Showing 4085 results

Drew Sperry was an architect based in Dartmouth, Nova Scotia, known for his early adherence to a landscape approach to architecture, fitting the building to the land, rather than the other way around. Born in Halifax on January 4, 1942, he was educated at Le Marchant Elementary, Gorsebrook Junior and Queen Elizabeth High School before starting an engineering degree at Dalhousie University in 1960. After hearing the Dean of the new School of Architecture at the Nova Scotia Technical College speak to his second-year engineering class, Sperry decided that architecture was better suited to his creativity as well as his problem-solving skills. He enrolled in the BArch program in 1962 and graduated in 1966, having been awarded the school's first Royal Architectural Institute of Canada Gold Medal for Design.

Following graduation Sperry worked for Robert J. Flinn Design Group as well as collaborating with land planner Harold Verge, with whom he designed the Debrissy Museum in Bridgewater, Nova Scotia, and the Paper Mill Village Housing Project in Hammonds Plains, which won an award for environmental sensitivity. In 1972 he started his own company, H. Drew Sperry MRAIC, which was initially run out of the family home he'd designed and built with his wife and business partner, Sheila, on Cranston Avenue in Dartmouth. Over time the firm took on projects across the Maritimes, opening partnership offices in Prince Edward Island, New Brunswick, Cape Breton and Toronto, and developed an expertise in recreational facilities and housing as well as University land planning.

Drew Sperry died in 2012.

Archibald McKellar MacMechan was a Munro Professor of English at Dalhousie University and a prolific writer of essays, article and books, including an official history of the Halifax Explosion. He was born in 1862 in Berlin (now Kitchener), Ontario, son of the Reverend John and Mary Jean MacMechan. He earned a BA at the University of Toronto in 1884, then taught school in Brockville and Galt for two years before entering Johns Hopkins University as a doctoral candidate in modern languages, receiving his PhD in 1889. That same year he married Edith May Cowan, with whom he had had three daughters, Jean, Grace and Edith.

MacMechan was appointed professor of English at Dalhousie University in 1889, where he remained until 1931, helping to establish the Dalhousie University Marine Museum and briefly serving as University Librarian. He also served as president of the Nova Scotia Historical Society (1907-1910) and was awarded a fellowship in the Royal Society of Canada (1926). He was awarded honorary degrees from the University of Toronto (1920) and Dalhousie University (1933). He died on 7 August 1933.

The 1863 appointment of James Ross to the newly created Chair of Ethics and Political Economy marks the early beginnings of the teaching of politics at Dalhousie University. While funding for the chair ended with Ross’s death in 1886, in 1891 George Munro established a Chair in History and Political Economy, which was held by John Forrest, who taught two political economy classes a year until his retirement in 1911. Over the following decade there were no politics classes offered, although constitutional history and economics were taught by series of associate professors of history and political economy.

The study of contemporary political science at Dalhousie began in 1921 with a $60,000 endowment made by the parents of a former Dal student killed in action at Vimy Ridge during World War One. In addition to funding the Eric Dennis Memorial Professorship of Government and Political Science, Senator Dennis gifted $1000 to start a library collection and another $2020 to fund an annual series of Eric Dennis Special Lectures.

Henry Frazer Munro was the first appointed Eric Dennis Memorial Professor, and the 1921-1922 University Calendar lists six courses under the heading of Government and Political Science. In 1926 Government was dropped from the department's name and in 1927 Robert Alexander MacKay became the second Eric Dennis Memorial Professor. He remained the only professor in the department until he left in 1948, although Lothar Richter, who founded the Institute of Public Affairs, served as an occasional Special Lecturer. James Aitchison was hired in 1949, and political science largely remained a department of one until the 1960s; Aitchison was named its first head in 1964.

Lawrence Johnstone Burpee (1873–1946) was an historian, civil servant, librarian and writer. He was born in Halifax, Nova Scotia, to Lewis Johnstone Burpee and Alice de Mill, sister of James De Mille. In 1899 he married Maud Hanington, with whom he had five children, Lawrence, Edward, Lewis, Ruth and Margaret.

