File contains set designs for Neptune Theatre's production of "Olde Charlie Farquharson's Son," directed by Frank Peppiatt and designed by Mark Buntrock. The file includes Buntrock's original drawings and annotated copies.
File contains annotated copies of the set and light plot designs for Neptune Theatre's studio production of "Oleanna," directed by Linda Moore and designed by Stephen Osler (set) and Leigh Ann Vardy (lights).
File contains the original set design for Neptune Theatre's school tour productions of "Once upon a time" and "Windigo." The productions were directed by B. Carr and J. Neville and designed by L. Preston.
File contains original and annotated copies of set designs for Neptune Theatre's production of "One for the Pot," directed by Ron Ulrich and designed by Patrick Clark. Brent Frison was the technical director. The designs are drawn to the scale of 1/2" = 1'.
File contains set and light designs for Neptune Theatre's production of "Our Country's Good," directed by Joe Dowling and designed by Pat Flood (set) and L. Guinard (lights).
File contains original set and prop designs for Neptune Theatre's production of "Our Town," directed by Linda Moore and designed by Brian Perchaluk. The file also contains annotated copies of the light plot designs by Paul Mathieson.
File contains original and annotated copies of set designs for Neptune Theatre's production of "Over the River and Through the Woods," directed by Jean Morpurgo and designed by Art Penson. Eleanor Creelman and Robbin Cheesman were the technical directors. The designs are drawn to a scale of 1/2" = 1.
File contains annotated copies of set designs for a production of "Patience" by the Gilbert and Sullivan Society at Neptune Theatre. The production was directed by John Bunsworth and designed by Stephen Osler.
File contains original set designs for Neptune Theatre's production of "Plaid Tidings," directed by David Connolly and designed by D'Arcy Morris-Poultney.
File contains annotated copies of set designs for Neptune Theatre's production of "Possible Worlds," directed by Daniel Brooks and designed by Julie Fox (set) and Andrea Lundy (lights). The designs were drawn to the scale of 1/4" = 1'.
File contains set designs for Neptune Theatre's production of "Present Laughter," directed by Tom Kerr with designs by Jim Guedo. The file includes Guedo's original drawings and annotated copies.
File contains set designs for Neptune Theatre's production of "Private Lives," directed by John Neville and Don Allison with set designs by Art Penson. The file includes original drawings and annotated copies of the originals.
File contains original set designs for Neptune Theatre's production of "Problem Child," a studio theatre production directed by Jean Morpurgo and designed by Brian Perchaluk. Scott Miller was the technical director. The designs were drawn to the scales of 1/4" = 1' and 1/2" = 1'.
File contains original set designs for Neptune Theatre's production of "Problem Child," a studio theatre production directed by Jean Morpurgo and designed by Brian Perchaluk. Scott Miller was the technical director and Leigh Ann Vardy did the lighting design. The designs were drawn to the scales of 1/4" = 1', 1/2" = 1', and 1" = 1'.
File contains annotated copies of the set and light plot designs for Neptune Theatre's studio production of "Problem Child," directed by Jean Morpurgo and designed by Brian Perchaluk (set) and Leigh Ann Varady (lights).
Item is a program from an exhibit called "Design is a Six Letter Word: Works of Robert Doyle." The exhibit ran from March 25th 1988 to June 26th 1988 at the Dalhousie Art Gallery. The program features a black and white reproduction of a set design painted by Robert Doyle.
Item is a program from Theatre New Brunswick's production of Dear Santa. The production was part of their 2003-2004 season. Robert Doyle designed the set and costumes for this production. The cover of the program features an illustration by Robert Doyle.
Item is a program from Theatre New Brunswick's production of The Hobbit. The production was part of Theatre New Bunswick's 2003-2004 season. Robert Doyle was the set and costume designer for this production.
File contains original and annotated copies of the set and lighting designs for Neptune Theatre's production of "Proof," directed by Ron Ulrich and designed by Art Penson (set) and L. Wilkinson (lighting). Eleanor Creelman was the technical director. The designs were drawn to the scale of 1/4" = 1'.
File contains light plot design for Neptune Theatre's production of "Puss 'n Boots," directed by Graham Whitehead and designed by Vicki Marsdon and Jim Moore (set) and Brian Pincott (lights).
File contains set and light designs for Neptune Theatre's production of "Rabbit Hole," directed by Daryl Cloran and designed by D'Arcy Morris-Poultney (set) and Leigh Ann Vardy (lights).
File contains set and lighting designs for Neptune Theatre's production of "Riot," directed by Richard Donat and designed by Steven Osler (set) and Leigh Ann Vardy (lights). Scott Miller was the technical director. The designs are drawn to the scales of 1/4" = 1' and 1" = 1'.
