Fonds comprises administration, publicity and production records of 2b theatre company since their inception as Bunnies in the Headlights Theatre in 1999. Records types include manuscripts, correspondence, programs, posters, playbills and photographs.
Fonds contains records pertaining to Jenny Munday's career as a playwright, actor, director, dramaturge and arts administrator. Materials include manuscript drafts; professional contracts; production reviews; grant applications; and correspondence. The fonds also contains records related to Munday's time as a Crake Fellow in Drama at Mount Allison University.
Fonds consists of records that document every aspect of Neptune Theatre as an organization, including various textual records and graphic and audio-visual material pertaining to productions, events, personnel, and the administration of the Theatre. Types of records include correspondence, meeting minutes, reports and newsletters, financial records, box office records, applications, licenses, contracts, scripts, posters, newspaper clippings, production notes, programs, press kits, videocassettes, audiocassettes, negatives, contact sheets, slides, photographs, and other materials.
Series contains documents related to theatrical, television, film, and radio performances of actor Jenny Munday. The documents include acting contracts, correspondence, theatre programs, reviews, newspaper articles, photographs, and other documents about the productions that Munday acted in. The documents also include greeting cards congratulating Munday for her performances.
File contains photographs of Walter Borden printed onto 8.5 x 11 in. pieces of paper. Photographs feature Walter Borden in the productions, The Epistle of Tightrope Time and Driving Miss Daisy.
Series consists of Henry Orenstein's materials regarding his professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds contains several of Henry Orenstein's art pieces and sketches, including related to the "Sudbury Industrial Landscape" project. In the 1950s, Henry Orenstein was commissioned by the Mine, Mill and Smelter Workers of Sudbury to paint a mural for the local union hall, which was the centre of a broad-ranging cultural role of Mine Mill Local 598 in the Sudbury area. At that time, Mine Mill was in the midst of a series of raids by the United Steelworkers.
Fonds consists of Joan and Henry Orenstein's materials regarding their professional activities, including photographs, negatives, sketches, programs, flyers, posters, postcards, slides, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting, Henry Orenstein's art pieces and sketches, and Joan and Henry Orenstein's family photographic negatives.
Series consists of Joan Orenstein's materials regarding her professional activities, including photographs, programs, flyers, postcards, correspondence and other materials. Fonds includes several photographs of Joan Orenstein acting in "Stone Angel," "La Sagouine," "William Schwenck and Arthur Who" or "Shades of G&S," "Wood Demon" and other productions.
File contains six contracts related to Home First Production's 2010 production of the play Home by Colleen Wagner. Contracts are between Home First Productions and Mary Vingoe (director), Karren Bassett, John Beale Jr., Mary-Colin Chisholm, David Hughes, and Sarah English (performers). File also includes a letter from the Canadian Actors' Equity Association and a copy of the association's independent artists projects policy.
File contains several different versions of Jenny Munday's curriculum vitae and resume, which she used to apply for jobs in theatre, film, television, and radio.
Fonds consists of records relating to Renton's personal life as well as his acting and teaching careers. The personal papers include files on specific actors, athletics, clippings and publications, festivals and workshops, financial records, Portus Theatre Productions (the production company he founded), school-related theatrical education materials, committee work, unions, associations, and a variety of other subjects. Correspondence includes letters to, from, and about Renton and are primarily theatre-related. The scripts were accumulated by Renton throughout his career as an actor, director, and producer. The fonds also includes photographs and slides of numerous theatrical productions.
File contains flyers and programs for "Revelations," "The Collected Works of Billy the Kid," and "Forever Yours, Marie-Lou" produced at Second Stage; "The Empire Builders" at Pier 1; "The Daughter-in-law" at Theatre New Brunswick; "The Devil's Disciple" at Neptune Theatre; and "The Satyricon" and "All the Queen's Men." File also contains a postcard of the Charlottetown Summer Festival.
File contains several different versions of Jenny Munday's resume, used while applying for work as an actor. Some of the resumes are printed on letterhead from Munday's agencies or managers.
File contains documents related to Jenny Munday's participation in the Canadian Actors' Equity Association Advisory Committee. The documents include correspondence; a list of committee members; and a report from an Equity Council meeting.
File contains documents related to Jenny Munday's association with Sloan Talent Agency. The documents include correspondence with Sloan Talent; invoices; acting contracts; weekly time reports; and other documents.
File contains documents related to Jenny Munday's association with Christopher Banks & Associates, a talent agency. The documents include correspondence with Christopher Banks & Associates; notes about payment; acting contracts; and other documents.
File contains certificates awarded by the Cultural Federations of Nova Scotia, the Maritime branch of the Alliance of Canadian Cinema, Television and Radio Artists, and the Dora Mavor Moore Awards.
File contains documents related to Jenny Munday's association with Andrei Pauzer from Performing Arts Management. The documents include correspondence with Pauzer; a contracts between Munday and Pauzer; Munday's resume; and other documents.
Fonds contains photographs taken by Lionel Simmons during the 1970s, primarily of Neptune Theatre productions, rehearsals and people. The photographic format is overwhelmingly black-and-white negative film, but also includes contact sheets, prints and slides.
