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Rehearsals - MATS October 1993 & CBC Radio Play 1998

File is an audio cassette tape with recordings of Sheila Piercey rehearsing for MATS recital singing "L'altra notte in fondo al mare" (from Mefistofele) composed by Boito in October 1993 and for the CBC radio play "Road to Rankin's Point " in October 1998.

Practice Verdi duet for MATS - March 9, 2002

File is an audio cassette tape with recordings of Sheila Piercey practicing Verdi duet for MATS recital on March 9, 2002. The MATS recital was held at Oxford Street United Church in Halifax on March 17, 2002.
Practice Verdi duet for MATS - March 9, 2002 (side A)

Practice Verdi duet for MATS - March 9, 2002 (side A)

File is an audio recording of Sheila Piercey practicing Verdi duet for MATS recital on March 9, 2002. The MATS recital was held at Oxford Street United Church in Halifax on March 17, 2002. The recording is on side A of audio cassette.
CBC radio recording and Sheila's practice session

CBC radio recording and Sheila's practice session

Item is an audio recording of a CBC Radio 2 interview with Angela Meade(soprano) and Ryan Smith(tenor), the winners of the Metropolitan Opera National Council Auditions (2007), recorded by Sheila Piercey in 2009. The last five minutes (34:52) of the recording is Sheila Piercey's practice session on October 18, 2009. (outside spine label says Practice January 3, 2003).
Practice - inspired by music festival

Practice - inspired by music festival

Item is an audio recording of a practice session by Sheila Piercey in February-March 2006. The recording is on side A of audio cassette. Side B is blank.

Sheila's concert for the deWolfes

File is an audio cassette tape recorded by Sheila Piercey of the opera "Die Fledermaus," undated with handwritten notes on the label inserted in the case that reads:

Side A: Act I Finale - Die Fledermaus, What a joy to be here, Laughing Song, Champagne's Delicious Bubbles, Sing to Love. Act II Finale - Die Fledermaus, Sonia's entrance Merry Widow, Vilia, Love in My Heart, Quite in the modern style, Merry Widow Waltz.

Side B: other surprises." Side B contains an audio recording of Sheila Piercey's recitals, practice sessions, and CBC radio recording between the 1950s and 1970s. She re-recorded those old recordings on April 5, 1989 and April 8, 1990, her thoughts and comments are included.

Act 1 Finale "Die Fledermaus" (side A)

Act 1 Finale "Die Fledermaus" (side A)

Item is an audio recording of Sheila Piercey singing Act 1 Finale "Die Fledermaus" with Tom Clark (tenor) and Alexander Gray (baritone), undated. It also includes Sheila Piercey singing "Adele's Laughing Song." Handwritten notes on the label inserted in the case that reads: Side A: Act I Finale - Die Fledermaus, What a joy to be here, Laughing Song, Champagne's Delicious Bubbles, Sing to Love. Act II Finale - Die Fledermaus, Sonia's entrance Merry Widow, Vilia, Love in My Heart, Quite in the modern style, Merry Widow Waltz. The recording is on side A of audio cassette.
Other surprises (side B)

Other surprises (side B)

Item is an audio recording by Sheila Piercey of her recitals, practice sessions, and CBC radio recording between the 1950s and 1970s. She re-recorded those old recordings on April 5, 1989 and April 8, 1990, her thoughts and comments are included. The recording is on side B of audio cassette.
The Prodigal Son : track 1

The Prodigal Son : track 1

Item is an audio recording of CBC radio recording for "The Prodigal Son" at the Guelph Spring Festival in 1968. The Prodigal Son is a music drama by Benjamin Britten / music directed by Nicholas Goldschmidt.
The widow : track 2

The widow : track 2

Item is an audio recording of CBC radio broadcasts at the CBC Toronto Summer Festival. The first part of the recording is the "Movement for Orchestra" and an interview with Harry Somers(composer). The second part of the recording (13:00) is the opera "The Widow" by Calixa Lavallée.
Othello backstage interviews : track 3

Othello backstage interviews : track 3

Item is an audio recording of recorded CBC radio backstage interviews with opera singers and the stage makeup artist for the opera "Othello" at the Toronto Canadian Opera Festival at the Royal Alexandra Theatre. The interviews include John Arab, who played the role of Roderigo. The original track was untitled and undated.