Burpee was educated at home and at public and private schools. In 1890 he entered the Canadian civil service and served as private secretary to three successive ministers of justice. From 1905-1912 he was librarian of the Carnegie public library in Ottawa. From 1912 until his death, he was Canadian Secretary of the International Joint Commission.

Burpee published extensively in the areas of Canadian bibliography, geography and history. He died in Oxford, England, in 1946.

Author and educator James De Mille was born 23 August 1833 in Saint John, New Brunswick, the third child born to Loyalists Nathan Smith DeMill and Elizabeth Budd. (The family name was DeMill, but James wrote under De Mille, and used this name after 1865.)

De Mille was educated at the Saint John Grammar School, Horton Academy and Acadia College. During 1850-1851 De Mille toured Europe and Britain with his brother, Elisha. He received an MA from Brown University, Rhode Island, in 1854. In 1858 he married Elizabeth Ann Pryor, daughter of Dr. John Pryor, first president of Acadia College. Together they had three sons and one daughter.

De Mille worked briefly in Cincinnati before returning to Saint John. From 1856-1860 he and a partner ran a bookstore there, a venture that left De Mille in debt; shortly thereafter he began teaching classics at Acadia College. In 1865 he moved to Halifax, where he taught history and rhetoric at Dalhousie University and became well known for his love of Latin and the outdoors. He remained at Dalhousie until he died of pneumonia in 1880.

De Mille was a prolific and popular writer in the later nineteenth century. He began writing for magazines and journals while studying at Brown. Many of his books were published serially in American magazines such as Harper’s, before being published as monographs. His humorous historical romances, adventures and mysteries often reflected his early travels abroad, as did his first book, Martyrs of the catacombs, published in 1864. He also wrote a series of adventure stories for boys set in the Annapolis Valley, which drew heavily on his experiences at Horton Academy, a textbook entitled The elements of rhetoric, and the spiritually-themed poem Behind the veil, which was published posthumously.

Margaret Stevenson DeWolfe was a biochemist and Professor of Paediatrics in the Department of Paediatrics, Faculty of Medicine at Dalhousie University. She was born in St. Stephen New Brunswick and received her college education at Acadia University. DeWolfe worked in hospital dietetics and then pursued a research career. She obtained an MA (biochemistry) and PhD in pathologic chemistry from the University of Toronto.

DeWolfe arrived in Halifax in 1964 after serving as a research associate at the Hospital for Sick Children in Toronto. DeWolfe spent 17 years associated with the Atlantic Research Centre for Mental Retardation (ARCMR). She served as Secretary on the Board of Directors for 11 years. DeWolfe retired on June 30, 1981 after a 40-year career in nutrition and biochemistry.

Edith Zillig was born and raised on a farm in the province of Pomerania, Germany. She studied at the Agricultural College of Potsdam before gaining employment as a farm manager. In 1954 she immigrated to Cape Breton, Nova Scotia, and one year later married Gernot Zillig, who had also recently emigrated from Germany. In 1958 the Zilligs bought 150 acres overlooking the Kennetcook River in Scotch Village, Nova Scotia. Although they were interested initially in mixed farming, after concluding that the land was better suited to livestock, they began to build up a variety of cattle, swine, domestic waterfowl and sheep, including six mature crossbred Suffolk ewes from the Annapolis Valley.

During the 1950s and 1960s, Edith and Gernot belonged to the provincial sheep farmers' association, which later became the Sheep Producers Association of Nova Scotia (SPANS). Between 1973-1983 she was an active promoter of the Nova Scotia sheep industry through SPANS sheep fairs and served as the association's director during the mid-1980s. In 1981 she was appointed Western Director of the Nova Scotia Wool Marketing Board, a position she held until 1993. In addition, she maintained an interest in the Purebred Sheep Breeders Association of Nova Scotia.

