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Ellen Ballon fonds
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Concerto para piano e orquestra : segundo flautas

Item contains the first and second flute parts for Heitor Villa-Lobos' first piano concerto, dedicated to Ellen Ballon. This part was used by the second flautists. The parts were copied by Fran Averede.

Antal Dorati : [autographed photograph]

File contains an autographed photograph of Antal Dorati, the conductor of the Dallas Symphony Orchestra, in commemoration of the United States' premiere of Heitor Villa-Lobos' first piano concerto.

Letters from Heitor and Arminda Villa-Lobos to Ellen Ballon

File contains three letters from Heitor Villa-Lobos and one letter and a telegram from Arminda Villa-Lobos. Letters primarily concern Ellen Ballon's performance of Villa-Lobos' music. File also includes four envelopes with Brazilian postage stamps.

Villa-Lobos, Heitor

Letter from Heitor Villa-Lobos to Ellen Ballon

Item is a typed letter from Heitor Villa-Lobos to Ellen Ballon written on December 17, 1946. The letter acknowledges a letter Ballon wrote on December 5, 1946 and asks if Ballon performed the world premier of Villa-Lobos's first piano concerto with the Dallas Symphony Orchestra. Item is accompanied by the stamped air mail envelope in which Ballon received the letter. Two Brazilian postage stamps are affixed to the envelope.

Dark hills

Item contains a composition for piano inspired by Edwin Arlington Robinson's poem "The Dark Hills."

Sea rhapsody

Item contains a composition for piano inspired by Walt Whitman's poem, "Songs for All Seas, All Ships."

Quarter notes : volume 9, number 3

File contains an issue of Quarter notes magazine (volume 9 number 3) published in 1946 by the New Jersey Symphony Orchestra. Issue includes a biography of Ellen Ballon by Myrtle Fish Thompson.

Letter from Heitor Villa-Lobos to Ellen Ballon

Item is a typed letter from Heitor Villa-Lobos to Ellen Ballon written on September 9, 1947. The letter details some potential performances of Villa-Lobos' compositions and his desire to have Ballon perform his music. Item is accompanied by the stamped air mail envelope in which Ballon received the letter. Two Brazilian postage stamps are affixed to the envelope.

Letter from Arminda Villa-Lobos to Ellen Ballon

Item is a typed letter from Arminda Villa-Lobos to Ellen Ballon written on May 28, 1947. Arminda writes about her poor English and asks Ballon to write in Portuguese. She also asks if an October 1947 concert in Montreal will be broadcast. This concert was the Canadian premiere of Villa-Lobos' first piano concerto. Item is accompanied by the stamped air mail envelope in which Ballon received the letter. Two Brazilian postage stamps are affixed to the envelope.

Villa-Lobos, Arminda

Letter from Heitor Villa-Lobos to Ellen Ballon

Item is a typed letter from Heitor Villa-Lobos to Ellen Ballon written on June 2, 1947. Villa-Lobos acknowledges a May 15, 1946 letter from Ballon and provides some information on his compositions, including Caixinha de Boas Festas, the 2nd Suite do Descobrimento do Brasil, and Danses Africaines. The letter refers to Marks Co. as "the true thieves of my musics." Item is accompanied by the stamped air mail envelope in which Ballon received the letter. Two Brazilian postage stamps are affixed to the envelope.

Letter from Heitor and Arminda Villa-Lobos to Ellen Ballon

Item is a handwritten letter from Heitor and Arminda Villa-Lobos to Ellen Ballon written on July 26, 1947. The letter details Villa-Lobos itinerary on a European tour and comments on Ballon's performances of Villa-Lobos' compositions. Item is accompanied by the stamped air mail envelope in which Ballon received the letter. One French postage stamp is affixed to the envelope.

Villa-Lobos, Heitor

Concerto for piano and orchestra : [performance guidelines]

File includes liner notes, recording timing notes, and notes for corrections to the score, all for the recording of Heitor Villa-Lobos' first piano concerto. The liner notes were written by Ralph Gustafson, a friend of Villa-Lobos and Ellen Ballon, to whom the concerto is dedicated and who performed the concerto for its recording in 1948. The concerto was written in Rio de Janeiro in 1945. The file includes directions for transcribing Villa-Lobos' piano concerto from the records of its American premiere in Dallas, Texas with the Dallas Symphony Orchestra, conducted by Antal Dorati.

Two piano pieces

File contains copies of the manuscripts for two untitled pieces by George Barati (born Gyorgy Braunstein), written at the MacDowell Colony between June 19 and June 22, 1948. The first composition is dedicated to his wife, Ruth.

Barati, George

Achtamar

Item is a copy of a manuscript composition by Alan Hovhaness, inscribed to Ellen Ballon. The composition is based on an Armenian folktale and is comprised of two movements, each of which imitates Armenian instruments (tmpoog for the first movement and the kanoon and oud in the second movement).

Hovhaness, Alan

Andante

Item is a piano score, originally dedicated to Rudolf Firkusny, but this dedications has been crossed out with blue pencil crayon.
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