The prodigal son and the widow

File consists of three audio recordings containing recorded CBC radio broadcastings of the opera "The Prodigal Son" at the Guelph Spring Festival in 1968 and the opera "The Widow" at the CBC Toronto Summer Festival in 1967, and backstage interviews at the Toronto Canadian Opera Festival. Originally labelled "the widow" and handwritten notes on the label inserted in the case read:
Joan Maxwell(mezzo-soprano), Sheila Piercey(soprano), Maurice Brown(baritone), John Arab(tenor)

(Track) 1. The prodigal son / by Benjamin Britten / music directed by Nicholas Goldschmidt - Peter Ginkel, Maurice Brown, Garnet Brown, John Arab
(Track ) 2. The widow / by Calixa Lavallée - John Arab and Sheila Piercey duet, 1967 CBC festival - Barbini

Chateau Lake Louise

Chateau Lake Louise

Item is a reel-to-reel recording of a recital by Sheila Piercey (soprano) and John Linn (music director) at Chateau Lake Louise. Handwritten notes inside of the box lid read: Chateau Lake Louise
"Laughing song"
"Songs my mother taught me"
"My fair lady"
"The poplar tree"

Mozart - "Alleluia" - Sheila Piercey
Puccini - "O mio Babbino Caro" - Sheila Piercey
"When Love is Kind" A.L - Sheila Piercey

Schumann - John Linn (played) 7 pieces (from Kinderszenen "Scenes from Childhood")
George Gershwin - John Linn
Ritual fire dance - John Linn
Malagueñ (a song by Cuban composer Ernesto Lecuona) - John Linn

Mendelssohn - "On Wings of Song"
"Still as the Night"
"Songs My Mother Taught Me"
"The Whispering Poplar"
"As I Went a Roaming" - By May H. Brahe

Sheila Piercey fonds

  • MS-5-20
  • Fonds
  • 1950-2010
Fonds consists of records of Sheila Piercey's opera performance activities and music teaching. Record types include primarily sound recordings of recitals, concerts, auditions, practices, rehearsals, radio broadcasts and textual records, including teaching records and various programs from the Dalhousie Glee and Dramatic Society, Dalhousie Tigers, graduation recitals, noon-hour recitals, festivals, opera workshops, and other performances produced by the Dalhousie Department of Music and a small number of documents Sheila collected when she was a student at Dalhousie University.

Piercey, Sheila Kathleen

Ronald St. John Macdonald fonds

  • MS-2-615
  • Fonds
  • 1823 - 2006
Fonds comprises Ronald St. John Macdonald's records regarding his personal, academic, and professional activities as a jurist, judge, and professor. Records include those related to Macdonald's involvement with Osgoode Hall, University of Western Ontario, University of Toronto, Dalhousie University, the European Court of Human Rights, the Hague, Peking University, World Academy of Arts and Science, Canadian Council of International Law, United Nations, Institute of International Law, African Society of International Law, British Institute of International Law, Canadian Institute of International Law, International Law Association, and others. Records types include correspondence; meeting minutes and agendas; research materials; photographs; newsletters; newspaper clippings; manuscripts; and off-prints.

Macdonald, Ronald St. John, 1928-2006

Form and feeling / University of the Air

Form and feeling / University of the Air

Item is lecture five of University of the Air's "Structures of Sound" series, recorded on September 8, 1979 for broadcast on CJCH-TV. The episode was presented by Dr. Walter Kemp, chairman of the Department of Music at Dalhousie University, and pianist and professor Lynn Stodola. Production staff included Linda Moore, production assistant; John Silver, technical producer; Cy True, director and producer; and Nancy Fraser, national coordinator.
Lines in motion / University of the Air

Lines in motion / University of the Air

Item is lecture four of University of the Air's "Structures of Sound" series, recorded on September 8, 1979 for broadcast on CJCH-TV. The episode was presented by Dr. Walter Kemp, chairman of the Department of Music at Dalhousie University, and pianist and professor Lynn Stodola. Production staff included Linda Moore, production assistant; John Silver, technical producer; Cy True, director and producer; and Nancy Fraser, national coordinator.
The model serves its master / University of the Air

The model serves its master / University of the Air

Item is lecture three of University of the Air's "Structures of Sound" series, recorded on September 8, 1979 for broadcast on CJCH-TV. The episode was presented by Dr. Walter Kemp, chairman of the Department of Music at Dalhousie University, and pianist and professor Lynn Stodola. Production staff included Linda Moore, production assistant; John Silver, technical producer; Cy True, director and producer; and Nancy Fraser, national coordinator.
The masters' model / University of the Air

The masters' model / University of the Air

Item is lecture two of University of the Air's "Structures of Sound" series, recorded on September 8, 1979 for broadcast on CJCH-TV. The episode was presented by Dr. Walter Kemp, chairman of the Department of Music at Dalhousie University, and pianist and professor Lynn Stodola. Production staff included Linda Moore, production assistant; John Silver, technical producer; Cy True, director and producer; and Nancy Fraser, national coordinator.
The age of reason makes its models / University of the Air

The age of reason makes its models / University of the Air

Item is lecture one of University of the Air's "Structures of Sound" series, recorded on September 8, 1979 for broadcast on CJCH-TV. The episode was presented by Dr. Walter Kemp, chairman of the Department of Music at Dalhousie University, and pianist and professor Lynn Stodola. Production staff included Linda Moore, production assistant; John Silver, technical producer; Cy True, director and producer; and Nancy Fraser, national coordinator.

