Item is a microform copy of Thomas McCulloch's book "Popery condemned by the scripture and the fathers : being a refutation of the principal popish doctrines and assertions maintained in the remarks on the Rev. Mr. Stanser's examination of the Rev. Mr. Burke's letters of instruction to the Catholic missionaries of Nova Scotia and in the reply to Rev. Mr. Cochran's fifth and last letter to Mr. Burke, etc."
Item is a microform copy of Thomas McCulloch's book, "Popery again condemned by scripture and the fathers : being a reply to a part of the popish doctrines and assertions contained on the refutation, and in the review of Dr. Cochran's letters, by the Rev. Edmund Burke, V.G. Que."
File is a textbook by Gary Hicks entitled “Plant development”, which was published in 1996 by Dalhousie University. Text and illustrations were by Gary Hicks, graphic design was by Rick Janson, and the cover design was by Ingrid Walker. Textbook contains an introduction, a sequence of class presentations, eleven chapters, and four appendices. Chapters include topics such as plant development, zygotic embryos, seed germination, leaf development, and cell differentiation.
Fonds consists of materials related to the Pictou Literary and Scientific Society and includes four volumes of documents containing the society’s rules, minutes, and journal.
Series consists of materials regarding the Pauline E. Hillis' student life, including notebooks, books, and others textual records. Series also contains negatives and photographs of Pauline E. Hillis with friends, and of Eric Stanley Hillis, son of James Stanley and Pauline E. Hillis, at the age of 5.
File contains the third draft, additional edits, and final draft before submission to Penguin of Budge Wilson's third book in the Izzie series, "Patricia's Secret."
Fonds consists of Patricia Monk's records regarding the research and writing process of her book The Gilded Beaver: An Introduction to the Life and Work of James De Mille (Toronto: ECW Press, 1991). Fonds includes photographs, correspondence, research notes, transcripts, and other textual records.
Series includes Owl's Head Press correspondence with the Bank of Montreal regarding their trade name and manuscripts and print publications: After the Image, by Jonathan Wright; Ten Poems of Francis Ponge, translated by Robert Bly; Ten Poems of Robert Bly Inspired by the Poems of Francis Ponge, by Robert Bly; Where the Fields End, by Leigh Faulkner; and The Guest Touches Only Those Who Prepare, by Edward Gates.
