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Primarily a stage director, Linda Moore has worked at major theatres across Canada including the Shaw Festival, the Manitoba Theatre Centre, and The Vancouver Playhouse. She served as Artistic Director of Neptune Theatre in Halifax from 1990–2000, producing over 90 productions on two stages while leading the organization through a major renovation and expansion. She has also directed plays and operas and taught theatre classes at McGill University, Dalhousie University, the University of Victoria and the National Theatre School of Canada.

Her crime novel Foul Deeds was published by Vagrant Press in 2007.

She has received several Merritt Awards from Theatre Nova Scotia, and in 2005 she was awarded the Halifax Regional Municipality Mayor’s prize for Achievement in Theatre. In 1997 Linda Moore received an Honorary Doctor of Letters from St. Mary’s University in Halifax. From 2008-2010 she served as the Crake Fellow in Drama at Mount Allison University, where she directed Sharon Pollock's Blood Relations and Brian Friel's Dancing at Lughnasa.

Sandy (Victor Alexander) Moore completed his formative training in music at Mount Allison University in Sackville, New Brunswick. After receiving his BA in 1968, he travelled throughout Europe and Canada, teaching, writing, performing and exploring folklore and classical traditions in theatre, dance and film, and writing and producing his own music-related events.

In 1984 he studied orchestration with Robert Turner at the University of Manitoba: during this self-styled 'Winter Period' he created stylistically mature works for concert programming. His work and conceptual thinking about music were further influenced by master classes with Professor Dimiter Christoff from Bulgaria and Professor Ton deLowe from Amsterdam/Paris, as well as by his studies in Prague with Czech composer, Sylvie Bodorova.

Moore's interest in the traditional and contemporary music of other cultures has led him to work with musicians and composers from Zimbabwe, the Czech Republic, Slovakia, Ireland and Japan. His 1991 Winds of Lyra tour of Japan, with compositions scored for Irish harp and Japanese traditional instruments, marked the first of his international concerts.

Moore's collaborations with award-winning poets, choreographers and performers have enhanced his reputation as a versatile and inventive composer, and inform his repertoire of compositions for solo instrument and voice, small chamber ensembles and orchestra. He was a founding member of UPSTREAM music ensemble (1989), which provided opportunities for innovative and experimental composition in a practical concert setting, where Moore performed on the Irish harp, piano, accordion and synthesizers. He is an active member of Canadian Music Centre, Canadian League of Composers and Atlantic Federation of Musicians.

From 2001-2003 Moore taught part time in the Department of Music at Dalhousie University, where he created a course on scoring for film and other dramatic media. He is also a frequent guest instructor of voice and music at the University of Toronto at Scarborough, and has twice been appointed composer-in-residence at Mount Allison's music department. Most recently Moore taught a creative scoring class for television and film at Halifax's Centre For Art Tapes.

Moore's television and fim work includes the well-received score for CBC's Trudeau miniseries. In 2006 he won the Atlantic Film Festival's prize for Best Original Score for Dinner for One, a short film by Anita McGee, and in 2004 his score for Thom Fitzgerald’s feature film, The Wild Dogs, was nominated for a Genie Award.

J. Graham Morgan was a social anthropologist, Dalhousie professor and President and Vice Chancellor of the University of King's College from 1970-1977. Born in Barrow-in-Furness, England, on 11 August 1940, he studied at the University of Nottingham, McMaster University, and Balliol College, Oxford. In 1966 he joined Dalhousie's Sociology Department (later Sociology and Social Anthropology), serving as chair from 1995-2000. From 1970-1978, he held a joint appointment at the University of King's College, where he guided the creation of the university's Foundation Year Programme.

Morgan was an active scholar and member of dozens of departmental, faculty, university and national committees, including University Senate (1987-1991) and chair of the Senate Library Committee (1995-1998). He retired from teaching in 2004.

James Morrison is an oral historian and researcher with interests in global, Southeast Asian and oral history. He was born and raised in Truro, Nova Scotia, and received his BA and BEd degrees from Acadia University. Between 1965 and 1969 he was enrolled in a Naval Officer Training Program, worked for Frontier College (now called United for Literacy), and taught both English and mathematics in Ghana. In 1969 he received a Commonwealth Scholarship from the University of Ibadan, Nigeria, where he completed his PhD in 1976 on the oral traditions of the Nigerian highlands.

He returned to Nova Scotia in 1976 to work as an oral historian and researcher with Parks Canada, conducting an oral history of Kejimkujik National Park. In 1979 he was appointed Executive Director of the International Education Centre at Saint Mary’s University, Halifax, where he helped to foster the university's institutional commitment to international education. He served as Dean of Arts from 1983-1989, and later as Coordinator of the Asian Studies Program and the International Development Studies Program.

