File contains three copies of a poster for two concerts by the Halifax Camerata Singers in collaboration with the Sirens (Kelsea McLean, artistic director). They performed at the Park Royal United Church in Charlottetown, Prince Edward Island and at the First Baptist Church in Halifax, Nova Scotia.
File contains G. Schirmer's Secular Choral Music's "Let my song fill your heart." Words and music by Ernest Charles, and arranged by Bryceson Treharne.
File contains two annotated copies of Paul Cram's composition, "Les Mouton à L'Abbatoir," an atonal composition funded by SOCAN, which consists of a monophonic melody.
Item is a videocassette of the fifth anniversary of the variety show, "Laughter is the Best Medicine," by the Dalhousie Medical Students' Society (DMSS). The video was requested by Ron MacInnis from the Dean's Office.
Item is a videocassette of the fifth anniversary of the variety show, "Laughter is the Best Medicine," by the Dalhousie Medical Students' Society (DMSS). The video was requested by Ron MacInnis from the Dean's Office.
Item is a reel-to-reel recording of Verdi's opera "La Traviata," presented at the Banff School of Fine Arts in the summer of 1961. Sheila Piercey performed the role of Violetta (soprano). The recording is tape 3 of 3.
Item is a reel-to-reel recording of Verdi's opera "La Traviata," presented at the Banff School of Fine Arts in the summer of 1961. Sheila Piercey performed the role of Violetta (soprano). The recording is tape 2 of 3.
Item is a reel-to-reel recording of Verdi's opera "La Traviata," presented at the Banff School of Fine Arts in the summer of 1961. Sheila Piercey performed the role of Violetta (soprano). Handwritten notes inside the box lid read: "#499 - aria Ah! fors e lui che l'anima - Side I on tape." The recording is tape 1 of 3.
File contains three audio reels containing sound recordings of Verdi's opera "La Traviata" presented at the Banff School of Fine Arts in the summer of 1961. Sheila Piercey performed the role of Violetta (soprano).
Item is a vocal score with the melody and lyrics for "La Paimpolaise" by the French singer-songwriter Théodore Botrel (1868-1925). The score and lyrics were handwritten by L. Coyteux Preouèl(?) in Ottawa on April 29, 1908.
File contains two annotated copies of Paul Cram's composition, "Kickers," in five parts. Each of the five parts is a short phrase. The composition was funded by SOCAN.
Series contains published and manuscript copies of Kenneth Leslie's writing, as well as artwork, music and research notes created and compiled by Leslie.
File contains the sheet music for "Keep on Hopin'" with words by Frank Stanton and piano music by Kathleen Heron-Maxwell. The score is inscribed to Ellen Ballon and dated June 18, 1935. The score was published in three keys, C Major, E-flat Major, and F-Major. This version is in E-flat Major.
File contains the manuscript and four annotated copies of the tone row for "Kafka's Chair" by Paul Cram in prime, retrograde, inversion, retrograde inversion, and transposed forms. The manuscript also includes the "Entree" from Cram's "B-flat Restaurant" at concert pitch.
Item is a poster for "Juba'Lee," a concert held at the Halifax Metro Centre on January 22, 2000. The event includes performances by Bucky Adams, the Carson Downey Band, Dutch Robinson, Jeremiah Sparks, and the Nova Scotia Mass Choir. Performances include tributes to Portia White, Duke Ellington, and Martin Luther King Jr.
File contains a poster for the Halifax Camerata Singers' performance of Johann Sebastian Bach's B Minor Mass with Symphony Nova Scotia and the Truro Cantabile Singers. The concert was part of the St. Cecilia Concert Series and was held at St. Andrew's United Church in Halifax, Nova Scotia.
Fonds consists of clippings and ephemera, photographs, sound recordings, video recordings, and musical scores and lyrics related to the Nova Scotia Mass Choir from 1992 to 2021.
File contains a photograph of a young boy, "Anton H.," playing the piano, helped by his teacher, Josef Hoffman. The photograph was taken in 1930 by Albert Peterson.
Fonds contains music manuscripts and published scores, photographs, and autograph letters written by well-known composers such as Jacques Offenbach, Giuseppe Verdi, and John Philip Sousa. Through his work as a music critic and journalist in Toronto and Halifax, Logan communicated with many prominent Canadian musicians in the early twentieth century. Many of the scores, photographs, and autographs included in this collection are a result of his contributions to music criticism. The music and theatre programs are frequently annotated with comments for reviews, and most of his correspondence with musicians and actors relates to his work as a music and theatre critic. Some of the scores were given to Logan as gifts from performers while others were sent to him for review or publication in newspapers. There are several manuscripts of songs by Edith Jessie Archibald, a prominent social activist and suffragist in Halifax. Letters sent to Logan also concern his poetic contributions, and there is a manuscript draft of one of his books, Preludes: Sonnets and other Verses (1906).
File is an audio recording by Sheila Piercey (undated) with handwritten notes on the label inserted in the case that reads: John Arab and Sheila Piercey, Traviata, CBC, John Arab: Where'er you walk (by Handel), Now Joined by God. The recording is on side A of audio cassette. Side B is blank.
Item is a video recording of the Dalhousie Department of Theatre production of Jacques Brel is Alive and Well and Living in Paris by Eric Blau and Mort Shuman, performed from 8 to 12 February 1994. The production was directed by Patrick Christopher and produced by Dalhousie Theatre Department Productions with musical direction by Lisa St. Clair. The production was staged at the Rebecca Cohn Auditorium.
Item is a video recording of the Dalhousie Department of Theatre production of Jacques Brel is Alive and Well and Living in Paris by Eric Blau and Mort Shuman, performed from 8 to 12 February 1994. The production was directed by Patrick Christopher and produced by Dalhousie Theatre Department Productions with musical direction by Lisa St. Clair. The production was staged at the Rebecca Cohn Auditorium.
File includes an itinerary for the Paul Cram Orchestra's second Canadian Tour, which included concerts at the Marquee Club, Halifax; the National Library of Canada, Ottawa; the Guelph Jazz Festival; Western Front, Vancouver, Meduse Arts Centre, Quebec City; and Cafe Espagnole, Montreal. The file also includes bass and concert parts for "High Ground"; "Immortal Coil"; "Have a Heart"; "Taiwanese Bootleg"; "Dminor Diner"; "Eye of the Storm"; "Life of Crime"; "Trouble in Paradise"; "Kafka's Chair"; "Revolutions"; "Thunder"; "Urban Desperado"; and "Telescope."
Item is a score for Paul Cram's "Irons in the Fire," an 11-minute piece for chamber orchestra commissioned by Symphony Nova Scotia and premiered by Upstream Ensemble in the fall of 1999. The score was written for flutes 1 & 2; oboes 1 & 2; clarinets 1 & 2; bassoons 1 & 2; trumpets 1 & 2; French horns 1 & 2; alto sax; tenor sax; bass clarinet; solo cello; accordion; piano; guitar; electric bass; drums; marimba; timpani; violins 1 & 2; viola, cello; and contrabass.
File contains a score for Paul Cram's "Irons in the Fire," an 11-minute piece for chamber orchestra commissioned by Symphony Nova Scotia and premiered by Upstream Ensemble in the fall of 1999.
File contains a poster for a concert by the Halifax Camerata Singers in collaboration with singers of their Youth Mentoring Program and the Blue Engine String Quartet. The concert was held at the Cathedral Church of All Saints in Halifax, Nova Scotia.