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Drama
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Harriette Richardson : a one act play, by Andrew Merkel : [manuscripts]

File contains four manuscript copies of a one-act play by Andrew Merkel titled variously "Harriet Richardson" and "Mrs. Richardson Wins." The latter version contains hand-written edits that appear in the both copies titled "Harriet Richardson." One manuscript lists the author as "Marc Lescarbot" and is two pages longer than the others. The copy typed on legal-sized onion skin paper contains a note that the play was originally presented at the Community Centre, Annapolis Royal, on 5th June 1947. There is also a short note critiquing the play.

The wooden world

Item is a heavily annotated copy of a script, which begins on page 6 and includes a title page. The Wooden World was written by Gavin Douglas and produced by Neptune Theatre in its fourth (1967) season.

Annotated copy of The Wooden World

Item is a copy of The Wooden World, by Gavin Douglas, which was produced by Neptune Theatre in its fourth (1967) season. The script is lightly annotated with additional pages (91) (a) (1), (91) (a) (3), and (91) (a) (4) at the end.

Annotated copy of The Wooden World

Item is a heavily annotated copy of The Wooden World, by Gavin Douglas, which was produced by Neptune Theatre in its fourth (1967) season. The script is missing a title page and begins on page 2.

Annotated copy of The Wooden World

Item is a copy of The Wooden World, by Gavin Douglas, which was produced by Neptune Theatre in its fourth (1967) season. The script is heavily annotated with its pages reordered.

In the Fall adaptation for stage records

File contains manuscripts, permissions licence, project description and booking form for "In the Fall" by Alistair MacLeod, adapted for two young actors by Christopher Heide and produced by Halifax Theatre for Young People. File also contains a photocopy of Alistair MacLeod's published story.

Christopher Heide fonds

  • MS-2-838
  • Fonds
  • 1975 - 2010
Fonds contains records created and collected by Christopher Heide in the course of his career as a writer, including his work with arts and cultural associations such as ACTRA and the Dramatists' Co-op of Nova Scotia. Record types include scripts for stage, radio and screen; notes; correspondence; reports; meeting minutes; and photographs.

Heide, Christopher

The Stamp Lady's Miracle — manuscripts and notes

File contains seven manuscript drafts; a printed copy published by the Nova Scotia Dramatists Co-op notes; readers' reports; outlines; notes; and a chronology outlining the evolution of the script, which was never produced.

Dance Partners — manuscript, notes and correspondence

File contains four manuscripts, notes and a chronology outlining the evolution of the play script, which was originally written for radio as "The One Hundred Year Old Man." The stage version was never produced, although it was used in workshops with high school students.

I Ain't Dead Yet — Mermaid Theatre original production

File includes correspondence, notes, manuscripts, a contract, evaluations forms, reviews and a chronology outlining the project from its conception as "Grandmother's Story" through to Christopher Heide's residency at Mermaid Theatre and the company's workshop production of "I Ain't Dead Yet."

The "road reviews" revue : [manuscript]

Item is a manuscript that includes a component list indicating originals and compiled materials by Christopher Heide. The revue was sponsored by the Nova Scotia Department of Culture, Recreation and Fitness in cooperation with the Old Home Summer Commission, a 1982 revival of a festival incorporated by the province in 1920 to encourage tourism. The revue was directed by Don Allison and featured Nicola Lipman, Barrie Dunn, Gay Haliser and Robbie O'Neill, with musicians Sandy Moore and Nathan Currie.

I Ain't Dead Yet — Catalyst

File includes correspondence, notes, manuscript, a contract, and program for the play's 1986 production by Catalyst Theatre in Edmonton, AB.

Going Back — rehearsal draft (final copy)

File contains a manuscript titled "3rd draft / Spring 1987" with the penciled annotation "rehearsal draft - final copy"; pages labelled "rehearsal rejects" and "new original masters introduced during rehearsals; and pages of "crits/notes + rejected pages from work toward a rehearsal draft" dated September 1987.
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