery and the National Gallery of Canada Extension Service.

The Promised Land administrative records

File contains project grant applications and correspondence for Christopher Heide's "Poor People," which evolved into "The Promised Land," produced by Mulgrave Theatre in 1988. File also contains a tour schedule and contract between Christopher Heide and Mulgrave Road Co-op Theatre.

The Queen comes to New Brunswick

File consists of records related to an exhibition of "The Queen comes to New Brunswick : paintings and drawings by Molly Lamb Bobak," organized and circulated by the Beaverbrook Art Gallery in Fredericton, New Brunswick. The exhibition was presented at Dalhousie Art Gallery from November 30 to December 18, 1978.

Records consist of correspondence with the Beaverbrook Art Gallery, a list of expenses, newspaper clippings, a condition report, a list of work, invoices, and other administrative documents.

The Rothmans collection of Christmas ornaments

File consists of records related to the exhibition 'The Rothman's Collection of Christmas Ornaments' organized by the Art Gallery of Ontario and presented at the Dalhousie Art Gallery in January 1969.

Records consist of an information bulletin released by Rothmans of Pall Mall Canada Limited, a condition report, a guest list, and correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and Rothmans representatives, and a photograph of the artwork display. The condition report is accompanied by an attached copy of the exhibition catalogue with notes regarding the condition of each sculpture.

The Truth about Mrs Van Haiden — CBC produced

File contains five manuscript drafts of The Truth About Mrs Van Haiden, broadcast by CBC Radio in 1979. File also contains an outline, contract, correspondence and a chronology outlining the evolution of the script and its production.

The Waiting's Over — CBC produced

File contains three manuscript drafts of The Waiting's Over, which was originally written as a stage play titled Ed & Molly, based on an idea conceived by Barry Stuart. The radio version was broadcast by CBC Radio in 1982. File also contains a manuscript copy of Ed & Molly, an outline for its adaptation to radio, a contract, correspondence and a chronology outlining the evolution of the script and its production.

Third Dalhousie drawing exhibition

File consists of records related to the third annual Dalhousie drawing exhibition, held at Dalhousie Art Gallery from January 3 - 29, 1978.

Note: records are divided between 10 folders. (Titles transcribed from original folder labels.)
Folder 13 - grant; Folder 14 - acquisitions; Folder 15 - business office; Folder 16 - catalogue(correspondence); Folder 17 - budget; Folder 18 - photographs; Folder 19 - press releases; Folder 20 -proposal; Folder 21 - selection of participants; Folder 22 - trasportation

Third exhibition of costume design

File contains two outgoing letters to the Dalhousie theatre department regarding the costume show, which was held at the Dalhousie Art Gallery from March 15 to March 30, 1980.

Thomas Cantley's correspondence regarding his political and professional activities

File contains correspondence between Thomas Cantley and persons including Sam Hughes, Robert Drummond, Justice Harris, Brandram & Henderson Limited, Baron Beaverbrook, Max Aitken, Alan Dawson, George Grant, Maximilian Groten, R.H. Graham, Rev. J.A. Greenlees, Mrs. J.D. Fife, L.M. Fortier, Osborne Holmden, Harold C.E. Spence, E.M. MacDonald, R.B Bennett, A.J. Crockett, L.H. MacKenzie, A.M. Ferguson, J.E. Nutter, A. Andrew Merrilees, Perry F. Rockwood, James T. Thompson, and F.A. Harrison.

TightRope administrative and financial records ; event flyers and calendars ; correspondence

File contains records produced as part of the operations of the TightRope Leather Brotherhood. Materials include notices and flyers for events put on by TightRope and the Toronto-based leather club Spearhead between 1992 and 2001; administrative and financial records including general meeting and elections notices from 2000 and 2001, meeting minutes dated 2000 to 2002, budgets and financial statements produced between 1993 and 2000, and a certificate of incorporation from 1997; correspondence regarding TightRope operations dated 2000 to 2003; and dungeon rules and hanky codes

TightRope

TightRope event notices ; leather organization newsletters, correspondence, and event notices

File contains notices and flyers for events held by the TightRope Leather Brotherhood, as well as newsletters, correspondence, and event notices from other leather organizations. Materials include copies of the newsletters Smoke Signals, produced by Poconowarriors in Pennsylvania, and The Brand, produced by the Chicago Hellfire Club; correspondence, pamphlets, and registration forms from Spearhead Leather/Denim Social club in Toronto; event notices and registration forms from East Coast Bears, based in Fredricton; correspondence from the Ottawa Knights; one registration form for the Toone Towne event held by Firedancers Texas ; and notices for TightRope events held between May and August, 1999.

Tom Forrestall

File consists of records relating to the exhibition 'Drawings, watercolours, paintings by Tom Forrestall' organized by Dalhousie Art Gallery for the Atlantic Provinces Art Circuit (APAC). The exhibition was shown at Dalhousie in November 1968.

Records consist mainly of correspondence between Evelyn Holmes ( Acting Curator, Dalhousie Art Gallery), Tom Forrestall, and curators of APAC member galleries. Records also include a newspaper clipping, programme of music for November 1968, exhibition invitation, lists and pricelists of artworks, a condition report, an handwritten draft of Forrestall's biography and exhibition text.

Tom Forrestall sculptures

File consists of records related to the exhibition 'Welded Steel Sculptures by Tom Forrestall', organized by the University of New Brunswick Art Centre for the Atlantic Provinces Art Circuit (APAC). The exhibition was presented at Dalhousie Art Gallery in December 1969.

Records consist of a condition report, a newspaper clipping, a publicity sheet from the University of New Brunswick, and correspondence between Evelyn Holmes and curators of APAC member galleries.

Toni Onley

File consists of records related to 'Toni Onley, a partial retrospective' circulated through the Atlantic Provinces Art Circuit and displayed at Dalhousie Art Gallery in January 1968.

Records consist of correspondence between Evelyn Holmes (Acting Curator, Dalhousie Art Gallery) and other APAC member galleries regarding transport, damage to, and condition reports of the exhibition.

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