File contains letters and drawings in response to Budge Wilson's books "The Long Wait," "Cassandra's Driftwood," "Harold and Harold," "John Bertrand Nijinsky and Charlie," and "Going Bananas," written by students at Salem Elementary School.
File contains various drafts of Budge Wilson's book "The Christmas that Almost Wasn't," previously titled "The Christmas of the Big Blow." File includes copies of illustrations for the book.
File consists of students drawings, from Lunenburg Academy, Lunenburg, Nova Scotia, of Victor the boa constrictor, as represented in the poem Victor by Budge Wilson.
File consists of students drawings, from the Halifax Grammar School, Halifax, Nova Scotia, of Victor the boa constrictor, as represented in the poem Victor by Budge Wilson.
File consists of students drawings, from Sherwood Elementary School, of Victor the boa constrictor, as represented in the poem Victor by Budge Wilson. Includes a thank you note card from Sandi Reddin and a reply from Budge Wilson.
File consists of students drawings, from Mrs. Ward's Grade 4 class in Sackville, New Brunswick, of Victor the boa constrictor, as represented in the poem Victor by Budge Wilson. Includes a letter by Budge Wilson.
File consists of students drawings, from Bloomfield Elementary School, Bloomfield, Prince Edward Island, of Victor the boa constrictor, as represented in the poem Victor by Budge Wilson. Includes a letter from Lorne MacDougall.
File contains three drawings by Budge Wilson (one pencil sketch and two coloured drawings with textual excerpts from the story) that she created for her children's story "The Long Wait." The published version of the story is illustrated by Eugenie Fernandes.
File contains student artwork given to Budge Wilson from various presentations that she gave at elementary schools. The artwork includes thank you cards and drawings related to her books, including Mr. John Bertrand Nijinsky and Charlie," and "The Best/Worst Christmas Present Ever." The file also includes thank you letters from elementary school classes, including from the Lady Eaton School in Omemee, Ontario, and a class list for an unidentified class and school.
File contains student artwork given to Budge Wilson from various presentations that she gave at elementary schools. The artwork relates to her books, including "Manfred the Unmanageable Monster," the Lorinda Dauphinee book series, "The Long Wait," "Mystery Lights at Blue Harbour," "A House far from Home," and "The Worst Christmas Present Ever."
File contains thank you cards hand drawn and written by students, given to Budge Wilson on her school tours, including those from the Lady Eaton School in Omemee, Ontario.
File includes a list of main characters, a synopsis of each episode, correspondence between Kate Macdonald, Budge Wilson and Yasuhiko Matsuoka, and costume designs for the characters.
Subseries consists of drafts and proofs for Budge Wilson's children's book "A Fiddle for Angus," previously titled "A Fiddle for Luther" and "Luther's Fiddle." The subseries also contains four colour slides with illustrations by Susan Tooke.
Subseries consists of handwritten and typescript drafts for Budge Wilson's book "Cassandra's Driftwood," previously titled "Belinda's Driftwood." Subseries also contains drafts of drawings for the book's illustrations, by Terry Roscoe.
Subseries consists of handwritten and typescript drafts of Budge Wilson's children's book "Harold and Harold." Subseries also contains illustrations for the book by Terry Roscoe.
Subseries contains handwritten and typescript drafts of Budge Wilson's children's book "Mr. John Bertrand Nijinsky and Charlie." Subseries also contains a sketch of Mr. John Bertrand Nijinsky by Wilson, which was not used in the published version of the book.
Subseries consists of handwritten and typescript drafts of Budge Wilson's children's book "The Best/Worst Christmas Present Ever." The book was previously titled "The Gift." Subseries also contains a sketch for an illustration by Terry Roscoe.
Subseries consists of handwritten and typescript drafts of Budge Wilson's children's book "The Cat that Barked." Subseries also contains illustrations for the book by Terry Roscoe.
Subseries contains handwritten and typescript drafts of Budge Wilson's book "The Long Wait," previously titled "The Incredible Wait." Subseries includes Budge Wilson's ideas for illustrations for the book and a typescript of its French translation, "Une Incroyable Attente," translated by Florence Treadwell.
Fonds consists of manuscripts and proofs of Budge Wilson's books and short stories; correspondence with publishers, students, and teachers; publicity material; photocopies and clippings of reviews, profiles, and notices regarding awards and appearances; diaries; recorded radio interviews; and an assortment of other documents created and collected by the author throughout her writing career. The fonds also contains materials relating to the adaptation of Wilson's novel "Before Green Gables" into a Japanese animated television series.
Series contains materials created by Budge Wilson that not directly related to her career as an author. Files include Budge Wilson's diaries and calendars and materials relating to her job as a fitness instructor and photographer.
Series consists of research, manuscripts, and drafts of books and short story anthologies written by Budge Wilson. Series also contains some draft illustrations by Budge Wilson and artists with whom she collaborated, including Terry Roscoe, and signed, published copies of her books.
Item is a glass plate of a drawing of Rev. Thomas McCulloch, D.D. The drawing by Arthur Lismer itself is based on a painting of McCulloch by Daniel Munro. The drawing was commissioned and used for history books on Dalhousie University, like One hundred years of Dalhousie 1818-1918 (1920), and Daniel Cobb Harvey's, An introduction to the history of Dalhousie (1938).
Collection comprises newspaper articles, programmes, tickets and schedules from sporting events in Truro, Bridgewater, Wolfville and Lunenburg, Nova Scotia, during the 1940s and 1950s.
Item is a portrait of Lord Dalhousie copied from an earlier painting; the decorative border framing the drawing is partially rendered on paper and affixed to the illustration board. The drawing was commissioned for One Hundred Years of Dalhousie, 1818–1918 (1920), and reproduced in D.C. Harvey, An Introduction to the History of Dalhousie University (1938).
Fonds comprises Alan Andrew's personal and professional correspondence; reports; newsletters; journals; conference notes; committee minutes and budgets; theatre scripts and production records including costume sketches and photographs.
File contains sketches of various persons and scenes, including Joan rehearsing "La Sagouine," "Purcell's Cove Social Club, 1960s," "Extinct Species, Fisherman 1960s," "Do you know Anyone who Wants A Man?" "Musicians," "Instruments," "Masks," and three sketches of unidentified persons. File also contains a copy of the sketch "Juno & the Paycock" and a photograph of the "Masks" exhibition attached to the sketch.
