Correspondence from European Conference of Promoters of New Music
- MS-5-16, Box 6, Folder 19
- File
- 1993, August 17
Part of Upstream Music Association fonds
209 results with digital objects Show results with digital objects
Correspondence from European Conference of Promoters of New Music
Part of Upstream Music Association fonds
Creative records of Upstream Orchestra
Part of Upstream Music Association fonds
Japan-Canada Concert with Akikazu Nakamura and Miwa Inaba
Part of Upstream Music Association fonds
Records of collaborations with Barry Guy and Maya Homburger
Part of Upstream Music Association fonds
Programs, reports, and correspondence for the Open Waters Festival
Part of Upstream Music Association fonds
News articles and programs from the Open Waters Festival
Part of Upstream Music Association fonds
Funding for the Open Waters Festival
Part of Upstream Music Association fonds
Correspondence and income statement for the Open Waters Festival
Part of Upstream Music Association fonds
Final reports for the Open Waters Festival
Part of Upstream Music Association fonds
Part of Upstream Music Association fonds
The Upstream ensemble in concert with special guest Conrado Del Rosaria : [poster]
Part of Upstream Music Association fonds
The song project : a Love Upstream featuring Erin Costelo : [poster]
Part of Upstream Music Association fonds
Open waters / Upstream : a new music collective : [poster]
Part of Upstream Music Association fonds
Paul Cram's CONVOY HFX : [poster]
Part of Upstream Music Association fonds
My 20th century multimedia concert : music/video/theatre : [poster]
Part of Upstream Music Association fonds
Upstream Music season finale! : [poster]
Part of Upstream Music Association fonds
Records from Upstream's concert at Saint Mary's University Art Gallery
Part of Upstream Music Association fonds
Records from Upstream's concert at Saint Mary's University Art Gallery
Part of Upstream Music Association fonds
Promotional photographs of the Upstream Ensemble
Part of Upstream Music Association fonds
Records for the Hemispheres concert at Sir James Dunn Theatre
Part of Upstream Music Association fonds
Records from Suspensions concert with special guest Lisle Ellis
Part of Upstream Music Association fonds
Program and poster for the October Summit
Part of Upstream Music Association fonds
Upstream plays Moore : concert proposal
Part of Upstream Music Association fonds
Planning and promotional records for concert season
Part of Upstream Music Association fonds
Press kit for the Upstream Ensemble
Part of Upstream Music Association fonds
Programs and newspaper articles from concert season
Part of Upstream Music Association fonds
Upstream Music's Sonic Courage Festival pamphlets
Part of Upstream Music Association fonds
Upstream Music's Sonic Courage Festival program
Part of Upstream Music Association fonds
Correspondence, itinerary, and budgets for Upstream's Ontario fall tour
Part of Upstream Music Association fonds
Receipts and budget for Upstream's Ontario fall tour
Part of Upstream Music Association fonds
Proposal for improvisational composition workshop with the Dalhousie Department of Music
Part of Upstream Music Association fonds
Correspondence regarding improvisational composition workshop
Part of Upstream Music Association fonds
Proposal for an Upstream Music Association workshop
Part of Upstream Music Association fonds
Part of Upstream Music Association fonds
Subseries contains the conductor’s score, instrumental, and vocal parts used for the premiere performance of Nasca Lines by Barry Guy. Nasca Lines is a one-hour, seven-part work that was commissioned by the Upstream Ensemble and premiered in collaboration with the Symphony Nova Scotia on June 3, 2001 at the Scotia Festival with conductor and composer, Barry Guy.
The composition is named after and inspired by the geoglyphs in the Nazca Desert, Peru, which include outlines of animals and various geometric shapes. Graphical representations of a selection of these geoglyphs are used in the graphic notation of this score, particularly in parts 3 and 7.
Nasca Lines is an atonal work that uses a combination of composed material, based on tone rows and pitch class sets, and guided improvisation. There are twenty instrumental parts and one vocal part.
Nasca lines : performance notes
Part of Upstream Music Association fonds
Guy, Barry
Nasca lines : Veto A flashcard
Part of Upstream Music Association fonds
Guy, Barry
Nasca lines : the spider flashcard
Part of Upstream Music Association fonds
Guy, Barry
Nasca lines : the hands flashcard
Part of Upstream Music Association fonds
Guy, Barry
Nasca lines : part 3A : [full score]
Part of Upstream Music Association fonds
Guy, Barry
Nasca lines : part 5 : [full score]
Part of Upstream Music Association fonds
Guy, Barry
Nasca lines : performance notes
Part of Upstream Music Association fonds
Guy, Barry
Nasca lines : part 3A : [full score]
Part of Upstream Music Association fonds
Guy, Barry
Part of Upstream Music Association fonds
Guy, Barry
Nasca lines : performance notes
Part of Upstream Music Association fonds
Guy, Barry
Nasca lines : part 1 : [full score]
Part of Upstream Music Association fonds
Guy, Barry
Nasca lines : part 1: [full score]
Part of Upstream Music Association fonds
Guy, Barry
Nasca lines : part 6 : clarinet in B-flat
Part of Upstream Music Association fonds
Guy, Barry
Nasca lines : part 4 : trumpet in C
Part of Upstream Music Association fonds
Guy, Barry
Nasca lines : part 5 : [full score]
Part of Upstream Music Association fonds
Guy, Barry
Nasca lines : part 6 : trumpet in C
Part of Upstream Music Association fonds
Guy, Barry