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Halifax (N.S.)
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Xanadu calling / Paul Cram

Item is Paul Cram's score for trumpet, alto sax/flute, tenor sax/clarinet, bass clarinet, guitar, synthesizer/harp, piano/synthesizer, drums, and soloist.

Wrapped around eternity : [score]

File contains an original handwritten score for Paul Cram's "Wrapped Around Eternity," written for concert saxophone, synthesizer, pipes, bass, and drums. There is also an original handwritten score for "Jazz in the Zebra Zone," for four instruments.

Witch gong gang II/10 : [score]

Item is an annotated graphic score of "Witch Gong Gang II/10," composed by Barry Guy for the cooperative New Orchestra Workshop in Vancouver, British Columbia. It was performed by the Upstream Orchestra on May 18, 2013 at the International Festival de Musique Actuel in Victoriaville, Quebec, along with "Convoy HFX" and "The Magic Order."

Guy developed graphic score to present all necessary material to performers on one page using gathered information such as individual music preferences, and musical and improvisational abilities. Guy notes that while the music is conducted by flash cards, players possess veto power in which they can change the course of the music within a set of rules. The score is predominantly in standard notation, with graphic notation and symbols situated in the center and top of the pages. The black diamond shaped-graphic featured in the center-left of the score reflects the internal tensions of the ensemble and potential for chaos, though the musical modules appear to be in equilibrium.

Urban desperado / Paul Cram

Item is Paul Cram's score for reeds 1, 2 & 3, trumpet, trombone, cello, guitar, piano, bass, drums.

Tyranny of interest / Paul Cram

Item is a composer's score of Paul Cram's The Tyranny of Interest—with eleven movements and a key to formings—for voice, soprano sax, alto sax 1 & 2, tenor sax, baritone sax, trumpet 1 & 2, trombone 1, 2 & 3, piano, guitar, cello. bass 1 & 2, and drums.

Trouble in paradise / Paul Cram

  • MS-5-21, Box 15, Folder 13, Item 1
  • Item
  • [ca. 2002?]
  • Part of Paul Cram fonds

Item is Paul Cram's score for clarinet, trumpet, alto, tenor, trombone, baritone, bassoon, cello, mallets, guitar, piano, bass and drums.

Trouble in paradise / by Paul Cram

  • MS-5-21, Box 15, Folder 13, Item 2
  • Item
  • [ca. 2002?]
  • Part of Paul Cram fonds

Item is Paul Cram's score in three parts for reeds 1, 2 & 3, trumpet, trombone, cello, guitar, keyboards, bass and drums.

Trotsky in Halifax

File contains notes and scores for a Trotsky in Halifax concert, including scores for Trotsky Medley; Tipperary; L'internationale; Visions Fugitive III; Adele's Theme; La Marseillaise; Solidarity Song; Glutton Waltz; Ich Habe gelerent; and Auprès de ma blonde.

Transfigured night : [parts]

File contains the instrumental parts for Paul Cram's compilation of arrangements entitled "Transfigured Night." The piece includes four arrangements: "Wie Lange Noch?" by Kurt Weill for soprano, accordion, and contrabass; String Quartet Op. 28, 2nd movement by Anton Webern for string quartet; "All the Things you Are" by Jerome Kern and Oscar Hammerstein II for trumpet, alto saxophone, bass clarinet, and baritone saxophone; and a fugue by Johann Sebastian Bach for flute, oboe, clarinet, and bassoon. The piece also includes two newly-composed sections for guitar, bass, and drums, and piano and cello duet.

Cram, Paul

Traffic continues : shadow of a tree on sand : [score]

Item is the first eight measures of the score for Fred Frith's composition "Traffic Continues: Shadow of a Tree on Sand" for flute, oboe, clarinet, bassoon, soprano saxophone, alto saxophone, trumpet, baritone saxophone, piano, percussion, violin, guitar, and double bass.

Frith, Fred

Thunder : [parts]

File contain piano, reeds 1, 2 & 3, cello, guitar, bass and drum parts for Paul Cram's "Thunder," a drama with music created by Alan Williams, Mary Vingoe, and Paul Cram. "Thunder" premiered in 1996 at Dalhousie University and was broadcast on CBC Radio Drama in 2001. The piece has five movements: 1. They Say; 2. 1963; 3. Twin Cities; 4. Black Dog; and 5. Vanishing.

The town is decked flags today : [manuscript vocal score]

Item is a manuscript of the third verse of an untitled song that begins "The town is decked flags today." The song is for solo voice and piano accompaniment in d minor. The first two verse of the song are missing. The author of the text is not indicated, but may have also been written by Archibald.

Archibald, Edith Jessie

The ravens by the Tower of London : [score]

Item is an annotated copy of Jamieson's composition, which is in five sections. Each section has textual instructions for individual instruments with four musical parts notated at the bottom: melody, accompaniment, B-flat trumpet line, and bass line.

Jamieson, Daryl

The point of sympathy / by Paul Cram

Item is the master of a conductor's score for Paul Cram's The Point of Sympathy for Chamber Orchestra with Improvisor, which includes an instrumentation list on the title page: 2 flutes, 2 oboes, 2 clarinets in Bb, 2 bassoons, 2 trumpets in Bb, 2 french horns, violin1 (8), violin 2 (6), viola (4), cello (4), contrabass (2), marimba, timpani, tenor saxophone, bass clarinet, soprano saxophone, electric cello, piano, accordion, guitar, electric bass, drums.