Edith continued to farm and raised sheep after the death of her husband in 1993, working with her son, Manfred, and her daughter, Margaret, until her own death in 2009.

Ronald St. John Macdonald was an internationally recognized legal scholar and jurist. He was born 20 August 1928 in Montreal, the son of Col. Ronald St. John Macdonald and Elizabeth Marie (Smith) Macdonald. After finishing his secondary education, he served with the Royal Canadian Navy Volunteer Reserve until his discharge in 1946 as a sub-lieutenant. He earned a BA from St. Francis Xavier University in 1949 and an LLB in 1952 from Dalhousie University. He furthered his legal education at the University of London (LLM, 1954) and Harvard Law School (LLM, 1955). From 1955-1957 he lectured in law at Osgoode Hall (York University), then moved to the University of Western Ontario from 1959-1961. He was appointed to the Faculty of Law at the University of Toronto in 1961, and served there as Dean of the Law from 1967-1972. From 1972-1979 he was Dean of Law at Dalhousie University Law School, where he taught international law from 1979-1990.

He served as a consultant with the Republic of Cyprus from 1974-1978, and was a Canadian representative to the United Nations General Assembly in 1965, 1966, 1968, 1977 and 1990. From 1980-1998 he was the only non-European judge to sit on the European Court of Human Rights, Strasbourg, and in 1984 he was made a member of the Permanent Court of Arbitration, The Hague. He was appointed an Honorary Professor of Law at Peking University from 1986-1998. Other roles included President of the World Academy of Arts and Science (1983-1986). In 1984 he was made an officer of the Order of Canada and in 2000 a Companion of the Order of Canada. Ronald St. John Macdonald died 7 September 2006 in Halifax, Nova Scotia, and is buried in the family plot in the St. Mary's Roman Catholic Church parish cemetery in Lismore, Pictou County.

Prior to July 1970 the University Archives existed only as a small collection of manuscripts (including some of the early records of the Board of Governors) in the Special Collections department of the University Library. While these records were available to researchers, they had not been properly catalogued.

In July 1970 the first University Archivist, Dr. Charles Armour, was appointed and was placed in charge of the Archives as part of the Special Collections department. The Archivist's responsibilities included acquiring and organizing the extensive university records, which were scattered throughout the many administrative and faculty offices on campus. In addition, the Archivist was to set up a new Theatre Archives and a Business Archives; to catalogue the private manuscripts which had been donated to the University, and to solicit papers from former Dalhousie administrative and Academic staff. Within a year a Music Archives was added.

In the early 1970s the Archives moved to its current location on the fifth floor of the Killam Library, and in the fall of 1975 the Archives became a separate department within the University Library. New collections were added over the next few years including the Nova Scotia Labour History Archives, a Medical Archives section, a collection of papers of Citizen Action Groups, and an expanded collection of Canadian and British shipping records. The Archives' collection of private manuscripts also grew to include the papers of both Dalhousie and local individuals, including professors, historians, and writers. In addition to the above archival collections the Archives has also acquired an extensive collection of Dalhousie memorabilia, a large collection of theatre and music programmes, business brochures and catalogues (including an excellent collection of Eaton's and Simpson's catalogues from 1894 onward), and copies of Dunn and Bradstreet's business ratings (1882-1950). The Archives has also compiled extensive reference files related to its major acquisitions areas, a huge collection of photographs relating to both Dalhousie and Nova Scotia, and numerous video and audio tapes.

In October 2000, Michael Moosberger was appointed the second University Archivist of Dalhousie University. Since that time the Archives has made a number of acquisitions, including the literary papers of Donna Morrissey, theatre company records from Two Planks and a Passion, Jest in Time, Upstart, and records from the Eye Level Gallery and the Centre for Art Tapes, two of Canada's oldest artist-run centres.