File contains annotated copies of the set designs for Neptune Theatre's studio production of "Riot," directed by Richard Donat and designed by Steven Osler.
Fonds consists primarily of papers relating to Robert Doyle’s career as a costume and set designer. There are also research, administrative, and class papers from his office. The fonds consists of correspondence (1964-1997), Dalhousie University papers (1975-1997), Costume Studies program course materials (1974-1997), financial papers (1967-1994), legal documents (1972-1996), research notes and related materials (1970-1996), association related materials (1968-1997), production related materials (1976-2012), and miscellaneous papers and photographs (1968-1996) collected by Robert Doyle.
File contains annotated copies of set designs for Neptune Theatre's production of "Romeo and Juliet," directed by Linda Moore and designed by Brian Perchaluk. The file also contains an original drawing of the light design by Paul Mathiesen and Ruth Leggett for the Neptune Tour 1995.
File contains annotated copies of set designs for Neptune Theatre's production of "Rough Waters," directed by Richard Donat and designed by Kim Nelson. The technical director for the production was Scott Miller. The designs are drawn to the scale of 1/2" = 1'.
File contains annotated copies of set designs for Neptune Theatre's production of "Rough Waters," directed by Richard Donat and designed by Kim Nelson.
File contains set designs and original light plot drawings for Neptune Theatre's production of "Safe Haven," directed by Linda Moore and designed by Stephen Osler (set) and Bonnie Beecher (lights).
File contains original and annotated copies of set designs for Neptune Theatre's production of "Salt Cod and Pork Scraps," directed by Hans Boggild and designed by Lesley Preston.
Item is an oil pastel sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 1, "The Weaver's Ecstasy at the Discovery of a New Colour." The sketch shows three male figures and two female figures standing in a tent made of colourful materials. One male figure appears to be wearing a military uniform with his face covered by a scarf, and one of the female figures is wearing a veil over her face while putting her arms around the other three figures.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 10, "Not Him." The sketch shows two female figures and one male figure. The male figure is holding a bag of severed heads.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 10, "...Not Him." The sketch shows one male figure in an elaborate uniform standing beside two female figures wearing robes and veils over their faces.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 2, "Kiss my Hands." The sketch shows six figures, three of whom are wearing military uniforms and holding weapons. The other three figures are wearing pajamas and appear to be a mother, father, and son. The father's hands are bound and he is being led away by one of the military people.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 3, "Necessity for Prost. in Advanced Societies." The sketch shows one male figure and three female figures standing together.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 4, "Reasons for the Fall of Emperors." The sketch shows three male figures in different military uniforms. The figures are standing together with a desert and a tent in the background.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 6, "The Dumb Woman's Ecstasy." The sketch shows one female figure and two male figures standing together and wearing costumes. One of the male figures is holding a bag that says "La Coutlier de la Torture."
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 7, "She Sees the Argument - But..." The sketch shows three female figures in grey work uniforms standing together.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 8, "The Unforeseen Consequences of a Patriotic Act." The sketch shows two figures in red-brown robes and one female figure in a white and gold robe with a parasol.
Item is a watercolour, pastel, and pencil sketch of a costume and set design for Dalhousie Theatre's 1991 production of The Possibilities. The sketch is for scene 9, "The Philosophical Lieutenant and the Three Village Women." The sketch shows one male figure sitting in a chair with three women in black around him. One of the woman is threatening him with a knife behind him. There is also another male figure in the distance.
File contains set designs for Neptune Theatre's production of "Scrooge," directed by Jean Morpurgo and designed by Patrick Clark. The designs are drawn to the scale of 1/2" = 1'. The file includes some of Clark's original drawings and annotated copies. The lighting design for this production was done by Daryl Shaw.
File contains original and annotated copies of set designs for Neptune Theatre's production of "Scrooge," directed by Jean Morpurgo and designed by Patrick Clark. The technical director for the production was Scott Miller. The designs were drawn to the scale of 1/2" = 1'.
File contains set designs for Neptune Theatre's production of "Sea Horse," directed by Tom Kerr and designed by Ted Roberts. File contains original drawings and annotated copies.
File contains original and annotated copies of set and light plot designs for Neptune Theatre's studio production of "Seduced," directed by B. MacDonald and designed by Brock Lumsden (set and lights).
Item is a watercolour set design for Dalhousie Theatre's production of the Taming of the Shrew. The sketch shows on large illustration of the stage surrounded by four smaller illustrations of the stage, each with a different set.