The point of sympathy : [score]

Item contains a partial score of Paul Cram's "The Point of Sympathy" — pages 3-50; the last four pages are printed on the reverse sides of scrap paper.

The point of sympathy : [score]

Item contains an annotated score of Paul Cram's "The Point of Sympathy." The file includes a handwritten conductor's key and a photocopied key to formings.

The point of sympathy : [parts]

File comprises 26 parts for chamber orchestra with improvisors; each part contains a key for the section of the score (@ letter E + F) that changes from traditional to graphic notation.

The naked ear / Paul Cram

Item is Paul Cram's score for reeds 1 & 2, wx7, trumpet, guitar, harp, synth, drumscom (?), comp 1, 2 & 3.

The naked ear : [score]

Item is a conductor's score for "The Naked Ear," a concert work composed by Paul Cram in 1991 for Upstream Ensemble, which debuted at Saint Mary's University in Halifax, Nova Scotia, on November 24, 1991.

The magic order : [score and parts]

File contains a title page; a handwritten forming order/conductor's score in graphic notation (and copies); and 12 printed parts for Inst 1, each in a different key.

The magic order : [score]

Item is a facsimile score for voice; trumpet; soprano sax/flute; trumpet 2; alto sax; trombone; tenor sax/clarinet; bass trombone; baritone sax/flute; guitar 1; guitar 2; synthesizer 2; piano 1; contrabass 2; drums 2; drums 1; and percussion.

The magic order : [score]

Item is an annotated score of a work first performed by Upstream Orchestra in memory of Steve Lacy on May 18, 2013 at the International Festival de Musique Actuel, which commissioned the work, in Victoriaville, Quebec. The piece was played alongside "Convoy HFX" and "Witch Gong Gang II/10." The Upstream Orchestra included Jeff Reilly, conduction; bass clarinet, Tena Palmer; voice, Rick Waychesko; trumpet, Chris Mitchell; soprano sax/flute, Paul Tynan; trumpet, Kenny MacKay; alto sax, Danny Martin; trombone, Paul Cram; tenor sax/clarinet, Tom Walsh; trombone, Dawn Hatfield; baritone sax, flute, Geordie Haley; guitar, Scott McMillan; guitar, Tim Crofts; synthesizer, Steven Naylor; piano, Lukas Pearse; contrabass-electronics, David Burton; drums, Danny Parker/contrabass, Doug Cameron; drums; and Erin Donovan, percussion.

The top of the score pages are in standard notation and provide the music for different instruments. The bottom half of each page is in graphic notation with symbols noting improvisational cues and solos for each instrument. There also parts for B, Bb, Eb, bass, and drums. There are two pages of smaller visual notations. The score was composed for voice; 2 trumpets; 2 trombones; soprano sax/flute; alto sax; tenor sax/clarinet; baritone sax; piano; synthesizer; 2 guitars; 2 basses; 2 drum sets; and percussion.

The empty cup : parts

File contains parts for Bauer's improvisational composition in five sections: Sitar Drone Atmosphere; Falling - Filling the Cup; The Streets of Calcutta; Ascension - Reaching Beyond Life; and Resolution. The composition is for violin, bassoon, piano, guitar, and oboe and lacks a clear tonal centre and meter.The last section is a canon between the violin and bassoon.

Bauer, Bob

Telescope : [parts]

File contains printed concert, Bb, and Eb parts and facsimile handwritten concert and Bb parts. Telescope was composed for saxophone quartet.

Symphony Nova Scotia fonds

  • MS-5-14
  • Fonds
  • 1981-2006

Fonds consists of records created by Symphony Nova Scotia in the course of its regular business activities. The majority of the records were created during the process of concert-planning, including special concerts, annual concerts, tours, and concert series. These records include artist contracts, marketing and development documents, internal memos, and correspondence with artists and sponsors.

Records also consist of internal management records, including personnel records, office management files, and the files of the Board of Directors, Executive Director, and Chief Executive Officer. The financial administration of the Symphony is documented though budgets, statements, ledgers, and tickets sales data.

The fonds also contains concert programs and promotional material such as posters, advertisements, flyers, newsletters, and other publications. The final section of the fonds consists of audiovisual and graphic material. There are audio recordings of performances and interviews of Symphony personnel as well as video recordings of advertisements and performances. The graphic material includes promotional photographs and photographs of the orchestra.

Symphony Nova Scotia

Strong and free : [score]

File contains two annotated copies of "Strong and Free," a composition by Paul Cram written at concert pitch, which improvises on motives from "O Canada."

Cram, Paul

Stephen Pedersen fonds

  • MS-5-23
  • Fonds
  • 1964 - 2000
Fonds contains records related to Stephen Pedersen's music teaching, composing and performance activities. Record types include manuscript music scores, sound recordings, posters and programs, contracts and correspondence.

Pedersen, Stephen Alan

Solar system / Paul Cram

Item is Paul Cram's facsimile score for saxophone quartet and tape, performed June 1984. The first page comprises program notes describing the composition as a variation on the Icarus myth; the second page is a schemata for between movements.
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