University of the Air

  • UA-46
  • Collection
  • 1976 - 1983
Collection comprises digital video files of four teaching series produced for television in Atlantic Canada and hosted by Dalhousie University faculty, including: series one (The Oceans); series two (The Structure of Sound); series three (20th Century Latin America: Why Revolution?); and series four (Textiles: Their Development and Effects).

Dalhousie University. University of the Air

Dal magazine / spring 2022

Dal magazine / spring 2022

  • MS-1-Ref, Box 190, Folder 6
  • Item
  • 2022

    • Part of Dal Magazine

Item is a copy of Dal Magazine (Spring 2022), which features spotlight interviews with Dal alumni Brice Scheschuk (BCOMM '94), Jeremy Dutcher (BA '12), partners David Hodgson and Sara Fedullo (BENG '21), William (Bill) Stanish (MD '70), and Marriam Abou-El-Haj; an article about the research project "Home Food Gardening in Response to the COVID-19 Pandemic: Lessons for Food Security Considerations"; and a story about research in music, medicine and neuroscience.

Beyond Benghazi / by Paul Cram

Item is a conductor's score for Beyond Benghazi, copyright 1996. The title page includes an instrumentation list: flute, piccolo, 2 oboes, clarinet, bass clarinet, soprano saxophone, tenor saxophone, 2 trumpets, 2 french horns, violins 1 & 2, violas, cellos, string basses, timpani, percussion (vibes and marimba), synthesizer, guitar, piano, electric bass , drums.

Beyond Benghazi 93

Item is a conductor's score for Beyond Benghazi, copyright in 1987 and revised in 1993. The score, which is annotated, is for oboe, sop /flute, clarinet, trumpet, ten/clar, bassoon, violins 1 and 2, viola, cello, percuss/timpani, Sandy, guitar, piano, bass and drums.

Archeology / Paul Cram

Item is a composer's score of Archeology for violin, bass clarinet, and piano.

Archeology / Paul Cram

Item is a composer's score of Archeology for violin, bass clarinet, and piano.

The point of sympathy / by Paul Cram

Item is the master of a conductor's score for Paul Cram's The Point of Sympathy for Chamber Orchestra with Improvisor, which includes an instrumentation list on the title page: 2 flutes, 2 oboes, 2 clarinets in Bb, 2 bassoons, 2 trumpets in Bb, 2 french horns, violin1 (8), violin 2 (6), viola (4), cello (4), contrabass (2), marimba, timpani, tenor saxophone, bass clarinet, soprano saxophone, electric cello, piano, accordion, guitar, electric bass, drums.

Corridors of power / Paul Cram

Item is an undated composer's score of Paul Cram's Corridors of Power for voice, flute, oboe, clarinet, bassoon, trumpet, alto sax, tenor sax, baritone, bass clarinet, accordion, piano, guitar, electric bass, drums, marimba, timpani, violin 1 & 2, viola, cello and contrabass.

Immortal coil / Paul Cram

Item is Paul Cram's concert score for clarinet, trumpet, harp, tenor, tape 1, 2, & 3, and drums. The score is marked as #1.

Immortal coil / by Paul Cram

  • MS-4-21, Box 15, Folder 2, Item 1
  • Item
  • [1990 or 1992]

    • Part of Paul Cram fonds

Item is Paul Cram's score for trumpet, clarinet, tenor sax, alto sax, harp/synthesizer, guitar, synthesizer and drums. The handwritten title page has copyright as 1990, but the first page of the score indicates copyright 1992.

Immortal coil / Paul Cram

  • MS-5-21, Box 15, Folder 2, Item 2
  • Item
  • [ca. 1990]

    • Part of Paul Cram fonds

Item is Paul Cram's undated score for reeds 1, 2 & 3, trumpet, trombone, cello, guitar, keyboard, bass and drums.

A life of crime / Paul Cram

Item is Paul Cram's undated score for reeds 1, 2 & 3, guitar, synthesizer, piano, cello, bass and drums.

The naked ear / Paul Cram

Item is Paul Cram's score for reeds 1 & 2, wx7, trumpet, guitar, harp, synth, drumscom (?), comp 1, 2 & 3.

Nature of the beast / Paul Cram

Item is Paul Cram's score in 7 parts for clarinet, trumpet, alto, tenor, trombone, baritone, bassoon, cello, timpani, guitar, piano, bass and drums.

Out of the ashes / Paul Cram

Item is Paul Cram's concert score for reed 1/flute & soprano sax, red 2/clarinet & tenor sax, reed 3/bass clarinet & clarinet, trumpet, synth 1, synth 2 & piano, drums. The cover page includes the [part?] titles: deep, island, trench, atlantic, north, dance, temple. burning, water, eruption, millenium, sinking, ruins, cleansing, plague dancing, party to the end, cool fire, cold heat, ritual mountains to cinders and ash.

Kafka's chair / Paul Cram

Item is Paul Cram's undated score for flute, clarinet, bass clarinet, trumpet, trombone, cello, guitar, piano and bass.
Results 2151 to 2200 of 2227