Item is the master of the score and parts for Beyond Benhazi, including: oboe, bassoon, piano, violin 1 & 2, viola, cello, bass, clarinet Bb, tenor Bb, trumpet, soprano/flute, timpani/marimba/vibes, harp/synth, guitar and drums.
Item is an audio cassette with a recording of the work "Beyond Benghazi" (copyright 1989) performed by the Hemispheres Ensemble at the Music Gallery in Toronto, Ontario.
Item is a conductor's score for Beyond Benghazi, copyright in 1987 and revised in 1993. The score, which is annotated, is for oboe, sop /flute, clarinet, trumpet, ten/clar, bassoon, violins 1 and 2, viola, cello, percuss/timpani, Sandy, guitar, piano, bass and drums.
One woman seated on a wicker chair with one man seated on its arm, one man standing with his hands behind his back, and one woman seated on a wicker chair; 3/4 pose
Item is a copy of Paul Cram's composition, "B-flat Restaurant," dedicated to Don Palmer and composed for a SOCAN grant in 1993. The music is handwritten in common music notation and features long and frequent solo sections.
Item is a copy of Paul Cram's composition, "B-flat Restaurant Redux," which reuses elements from his "B-flat Restaurant" composition. The score, written for C instruments, is type-set.
File contains one copy of What the Bible Does and Doesn't Say About Homosexuality: Bible Study Course Material for Safe Harbour; one program for Safe Harbour Church service dated January 21, 2001; and notes.
File contains the Crackers magazine that includes Budge Wilson's short story "Big Little Jerome," as well as a typed page with Wilson's original ending to the story, which was cut by Crackers and other anthologies in which the story appears.
Fonds contains the personal and professional records of four generations of the Bigelow family of Nova Scotia. It includes correspondence, legal and financial documents, diaries and memoirs, and photographs that document primarily the family's shipbuilding activities as well as the genealogical interests of John Robert Bigelow.
File contains two pieces of correspondence written on Royal Commonwealth Society letterhead by George [Bilainkin] in 1972 and 1973 and sent to Kenneth Leslie. The first letter, handwritten and dated September 26, 1972, derides a £220,000 football transfer fee while "pilots are to get £10,3000 a year, [...] railmen are criticized for demanding [a raise of] £20 a week, [and the] chief gets £2500 rise on his lunatic salary of £20,000". The second letter, typed and dated May 19, 1973, derides the "US gangsters" for spreading "inconceivable evil [...] so widely round innocent, harmless creatures, in India and Pakistan, Cyprus and Cuba", the "hoodlum fraud" of the US courts re: Cambodia, the murders which "our BBC and press do not even mention", with the mournful refrain that "this country smells as fearfully as yours -- and none of the citizenry suspects!" Bilainkin was a foreign correspondent and biographer.
Fonds contains material relating to the personal life and professional career of Bill Freedman (1950-2015), an environmental scientist based at Dalhousie University. Fonds includes research data, teaching materials, publications, manuscripts and draft manuscripts, correspondence, committee and meeting minutes, electronic records, analogue and digital photographs, thousands of 35 mm slides, video cassettes, and appointments and awards.
File is an audio reel containing an episode of Title Waves. This episode features Bill Gaston, a writer and teacher from Vancouver, British Columbia, on his first novel, Tall Lives (1990). The episode was recorded March 6, 1990; aired March 22, 1990; and was rebroadcast May 24, 1990.
Item is a poster for an exhibition held in June-October 2005. Billboards is a series of outdoor exhibitions presented by Eye Level Gallery. File also includes a photocopy of a newspaper clipping of an article written by Sean Flinn for the Chronicle-Herald about Eyelevel billboards event. The article was published on June 22, 2005.
Item consists of biographical information, curriculum vitae, and canvas information related to the Black Wimmin: When And Where We Enter exhibition at Eye Level Gallery, September 1989.