Sandy (Victor Alexander) Moore completed his formative training in music at Mount Allison University in Sackville, New Brunswick. After receiving his BA in 1968, he travelled throughout Europe and Canada, teaching, writing, performing and exploring folklore and classical traditions in theatre, dance and film, and writing and producing his own music-related events.

In 1984 he studied orchestration with Robert Turner at the University of Manitoba: during this self-styled 'Winter Period' he created stylistically mature works for concert programming. His work and conceptual thinking about music were further influenced by master classes with Professor Dimiter Christoff from Bulgaria and Professor Ton deLowe from Amsterdam/Paris, as well as by his studies in Prague with Czech composer, Sylvie Bodorova.

Moore's interest in the traditional and contemporary music of other cultures has led him to work with musicians and composers from Zimbabwe, the Czech Republic, Slovakia, Ireland and Japan. His 1991 Winds of Lyra tour of Japan, with compositions scored for Irish harp and Japanese traditional instruments, marked the first of his international concerts.

Moore's collaborations with award-winning poets, choreographers and performers have enhanced his reputation as a versatile and inventive composer, and inform his repertoire of compositions for solo instrument and voice, small chamber ensembles and orchestra. He was a founding member of UPSTREAM music ensemble (1989), which provided opportunities for innovative and experimental composition in a practical concert setting, where Moore performed on the Irish harp, piano, accordion and synthesizers. He is an active member of Canadian Music Centre, Canadian League of Composers and Atlantic Federation of Musicians.

From 2001-2003 Moore taught part time in the Department of Music at Dalhousie University, where he created a course on scoring for film and other dramatic media. He is also a frequent guest instructor of voice and music at the University of Toronto at Scarborough, and has twice been appointed composer-in-residence at Mount Allison's music department. Most recently Moore taught a creative scoring class for television and film at Halifax's Centre For Art Tapes.

Moore's television and fim work includes the well-received score for CBC's Trudeau miniseries. In 2006 he won the Atlantic Film Festival's prize for Best Original Score for Dinner for One, a short film by Anita McGee, and in 2004 his score for Thom Fitzgerald’s feature film, The Wild Dogs, was nominated for a Genie Award.

Symphony Nova Scotia was formed in 1983 following the demise of the Atlantic Symphony Orchestra, with Brian Flemming leading the Board of Directors and Boris Brott as the first Music Director. The Symphony began with 13 permanent musicians and used contract players to fill out the orchestra when needed. By 1984, the number of permanent musicians had doubled and by 1987 the orchestra had grown to 39 members.

In 1987 Georg Tintner replaced Boris Brott as Music Director. During Tintner’s tenure from 1987 to 1994, the Symphony made six recordings, toured Ontario and Quebec, and initiated popular community outreach programs such as the annual Martin Luther King, Jr. tribute concert and the annual Nutcracker production in collaboration with Halifax Dance and Mermaid Theatre.

In 1995 the Symphony had a deficit of $900,000, which led to major restructuring, fundraising and cost-cutting, avoiding bankruptcy and achieving a balanced budget for the 1995/1996 season.

The 1996/1997 season began with a new music director, Leslie Dunner, who re-established programs cut during the budget crisis, such as school visits and free concerts, and oversaw a period of great artistic and community success. Dunner’s tenure lasted until 1999, at which point the Symphony invited six candidates to lead the orchestra throughout its seventeenth season. Simon Streatfeild was hired as the artistic advisor in 2000 and in 2002 Bernhard Gueller was appointed music director.

John Rutherford was born in Shincliffe, England. He emigrated to Albion Mines in Pictou County and served as Inspector of Mines for Nova Scotia from 1865-1872, when he was appointed General Manager and Mining Engineer for the General Mining Association, later the Halifax Company. He had extensive dealings with Albion Mines, Blight Area, Caledonia Coal Mines, and the Style Mining Area. Beginning in the late 1890s, Rutherford sold Styles Mining Company options; his goal was to sell the entirety of the property to a worthy buyer.