Morrison has held visiting fellowships at the Institute of Southeast Asian Studies (Singapore), Hokkaido University of Education (Japan), and Jawaharlal Nehru University (India). He was an advisor to the Black Cultural Society for Nova Scotia and the Black Loyalist Museum, and a researcher and oral historian for the Canadian Museum of Immigration at Pier 21. He is past president of the Japan Studies Association of Canada, the Canadian Oral History Association, the Nova Scotian Federation of Heritage, the Royal Nova Scotia Historical Society, and the Society for the Study of Ethnicity in Nova Scotia.

He is a former editor and current book review editor for FORUM, the Canadian Oral History Association journal. He has written and published in areas including oral history, military history, social history, ethnicity and adult education. In 2008 Morrison was named a Member of the Order of Canada, and in 2013 he received the Queen Elizabeth II Diamond Jubilee Medal for his research and contributions to the field of oral history.

Murdoch Daniel Morrison was born 8 April 1867 in Englishtown, Nova Scotia, the eldest son of Neil and Margaret Morrison. He taught school for several years after graduating from Sydney Academy and later studied medicine at Dalhousie University and Bellevue Hospital Medical College, New York.

Morrison was licensed in Nova Scotia in 1895 and practised first in Reserve Mines and then in Dominion, Cape Breton. In 1899 he married Katy McDonald, with whom he had at least one son, Clarence Morrison. He moved to Halifax in 1917 to take up an appointment as the medical officer for the newly formed Workmen's Compensation Board, where he was primarily responsible for advising on permanent disability estimates. He retired from medicine in 1937.

Morrison was a member of the North British Society and the Nova Scotia Historical Society. He had a keen interest in the history of the Highland Scots in Nova Scotia and the work of the Gaelic College at St. Anne's and its annual Mod (Gaelic cultural competition). He wrote and published several historical articles, including Religion in Old Cape Breton, which appeared in The Dalhousie Review (1940), and The Migration of Scotch Settlers from St. Ann's, Nova Scotia to New Zealand, 1851-1860, in Collections of the Nova Scotia Historical Society 22 (1933). He died in Halifax on 14 May 1946 after being hit by a taxi.

D'Arcy Morris-Poultney is a Canadian set, lighting, and costume designer. He has worked with several theatre companies, including Neptune Theatre, Onelight Theatre, and Mulgrave Road Theatre. He has received three Robert Meritt Awards for Outstanding Set Design of "The Toxic Bus Incident" (with Onelight Theatre); Outstanding Costume Design of "A Christmas Carol: The Musical" (with Neptune Theatre); and Outstanding Costume Design of "The Veil" (with Onelight Theatre, Neptune Theatre, and Mermaid Theatre). More recently, he worked as the Executive Director for the Cecilia Concert Series (2015-2017), and he currently works as a Small Business Advisor at Scotiabank in Halifax, Nova Scotia.

He received a BA in Political Science and Economics from Bishop's University (1987); Diploma in set and costume design from the National Theatre School in Montreal, Quebec (1992); Certificate in set and costume design from the Banff Centre for the Arts (1993); Certificate in Computer Graphics from the Nova Scotia College of Art and Design (NSCAD) in Halifax, Nova Scotia (2001); and Certificate in Small Business Management from Dalhousie University (2004).

Donna Morrissey was born in 1956 and grew up in the small outport community of The Beaches on Newfoundland’s west coast. She was the first of six children born to logger and fisherman Enerchius Osmond and his wife Claudine. After dropping out of high school and working in the local fish plant, she left Newfoundland at age sixteen to travel across Canada. She moved throughout the country, spending time in Toronto and Alberta employed as a cook and bartender, among other things. At age nineteen, she married a fellow Newfoundlander. They were together for fifteen years and had two children. After ten years away, Morrissey returned to Newfoundland in her mid twenties. At age thirty-two, she was admitted to Memorial University of Newfoundland (MUN) as a mature student where she earned a Bachelor of Social Work degree. After working as a social worker for a year and a half, she returned to school and obtained a Diploma in Adult Education. Donna Morrissey has lived and worked in Halifax since 1993.

Morrissey is a well-known, colourful author of short stories, screen plays, and novels whose works draw heavily on her childhood experiences and Newfoundland background. She began writing in her late thirties and published her first novel, Kit’s Law, in 1999. Morrissey has published two Canadian bestsellers, Kit’s Law, translated into three languages, and Downhill Chance. Her literary accomplishments include winning the Libris First Time Author of the Year Award, the international Winifred Holtby Award for regional fiction, the Alex Award, and the Thomas Raddall Award. Two of her short stories have also been adapted as scripts, each winning the Atlantic Script Writing Competition. Her screenplay The Clothesline Patch aired on CBC and won a Gemini Award for Best Production.