Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 4, "Reasons for the Fall of Emperors." The sketch shows three male figures in different military uniforms. The figures are standing together with a desert and a tent in the background.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 3, "Necessity for Prost. in Advanced Societies." The sketch shows one male figure and three female figures standing together.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 2, "Kiss my Hands." The sketch shows six figures, three of whom are wearing military uniforms and holding weapons. The other three figures are wearing pajamas and appear to be a mother, father, and son. The father's hands are bound and he is being led away by one of the military people.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 10, "Not Him." The sketch shows two female figures and one male figure. The male figure is holding a bag of severed heads.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 10, "...Not Him." The sketch shows one male figure in an elaborate uniform standing beside two female figures wearing robes and veils over their faces.
Item is an oil pastel sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 1, "The Weaver's Ecstasy at the Discovery of a New Colour." The sketch shows three male figures and two female figures standing in a tent made of colourful materials. One male figure appears to be wearing a military uniform with his face covered by a scarf, and one of the female figures is wearing a veil over her face while putting her arms around the other three figures.
Item is a poster advertising a concert at Saint Mary's University Art Gallery sponsored by Canada Council Explorations Program and Nova Scotia Department of Tourism and Culture, featuring Paul Cram, saxophone; Sandy Moore, Irish harp and synthesizer; Bob Bauer, guitar; Steve Tittle, trumpet and flugel horn; Tom Roach, percussion; Don Palmer, saxophone and flute; Steven Naylor, keyboards; and Jeff Reilly, clarinet and bass clarinet.
Item is a reproduction of an Arthur Lismer illustration commissioned for One Hundred Years of Dalhousie, 1818–1918 (1920) and reproduced in D.C. Harvey, An Introduction to the History of Dalhousie University (1938).
Item is an Arthur Lismer portrait of Richard Weldon rendered in pen and ink on illustration board; the top right corner of the reverse side contains the date-received stamp from the printer's engraving department—Mar 27 1920—and there are faint marks of erased notes on the front. Also within the folder is a label originally taped to the drawing that gives its title and "No 18—", probably referring to its suggested placement in the order of illustrations that appear in One Hundred Years of Dalhousie, 1818–1918 (1920), for which it was commissioned. The image was reproduced in D.C. Harvey, An Introduction to the History of Dalhousie University (1938).
Item is an Arthur Lismer portrait of Thomas McCulloch (based on an 1850 painting by Daniel Munro), rendered in pen and ink on paper and mounted on illustration board. Also within the folder is a partial label originally taped to the drawing that gives its title and "no. 7 —", probably referring to its suggested placement in the order of illustrations that appear in One Hundred Years of Dalhousie, 1818–1918 (1920), the publication for which it was commissioned. The image was reproduced in D.C. Harvey, An Introduction to the History of Dalhousie University (1938).
Item is a reproduction of an Arthur Lismer illustration (based on an 1850 portrait by Daniel Munro) that was commissioned for One Hundred Years of Dalhousie, 1818–1918 (1920) and reproduced in D.C. Harvey, An Introduction to the History of Dalhousie (1838).
Item is a reproduction of an Arthur Lismer illustration commissioned for One Hundred Years of Dalhousie, 1818–1918 (1920) and reproduced in D.C. Harvey, An Introduction to the History of Dalhousie University (1938).
Item is an Arthur Lismer portrait of John Forrest rendered in pen and ink on illustration board and commissioned for One Hundred Years of Dalhousie, 1818–1918 (1920). The image was reproduced in D.C. Harvey, An Introduction to the History of Dalhousie University (1938).
Item is a reproduction of an Arthur Lismer illustration commissioned for One Hundred Years of Dalhousie, 1818–1918 (1920) and reproduced in D.C. Harvey, An Introduction to the History of Dalhousie University (1938).
Item is an Arthur Lismer portrait of James Ross rendered in pen and ink on illustration board. The drawing was commissioned for One Hundred Years of Dalhousie, 1818–1918 (1920) and reproduced in D.C. Harvey, An Introduction to the History of Dalhousie University (1938).
Item is a reproduction of an Arthur Lismer illustration commissioned for One Hundred Years of Dalhousie, 1818–1918 (1920) and reproduced in D.C. Harvey, An Introduction to the History of Dalhousie University (1938) and P.B. Waite, The Lives of Dalhousie University, Volume One, 1818–1925 (1994).
Item is a portrait of George Munro Grant rendered off-centre in pen and ink on illustration board. Also within the folder is a label originally taped to the drawing that gives its title and "no. 8 —", probably referring to its suggested placement in the order of illustrations that appear in One Hundred Years of Dalhousie, 1818–1918 (1920), the publication for which it was commissioned. The image was reproduced in D.C. Harvey, An Introduction to the History of Dalhousie University (1938) and P.B. Waite, The Lives of Dalhousie University, Volume One, 1818–1925 (1994).
Item is an Arthur Lismer portrait of Allan Pollock rendered in pen and ink on illustration board. Also within the folder is a label originally taped to the drawing that gives its title and "no. 9 —", probably referring to its suggested placement in the order of illustrations that appear in One Hundred Years of Dalhousie, 1818–1918 (1920), the publication for which it was commissioned.
Item is a reproduction of a pastel drawing of Thomas McCulloch, the first president of Dalhousie University. The drawing was produced by Munro of Pictou, Nova Scotia. The original drawing was created by Daniel Munro in 1850, after an older drawing hanging in Wellington Presbyterian Church in Glasgow, Scotland. The drawing was given to Dalhousie as a centennial gift by Isabella McCulloch in 1939.
Item is a blueprint of a reinforced concrete for a proposed mezzanine for Oland & Son. The drawing was produced by L. André Glen on March 6th, 1954, and was revised on March 22nd, 1952.
Item is a poster for Reconstruction Project, a group exhibition organized by Sabra Moore. The exhibition was presented at Eye Level Gallery from September 9-26, 1987.