Robert Rutherford was John’s only surviving son (George Rutherford died in 1903), and was left in charge of his father's estate in 1913. He continued his father's efforts to sell off the Cumberland Coal Areas until at least 1932.

The Information Science Student Association (ISSA) at Dalhousie University passed its first governing constitution in 1970, making it one of Canada's longest-running student associations amongst MI/MLIS programs. ISSA's primary objectives as described in its constitution, last updated in September 2022, are:

1) to provide a forum for the opinion of the student body
2) to promote communication and collaboration among students, between students and faculty, and between students and alumni
3) to represent members of the student body within SIM in aspects of the School such as development, curriculum, scholarships, work experience programs, and professional development
4) to promote academic and social activities connected with the School
5) to represent students in matters pertaining to the rest of Dalhousie University and the wider community
6) to foster relationships with and encourage cooperation between other student organizations within the Faculty of Management and in Canada
7) to ensure matters of equity, diversity, accessibility, anti-racism, and decolonization are prioritized within the student body, the School and the University, and in the professional field of Information Management.

All students registered at SIM are automatic members of ISSA and the student association is managed by an executive body consisting of 9-14 members sitting in seven roles: (Co)-Chair, Financial Chair, Communications Chair, Academic Chair, Non-Academic Chair, Digital Publications Chair, and EDIA & Special Projects Chair. Two chairs, on average, sit in each role: one incoming executive member and one outgoing (varying throughout the year based on when elections are held).

With seven mandates, which encompass liaising both within SIM and with external groups, ISSA directs its attention toward communicating with students, faculty, the university, and the wider community. It provides spaces and forums through events and programming to encourage and facilitate these communications. ISSA also supports related entities in the Faculty of Management, including the Dalhousie Journal of Interdisciplinary Management and the Information Without Borders conference. ISSA serves its members through embedded programming, its existence as a student resource, and its established responsibilities with the School. Its range of programming produces a variety of records, including promotional materials, creative journals, grant applications, governing documents, and financial materials.

Chester Playhouse has been a home to the performing arts since it was built in 1938 in Chester, Nova Scotia, by Ken Corkum and Eric Redden. Its first tenant, the Keneric Theatre, operated for thirty years as a cinema, and the building was first used for live performances in 1963, when the Chester Jesters began the first of five summer seasons.

The building was purchased and renovated in the 1970s by Leo and Dora Velleman, who renamed it the Leading Wind Theatre as a home for Canadian Puppet Festivals (CPF). Managed by a board of directors, CPF was a non-profit organization that hosted workshops and puppet productions including The Pirates of Penzance and The Mikado. After the Vellemans retired in 1983 CPF merged with Mermaid Theatre.

Chester Theatre Council (CTC) was founded in 1984 to preserve the Leading Wind Theatre. CTC originally sponsored touring productions, but in 1987 leased the building as a venue for the first Chester Theatre Festival. That same year, Christopher Ondaatje purchased the theatre and leased it to the council and the name was changed to Chester Playhouse. The Ondaatje family donated the playhouse to the CTC in 1992 and in 1993 the theatre underwent an extensive renovation. In 1999 fundraising for a second wave of improvements began. These renovations were completed in two phases, which resulted in new dressing rooms, workshop space, green room and lobby, and an updated electrical system.

The Chester Playhouse is owned and operated by a volunteer board of directors, drawn from the community, who provide strategic leadership to guide the direction of the theatre. The theatre is managed by the Chester Playhouse Society, which is mandated to source, present and promote live theatre, music performance, film and other cultural experiences, and educational and participatory opportunities for youth and adults. To support this, the society seeks to sustainably equip, operate and maintain the Chester Playhouse and has hosted both touring companies and other performers; provided a venue for local performing arts groups, including the Chester Drama Society, the Chester Ballet School, and the Chester Brass Band; hosted workshops for all ages; established the Chester Theatre School program and the Chester Theatre Festival; and allowed the space to be used for local meetings.

