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Dalhousie University Archives Halifax (N.S.) Authors
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Ian Colford fonds

  • MS-2-751
  • Fonds
  • 1979 - 2010
Fonds contains Ian Colford's manuscripts and other records illustrating his work as an author.

Colford, Ian

Patricia Monk's transcripts of James De Mille's unpublished verses

File includes transcripts of the James De Mille's verses entitled Eggs, Eggs, Eggs; The sweet maiden of Passamaquoddy; Lord Hilbert: a ballad; The Maranon; The oaken tree; sympathy; Oh it's Ferra wet in Ta Highlands; The cook he flung his dipper down; The fisher; Thy friend he is false; Oh meet me by moonlight; In that high hall; In barbary; A gallant highwayman; There was a captive in a prison; Oh the fashions are queer; Oh the chieftain is gone; And dost thou hope my favour; Oh wait is that glides softly; Song; The Brunensian hippodrome; Dies Irae; and Auld Lang Syne.

Patricia Monk fonds

  • MS-2-749
  • Fonds
  • [after 1805] - 1995
Fonds consists of Patricia Monk's records regarding the research and writing process of her book The Gilded Beaver: An Introduction to the Life and Work of James De Mille (Toronto: ECW Press, 1991). Fonds includes photographs, correspondence, research notes, transcripts, and other textual records.

Monk, Patricia

W. Terrence Gordon fonds

  • MS-2-737
  • Fonds
  • 1972 - 2019
Fonds comprises records related to Terrence Gordon's biography of Marshall McLuhan published in 1997 and includes correspondence with publishers and reviewers; a curriculum vitae; a manuscript draft; newspaper clippings and copies of reviews; and secondary research materials. Other records include the working papers from three books edited by Gordon: McLuhan Unbound, Understanding Media (Critical Edition) and The Classical Trivium: The Place of Thomas Nashe in the Learning of his Time.

Gordon, Terrence W.

Peter B. Waite fonds

  • MS-2-718
  • Fonds
Fonds consists of: the correspondence and comments relating to Peter B. Waite's books "The Lives of Dalhousie University, Vol. 1 & 2", includes financial information relating to the publication; the interviews, analogues and correspondence relating to Peter B. Waite's book "The Lives of Dalhousie University, Vol.2" ; the research material for Peter B. Waite's "Lives of Dalhousie University, Vol.1.", including notes from the Dalhousie Gazette, President's reports, yearbooks, President's Office and departmental files and the private manuscripts of professors and administrators; photographs relating to Peter B. Waite's books "The Lives of Dalhousie University, Vols. 1 & 2"; the manuscripts of Peter B. Waite's "Lives of Dalhousie University, Volume Two, 1925-1980" , including the table of contents, preface and introduction; Chapters 1-12; and the appendices; general correspondence of Peter B. Waite, covering the period 1949 to 1980. Includes a few clippings; academic files of Peter B. Waite, including correspondence; reports; examination questions; Dalhousie University Faculty Council meeting documents and various committee documents.; Peter B. Waite's book manuscript for "CANADA 1874-1896: ARDUOUS DISTINY"; photographs of Dalhousie University; and a personal diaries collection for the period 1925-1963, thought to be his mothers.

Waite, Peter B.

Alan Creighton fonds

  • MS-2-701
  • Fonds
  • 1845-2001

Fonds includes Alan Creighton's diaries, which cover many of the years from 1920 to 2000. Writings from the period 1920 to 1954 (many undated) are mainly short stories and poems. These writings include handwritten and typed, complete and incomplete, and published and unpublished works. There is also some correspondence throughout as well as copies of his two books of poetry. The fonds includes writings with titles such as "About Poetry," "Poetry Courses," "Thoughts," "Music & Art," and "Bedford Basin." His notebooks include evidence of a variety of courses taken, including French and Greek, music, poetry, and art (both practice and history, including Chinese art). There is also a record of his art sales from 1964 to 1999. Personal and family documents are included in the fonds.

Alan Creighton's artwork is extensive and primarily in the form of sketches and watercolours, with a few oil paintings. Many of his sketches are in albums, many of which are used exclusively for one particular aspect of his studies. For example, album labels include "People," "Trees," "Skies," "Rock Formations," "Buildings," "Railway Sketches" (scenes from train journeys), and "Outdoors." Others identify a place and time and include such labels as "At the Zoo," "Nova Scotian Sketches 1951," "South Shore 1982," and "Toronto 1996." Still others contain a mixture of styles and themes. There are also numerous loose sketches and watercolours which have been loosely arranged into similar groupings such as "Clouds," "Boats," "Flowers," and so forth. Photograph albums include photos of family and of scenes taken by Alan as a reference for future paintings.

Included with Alan Creighton’s personal items are papers, writings, art, and memorabilia belonging to his friend and roommate Christine Eyles, who died without heirs. Some relate to her employment as a violinist in England and in Toronto, Ontario and some contain her poetry, plays, and artwork (in sketchbooks and on loose paper). Published and handwritten music scores, mostly for the violin, are also included. A photograph album contains many formal portraits of family and friends taken in England in the early 20th century. Records also include papers by and about her father, Charles Eyles, a famous violin-maker. Such materials include advertisements, brochures, and letters attesting to the high quality of his craftsmanship.

Creighton, Alan

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