Fonds consists of documents created and collected by Eyelevel Gallery that reflect all aspects of the gallery’s management. The fonds includes artist files, slides, administrative files, publicity files (including press releases), correspondence, publications, financial documents, contracts, minutes of board of directors meetings, photographs, fundraising files and membership lists, audio and videocassettes, CDs, DVDs, books, and programmes, catalogues, posters, reviews, guest books, and miscellaneous files regarding exhibitions and events. Some digital records in this collection have been migrated from CD's.
File includes slides from exhibitions including Peggy's Cove Syndrome, Satire as Discontent, and Locations/National. Artists include Robert Bean, David Merritt, Rosemary Macaulay, Sean McQuay, and Barbara Lounder.
Item is a photograph of five photographs displayed as part of the Locations/National group exhibition. The photographs were made by Barbara Lounder or Cathy Quinn.
Item is a photograph of a painting by Anneke Betlam when the painting was on display as part of Peggy's Cove Syndrome, the first exhibition presented by Eye Level Gallery.
Item is a photograph of a painting by Royce Porter when the painting was on display as part of Peggy's Cove Syndrome, the first exhibition presented by Eye Level Gallery.
Item is a photographic slide of Africville and Mulgrave Park paintings on display at Eye Level Gallery during the Satire As Discontent group exhibition from July 23 - September 1, 1984.
Item is a photographic slide of two cartoons on display at Eye Level Gallery during the Satire As Discontent group exhibition from July 23 - September 1, 1984.
Item is a photograph of a photograph displayed as part of the Locations/National group exhibition. The photograph shows a mural with the phrases "Our government places corporate development and profit before people" and "Fight cutbacks" written next to a lion with the text "single mom" and a female gender symbol. The photograph was made by Barbara Lounder or Cathy Quinn.
Item is a photograph of The Nuclear Family by Wilma Needham. The photograph was taken when the assemblage piece was on display during the Satire as Discontent exhibition at Eye Level Gallery.
Item is a photograph of the Variety / Eye Level Gallery group exhibition at Memorial University Art Gallery in St. John's, Newfoundland from January 11-February 24, 1985.
Item is a photograph of the Variety / Eye Level Gallery group exhibition at Memorial University Art Gallery in St. John's, Newfoundland from January 11-February 24, 1985.
Item is a photograph of the Variety / Eye Level Gallery group exhibition at Memorial University Art Gallery in St. John's, Newfoundland from January 11-February 24, 1985.
Item is a photograph of a letter from John Murchie to the Eye Level Gallery Board of Directors, sent on June 7, 1983. In the letter, Murchie details his proposal for the Locations/National exhibition. Murchie proposed One Way Ticket, a work "intended to respond to some of Canada's political, social, and geographic specifics." Murchie proposed to send an invitation to John Bentley Mays, art critic for the Globe and Mail, to speak in Halifax during the opening of the Locations/National exhibition in Halifax. Murchie also proposed to send Mays a cheque for $99.00, "which is equivalent to the fare for a one-way ticket from Toronto to Halifax, or Halifax to Toronto, on a Via Rail Coach."
Item is a photograph of the Variety / Eye Level Gallery group exhibition at Memorial University Art Gallery in St. John's, Newfoundland from January 11-February 24, 1985.
Item is a photograph of a silk screen by Mona K. Balcom. The silk screen is titled "Peggy's Cove" and was displayed during Peggy's Cove Syndrome, the first exhibition held at Eye Level Gallery.
Item is a photograph of a Peggy's Cove Scene by Joyce Hanson. The work was displayed in Peggy's Cove Syndrome, the first exhibition presented by Eye Level Gallery.
Item is a photograph of Cosmic Peggy by José Antonio Valverde when the painting was on display as part of Peggy's Cove Syndrome, the first exhibition presented by Eye Level Gallery.
File includes photograph of Garry Kennedy exhibition, 'Locating', Ted Ross' 'A Nova Scotia Landscape', and invitations for exhibitions by Stephen Horne, Elizabeth Mackenzie, James MacSwain, W.C. Woods, and Douglas Sharpe
Item consists of correspondence between Suzanne Saul, Bridglal Pachai, Pat MacInnis, Grace Channer, Chloe Onari, Jo Stern, Buseje Bailey, Garry Conway, Catherine Phoenix, Anne Johnson, Ken Aucoin, Barbara Taylor, Joanne Lindsey, and Donna James, related to the "Black Wimmin: When And Where We Enter" exhibition at Eye Level Gallery.
Item consists of notes and assembly diagrams for exhibits at the Black Wimmin: When And Where We Enter exhibition at Eye Level Gallery, September 1989.
Item consists of records related to proposals, agreements, and press releases for the Black Wimmin: When And Where We Enter exhibition at Eye Level Gallery in September 1989.
Item consists of biographical information, curriculum vitae, and canvas information related to the Black Wimmin: When And Where We Enter exhibition at Eye Level Gallery, September 1989.
Item consists of a four-page program for the Uptown Festival on Gottingen Street, from August 25 to September 9, 1989 (of which an ad for the "Black Wimmin" exhibition is featured).
