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Upstream Music Association fonds North America File
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Applications, correspondence, and notes regarding funding for the Upstream Music Association

File contains applications and documents for the Nova Scotia Arts Council Operating Grant Application (2000) and Canada Council for the Arts Classical Contemporary and New Music Organizations Program Multi-Year Funding (2000-2002). File also contains some minutes and financial statements from the Board of Directors for Upstream.

Applications to Canada Council for the Arts

File contains correspondence regarding Upstream Music Association's application to the Classical Contemporary/ New Music Organizations Program; Residencies and Commissioning of Canadian Compositions Program; and New Music Program: Targeted Initiatives program.

Correspondence with JERK

File contains a letter from John D.S. Adams of the JERK ensemble (which also includes Bill Brennan, Kevin Coady, Erin Donovan, and Rob Power) to Jeff Reilly concerning two proposed concerts in Halifax, Nova Scotia and Long Reach, New Brunswick.

Biographies and Curriculum Vitae for Upstream musicians

File contains biographies and CVs for the following musicians who performed with, or were part of, the Upstream Ensemble: Karen Young, Bob (Robert) Bauer, Jeff Reilly, Paul Cram, Don (Donald Charles) Palmer, Steven Naylor, Sandy Moore, Tom Roach, Norman Adams, Steve Tittle, and Jerry Granelli.

Promotional package for concert season

File includes biographies for some of the Upstream Ensemble musicians (Robert Bauer, Jerry Granelli, Sandy Moore, Donald Charles Palmer); a letter sent from Ken Aucoin, Performing Arts Consultant, to Ted Bairstowe, Head of the Performing Arts, Nova Scotia Department of Tourism and Culture, concerning funding for Upstream's first season; and a pamphlet for concerts at Saint Mary's University Art Gallery, including Upstream on May 13, 1990.

Upstream concert : part 2 of 2

File contains the second part of a video recording of Upstream's October 31, 1993 concert with Lisle Ellis. The film was made by Brett Films, 2323 Maynard Street, Halifax.

Records from Two-Way Traffic concert with members of Symphony Nova Scotia

File includes a concert program, poster, press release, and copies of newspaper clippings. For this concert, the Upstream Ensemble (Bob Bauer, Paul Cram, Steve Tittle, Sandy Moore, Jeff Reilly, Don Palmer, and Tom Roach) performed with members of Symphony Nova Scotia (George Maxmann, Kent Forman, Susan Sayle, Norman Adams, Max Kasper, Suzanne Lemieux, and Christopher Palmer).

Records from An Improvisational Composition Ensemble concert

File contains notes and posters for a concert presented by the Dalhousie Music Department and Upstream Music Association entitled "An Improvisational Composition Ensemble." The concert featured The Farmstream Rivulettes with improvisational compositions by Paul Cram, Jordan Musto, Trevor Dimoff, and John Carter. The performers included Mark Berry, Tim Bond, Christopher Church, Trevor Dimoff, Dawn Hatfield, Peter MacDonald, Jordan Musto, Don Palmer, Steve Tittle, and Paul Cram.

Programs for Upstream concert season

File includes programs for the following Upstream concerts: October 23, 1995 at Saint Mary's University Art Gallery; January 27, 1996 at Saint Mary's University Art Gallery; March 8, 1996 at Canadian Martyrs Church, Inglis Street, Halifax (with Symphony Nova Scotia); April 12-13, 1996 at Saint Mary's University Art Gallery ("Thunder," in collaboration with Alan Williams, Paul Cram, Mary Vingoe, Stephen Britton Osler, and Dave Reilly); and April 26, 1996 at the Sir James Dunn Theatre ("Unsprung (too)" presented by the Dalhousie Music Department and featuring the Farmstream improvisational/ composition ensemble).

Silent movies : [score]

File contains nine annotated copies of "Silent Movies," a composition by Paul Cram in two parts written at concert pitch. The reverse side of one of the copies includes a set list for "Talk Show," which was part of the 1997 Open Waters Festival.

Cram, Paul

Clustrix : [score]

File contains three annotated copies of the score for Sandy Moore's composition "Clustrix" for piano, electric guitar, harp, bass clarinet, horns, and cymbal.

Moore, Sandy

Upstream excerpts : [audio cassette]

File contains an audio cassette of live recordings from Upstream's performances at St. Mary's University Art Gallery between May 13, 1990 and March 17, 1991. The cassette features Steve Tittle (trumpet and Flugel horn); Sandy Moore (Irish harp and synthesizers); Jeff Reilly (clarinet, bass clarinet, and alto saxophone); Don Palmer (saxophone and flute); Bob Bauer (guitar); Tom Roach (drums and percussion); Steven Naylor (keyboards); and Paul Cram (saxophone and clarinet). The pieces include: "Don't Hold Back" by Jeff Reilly; "Nocturne" by Steve Naylor; "Change is a Time for Celebration" by Sandy Moore; "Pluckstucke" by Paul Cram; "Sunrise for a Mad Afternoon" by Jeff Reilly; "Below the Surface" by Steve Naylor; "Valse Triste" by Bob Bauer; "Available Light" by Steve Tittle; "Standing in the Light" by Steve Tittle; "Entangold" by Bob Bauer; and "Immortal Coil" by Paul Cram. All compositions were funded by SOCAN.

Minutes of Undercurrent meetings

File also includes budgets, reports to the Board of Directors for Upstream, and a copy of the Certificate of Registration from the Province of Nova Scotia (under the Partnerships and Business Names Registration Act) for Undercurrent Recordings (dated August 6, 1992).

Minutes of Undercurrent records meeting

File contains minutes from a meeting July 13, 1993 between Laura Hoffman, Paul Cram, Michael LaLeune, Steven Naylor, Jeff Reilly, and Bob Bauer. File also contains correspondence on the Mark Duggan Project; a draft of Undercurrent Recordings' policies; and a report to the Board of Directors of the Upstream Music Association by Steven Naylor.

Correspondence, media releases, and reports from Paul Cram, Artistic Director

File contains records from the 1994-1995 season from Paul Cram, one of the Artistic Directors of the Upstream Music Association. The file includes copies of newspaper clippings with reviews of Upstream concerts; Sandy Moore's Curriculum Vitae; and Paul Cram's signed contract, on behalf of the Upstream Ensemble, for the Atlantic Federation of Musicians.

Cram, Paul

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