Robert Henry Graham was a barrister and politician born in New Glasgow, Nova Scotia, on 30 November 1871, the son of Jane (Marshall) and John George Graham. He graduated from Dalhousie University with his BA in 1892 and LLB in 1894, and was called to the Nova Scotia Bar that same year. In 1913 he became King's counsel (crown attorney) and in 1925 was appointed to the Supreme Court of Nova Scotia. He was also a stipendiary magistrate from 1906-1920.

Graham served New Glasgow as town councillor in 1898 and as mayor from 1899-1900 before entering provincial politics and representing Pictou County as a Liberal in the House of Assembly from 1916-1925. Following his career in politics, he was appointed to the Supreme Court of Nova Scotia. He died in 1956 at the age of 85.

Alexander H. Leighton was a sociologist and psychologist and the lead researcher of the seminal Stirling County Study in psychiatric epidemiology, the longest running study of its kind to understand the prevalence and types of mental illness across generations in a cross-cultural community. Born on 17 July 1908 in Philadelphia, Pennsylvania, he received a BA from Princeton University (1932), an MSc from Cambridge University (1934), and an MD from Johns Hopkins Medical School (1936). He held professorial appointments in both the departments of psychiatry and community health and epidemiology at Dalhousie University, as well as in sociology and anthropology at Cornell, and he was professor emeritus at Harvard. He also served on multiple advisory committees for the governments of Canada and the United States and for the World Health Organization, and over his lifetime received a multitude of awards and honours. He died in 2007.

In 1948 Leighton initiated the first of the post-war studies of the distribution and prevalence of mental illness in a general population. The Stirling County Study is still active and from Leighton's retirement from Harvard University in 1975, it was directed by his wife and research partner, Dr. Jane Murphy Leighton. One of its initial findings in Nova Scotia, was that one in five adults experiences mental illness, most commonly depression, anxiety and/or alcohol abuse. Similar studies were carried out in other settings, including New York City, Alaska, Nigeria and Vietnam. Other investigations of this type now number in the hundreds and have been conducted across the world.

Christopher Heide is a poet and playwright. Born in 1951 in Summerside, Prince Edward Island, where his father was stationed, he spent his childhood moving between Armed Forces bases in England and across Canada. After completing secondary school in Ottawa, he moved to East Dover, Nova Scotia, where he began to write and publish poetry and short fiction. After moving to Halifax with his wife, Deborah Hickman, he started to write for theatre and radio. In 1976 he received a grant to attend Banff Playwrights Colony and in 1977 he was a playwright-in-residence at Tarragon Theatre in Toronto, where he wrote his first full-length play, On the Lee Side.

In 1979 he joined Mulgrave Road Co-op Theatre Company in Guysborough, Nova Scotia, co-creating The Coady Co-op Show and later writing Bring Back Don Messer. He served Mulgrave as artistic director between 1987-1989. He was also a playwright-in-residence at Mermaid Theatre in Wolfville, Nova Scotia, before being appointed director of Mermaid Youtheatre. In 2005 he became artistic director of Chester Playhouse.

Writing for radio, television and the theatre, Heide has had dozens of plays professionally produced in almost every Canadian province and abroad. He also has three books of poetry in print and has been the recipient of several awards for his writing. His work has included community development projects, in particular working with children and youth. He is also active in various professional associations and was a co-founder of the Dramatists Co-op of Nova Scotia.

Registered in 1978 as Mulgrave Road Co-operative Theatre, the company's origins date back to 1976, with the creation of "The Mulgrave Road Show," co-written and performed by Robbie O’Neill, Michael Fahey, Gay Hauser and Wendell Smith. The play explored the issues faced by a community in decline. Mulgrave, located on the eastern shore of Nova Scotia across from Cape Breton Island, had experienced a sustained recession after the 1954 construction of the Canso Causeway.

