Item is a clipping of a magazine article by Gerard Veldhoven titled "I Am What I Amherst." The article was published in the July 2009 issue of the magazine Wayves.
Fonds consists of Gerard Veldhoven's published writing, correspondence, and speeches. Veldhoven's writings cover subjects including same-sex marriage, LGBT parenting and families, Pride celebrations, and LGBT social issues. Fonds also contains clippings and correspondence related to Veldhoven's experience as part of the first same-sex couple to be married in Nova Scotia, as well as his activism, writing career, and honours.
One young man seated and one young man seated on arm of his chair, both looking to the side; bust. Both are wearing high collars, and one has a bow tie
File contains daily reports from The Bill Lynch Shows shows and rides from June to September 1951. The reports are from Halifax, Saint John, Amherst, Chatham, New Glasgow, Saint Stephen, Woodstock, Campbellton, Fredericton, Bridgewater, Charlottetown, Lunenberg, and Sydney. Areas that are filled out include name of attraction, starting number, finish number, tickets, price, gross, and total.
Fonds contains minute books (1901-1968); financial statements (1902-1968); general ledgers (1949-1968); reports to shareholders; legal papers (1901-1964); correspondence (1920); catalogues; and other records from Christie Bros. and Co. and Christie Trunk and Bag.
File consists of two handwritten letters by Charles Tupper. One letter is an 1887 letter of introduction to Sir Andrew Clark regarding Mr. Freeborn, a Canadian medical student in London. The second letter was written in 1911 to Mrs. J. Ross Smith in Amherst, Nova Scotia thanking her for an earlier correspondence regarding election results.
File contains a joint copyright agreement between Christopher Heide and Al MacDonald; publishing contract and correspondence with Borealis Press; correspondence, contract and reviews for the 1998 Tantramar Theatre Festival production; notes, reviews and advertisements for the 1994 Lunenburg Dinner Theatre Company production; correspondence, contract and reviews for the 1980 Stages production; correspondence, contract and reviews for the 1984 Kam Theatre (Thunder Bay) production; and an annotated copy of the published script. There is also correspondence between Chris Heide and Rosemary Gilbert about the possibility of converting Pogie and No More Gasoline into television scripts. File also contains a chronology of events documenting the genesis and evolution of the script development and production.