File contains the score and text translation from Spanish to English. The Spanish translation was completed by Andreas Guibert, with consultation by Marcelo Arroyo. Evelyne Benais, Maral Perk, and Tony Tucker helped with the Flamenco rhythms, and Mary E. Moore did the cover artwork. The composition is based on the Mexican folkloric tale of La Llorana, The Weeping Woman.
File contains two copies of the tenor saxophone part of a composition entitled "Muraille de Cayne." "Robert Leriche" is handwritten at the bottom of one of the parts, potentially indicating him as the composer.
File contains the studio mastering tape for "Nocturne" by Steven Naylor and "Pulseight" by Tom Roach, completed at Solar Audio Recording studio in Halifax, Nova Scotia. The recordings are on Upstream's CD, "Open Water" (track 2, 7 min. and track 3, 2 min., 50 sec., respectively). Audio reel box includes track sheets for both pieces.
File contains the studio mastering tape for the second take of Steve Reilly's composition, "Sunrise to a Mad Afternoon," completed at Solar Audio Recording studio in Halifax, Nova Scotia. The recording is on Upstream's CD, "Open Water" (track 6, 10 min., 1 sec.). Audio reel box includes a track sheet.
File contains two receipts: one from the Upstream Music Association to Jean Pierre LeDuc, Distribution Fusion III, and one from RDR Promotions to Upstream.
File contains a copy of Upstream Music Association's application to the fund for "Assistance to Organizations for Special Projects in the Performing Arts" for August 1, 1990 to April 15, 1991, related correspondence, and the final report.
File also contains an overview of Upstream's involvement and budget for the Atlantic Jazz Festival and the for the Desert Island Workshop, presented at St. Mary's University Art Gallery.
File contains Upstream Music Association's application to the Co-operation for marketing support and related correspondence. File also contains the Contribution Agreement between Upstream and the Co-operation for the project, "Building Bridges: Per Event Promotion."
File contains correspondence from the Canada Council and two annotated copies of the application for funding for Upstream's 1996-1997 and 1997-1998 seasons.
File contains Upstream Music Association's applications for, and correspondence related to, the Canada Council for the Arts Classical Contemporary/ New Music Organizations Program and Commissioning of Canadian Compositions.
File contains a sample of completed subscription forms, correspondence with the Canadian Broadcasting Corporation, brochure templates for the association, and a list of businesses as potential fundraising targets.