Mulgrave Road Theatre has a mandate to develop, produce and promote a theatrical experience that resonates with Atlantic Canadians. The company has made a significant contribution to the growth of Canadian theatre and the development of Atlantic Canadian artists, having produced dozens of original scripts, many of which have been performed on stages across the country and beyond

MRT also plays a leading role in ground-breaking community development projects; using theatre as a medium to address critical social issues that affect the region. MRT is committed to equity and inclusion throughout its organization and demonstrates this in its programming, outreach, and people.

Mulgrave productions are developed through commissions, playwrights-in-residence, on-site and distance dramaturgy, and work-shopping. In the beginning, scripts were largely collective creations, such as "Business of Living," which was written by 18 Atlantic playwrights. Other notable productions included "I’m Assuming I’m Right" (Frank MacDonald), "From Fogarty’s Cove" (Ric Knowles), "Battle Fatigue" (Jenny Munday), "Marion Bridge" (Daniel MacIvor), and "Caribou" (Michael Melski). Two or three productions are mounted each year. In addition to its touring company, Mulgrave offers a youth program called ROADies.

Mulgrave Road Theatre has a governing board made up of professionals and community members. It is a member of the Professional Association of Canadian Theatres, the Nova Scotia Theatre Alliance, and Arts Cape Breton.

Janet Stephanie (Jenny) Munday was born in Toronto in 1953 and grew up in New Brunswick and Quebec. She completed a secretarial course at the Capital Business College of Fredericton in 1974 and studied political science at the University of New Brunswick, graduating in 1978. Munday has worked as an actor in theatre companies across Canada, appearing at Theatre New Brunswick, Neptune Theatre, The National Arts Centre, Ship’s Company Theatre, Rising Tide Theatre and the Banff Playwrights Colony. She has also acted in film, television and radio. Munday is also a director and dramaturge and has written several works for the stage, including Relatively Harmless, The Last Tasmanian and Battle Fatigue. Other work includes radio drama, magazine articles and reviews.

Munday was co-founder and co-artistic director of the Comedy Asylum in the early 1980s. From 1989-1992 she was artistic director of the Mulgrave Road Co-op Theatre. From 1993-1995 she served as artistic associate and writer-in-residence at Theatre New Brunswick, and was the first artist-in-residence at Live Bait Theatre. Munday was the fourth Crake Fellow in Drama at Mount Allison University from 2004-2008 and is currently artistic director of Playwrights Atlantic Resource Centre (PARC).

Among the many awards and recognitions that Munday has received are a Theatre Nova Scotia Merritt Special Achievement Award; the inaugural Mallory Gilbert Award from the Professional Association of Canadian Theatres (PACT) and Tarragon Theatre; and an honorary membership to the Canadian Association for Theatre Research.

Lothar Richter founded the Institute of Public Affairs (IPA) at Dalhousie University in 1936. Born in 1894 in Silesia, Germany, Richter studied classics, philosophy and Lutheran ideology and earned doctoral degrees in both political science and law. In 1920 he became a civil servant in the Reich Department of Labour in Berlin, helping to draft the new Poor Law and other legislation around workers' compensation, health and employment. In 1933 he moved to England with his wife and young son, having obtained a temporary position at Leeds University through the help of the Archbishop of Canterbury.

In 1934 Carleton Stanley hired Richter as a professor of German, with a grant from the Carnegie Corporation funding his salary. After founding the IPA, which was supported by the Rockefeller Foundation in recognition of the need for greater regional economic and social development, Richter handed over his German courses to his wife, Johanna. The work of the institute contributed to the local community through the development of the Nova Scotia Bureau, Maritime Bureau of Industrial Relations, and the Maritime Labour Institute. Richter also established Public Affairs, Dalhousie’s second quarterly publication. He died in 1948 after a traffic accident.

Judth Fingard is an historian with research interests in Canadian social history, including religion, class, gender, race and disability. She was educated at Dalhousie University and the University of London, where she earned a PhD in 1970. From 1967-1997 she taught history at Dalhousie University, also serving as coordinator of Women's Studies (1989) and Dean of Graduate Studies (1990-1995).

From the late 1990s Fingard served terms as president of the Canadian Historical Association and the Royal Nova Scotia Historical Association. For her contributions to Canadian history she was elected a Fellow of the Royal Society of Canada in 1991. She received a number of other awards and honours, including the John Lyman Book Award (1982), the Hilda Neatby Prize (1990) and the Evelyn Richardson Memorial Award (1990).

In addition to a wide range of scholarly articles, biographical entries and book reviews, Fingard wrote The Anglican Design in Loyalist Nova Scotia (1972); Jack in Port: Sailortowns of Eastern Canada (1982); The Dark Side of Life in Victorian Halifax (1989); Halifax (Canada): The First 250 Years (1999), with Janet Guilford and David Sutherland; Mothers of the Municipality: Women, Work, and Social Policy in Post-1945 Halifax (2005), with Janet Guildford; and Protect, Befriend, Respect: Nova Scotia’s Mental Health Movement, 1908–2008 (2008), with John Rutherford.

James Doull was a Canadian philosopher and academic who was born in 1918 to Irene and John Doull, a Pictou County politician, jurist and historian. His siblings were John Doull, a naval engineer, and Mary Doull, a musician and French scholar.

Educated at Dalhousie, the University of Toronto, Harvard University and Oxford, where he was a Rhodes Scholar, James Doull returned to Dalhousie in the late 1940s to teach in the Classics Department. After retiring in 1983 he moved to Clarkes Beach, Newfoundland, where he lived with his wife, philosopher Floy Andrews, and taught at the University of Memorial until 1993.

His writing on Greek poetry, the culture of ancient Rome, ancient, medieval and modern philosophy, and twentieth-century politics appeared only in journals, primarily Dionysius, of which he was a founding editor, and Animus. In 2003 the University of Toronto Press published a posthumous volume containing a number of his works along with commentary by former colleagues and students.

In 1989, he received an honorary doctorate from the University of King's College, Halifax. He died in 2003.

Dalhousie Legal Aid Service is a community-based office in the north-central neighbourhood of Halifax, Nova Scotia. It also is a clinical program for law students operated by the Schulich School of Law at Dalhousie University. Its funding is provided by the Schulich School of Law, the Nova Scotia Legal Aid Commission, the Law Foundation of Nova Scotia and clinic alumni, friends of Dalhousie Legal Aid Service and special events.

Dalhousie Legal Aid Service has been in operation since 1970, when it began as a summer project out of the former Halifax Neighbourhood Centre. It was the first legal Service for low-income communities in Nova Scotia and is the oldest clinical law program in Canada. In fact, it is the only community law clinic in Nova Scotia. The Clinic is a unique partnership of community groups, law students, community legal workers and lawyers working together.

In addition, Dalhousie Legal Aid Service does community outreach, education, organizing, lobbying and test case litigation to combat injustices affecting persons with low incomes in Nova Scotia. Community groups and community based agencies with mandates to fight poverty and injustice may apply for legal advice, assistance, and community development and education services. The Service offers advocacy workshops and legal information sessions, and works with other groups to lobby the government on social assistance policy and other policies negatively affecting persons with low incomes.

McCurdy Printing Co. was a Halifax printing firm operating from ca.1906 to 1999. It was established by John Archibald McCurdy and later taken over by his son William Hue McCurdy, who assumed the position of president. William McCurdy also established Petheric Press, one of the first small publishing companies in Nova Scotia, which specialized in Nova Scotia historical works and was active from 1967 to 1984.

McCurdy Printing saw a variety of owners after McCurdy sold the business in the late 1970s. It was first purchased by Doug McCallum and two other entrepreneurs who sold the business again in 1988. The company was then owned by Brunswick Capital Group Ltd. and the Annapolis Basin Group before Newfoundland Capital Corporation Ltd. acquired it in 1999. That same year, Newfoundland Capital merged McCurdy with Atlantic Nova Print to form Print Atlantic.