Showing 13 results

Archival Description
Centre for Art Tapes tape collection Filmed performances
Print preview View:

Video compilation

Item consists of five video works : Debert Debunkers: By Invitation Only, 1984-85 by Liz MacDougall (2min., 10sec.); John Turner Goes to Hollywood, April 27th, 1985, by Doug Barron (4 min., 8 sec.); Monoltage, by Mark Clifford (6 min.,18 sec.); Vernacular Designs, Laura MacDonald and Paula Fairfield, (3 min., 20 sec.); Performance from the Arts and Culture Assembly, January 27th, 1985, Cathy Quinn (3 min., 31 sec.).

MacDougall, Liz

Cabaret up front

Item is a video work created in 1984 of a night performance at Dartmouth’s Treasure Cove Lounge. Camera by Liz MacDougall, sound David Barteaux and editing by Dan Lander. Documented with a single shot, not always the most ideal conditions, and roughlyedited, the overall look of the event is nonetheless quite good.

MacDougall, Liz

Dub poets : Clifton Joseph

Item is a video of performance recorded by Centre for Art Tapes of Clifton Joseph member of the group Dub Poets, backed by members of Halifax thriving reggae and rasta community.

Joseph, Clifton

Cabaret up front

Item is a video work created in 1984 of a night performance at Dartmouth’s Treasure Cove Lounge. Camera by Liz MacDougall, sound David Barteaux and editing by Dan Lander. Documented with a single shot, not always the most ideal conditions, and roughly edited, the overall look of the event is nonetheless quite good.

Lander, Dan

Coming out strong

Item is a video work created by Dawna Proudman, Rozanne LePine, Tradewinds Film Co-op (Ottawa) in 1982. The Centre for Art Tapes screened the work as part of International Women's Week programming in 1982. The video documents the production of a play which is a socially conscious study of black immigrant women working in domestic situations. The director and producer teach these non-actors how to emote, react, etc. There are also brief clips of the actual play.

Proudman, Dawna

Walls performance

Item is a video work created by Sherry Lee Hunter and Syliva Lee Saunders of a performance in 1981. The Centre for Art Tapes held the performance in 1981.

Saunders, Sylvia Lee

Operating room scrub

Item is a Betacam SP videocassette created by Theodore Wan as part of installation at the Victoria General Hospital called Sculpture: Calling attention to a space. It was edited from Operating room scrub by Dalhousie University surgery department.

Wan, Theodore, 1953-1987

Operating room scrub

Item is a video work of a filmed performance by Theodore Wan called Operating room scrub, an installation by Victoria General Hospital called Sculpture: Calling attention to a space. It was edited from Operating room scrub by Dalhousie University surgery department. Case also contains postcard for installation as well as a note about the installation.

Wan, Theodore, 1953-1987

Past future split attention, Performer audience sequence

Item is a Betacam SP videocassette that contains two video works created by Dan Graham in 1976 : Past future split attention (17 min., 25 sec.) and Performer / audience / sequence (45 min. 11 sec.). The first work was performed in London's Lisson Gallery in March 1972. The performance is a project of restructuring space and time, where two people are in the same space, and while one predicts the other person's behaviour, the other recalls the other person's past behaviour. The second work was performed at Artist's Space, New York in January 1976. In this performance, Graham stands in front of a mirror, facing the audience, and tells the audience his movements and their meanings. Videocassette was dubbed from a U-matic sub-master to Betacam SP by the Canadian Broadcasting Corporation. Centre for Art Tapes screened the work in 1979.

Graham, Dan, 1942-

Past future split attention, Performer audience sequence

Item is a U-matic videocassette that contains two video works created by Dan Graham in 1976 : Past future split attention (17 min., 25 sec.) and Performer / audience / sequence (45 min. 11 sec.). The first work was performed in London's Lisson Gallery in March 1972. The performance is a project of restructuring space and time, where two people are in the same space, and while one predicts the other person's behaviour, the other recalls the other person's past behaviour. The second work was performed at Artist's Space, New York in January 1976. In this performance, Graham stands in front of a mirror, facing the audience, and tells the audience his movements and their meanings. Videocassette was dubbed to Betacam SP by the Canadian Broadcasting Corporation. Videocassettes are accompanied by four pages explaining the video works. Centre for Art Tapes screened the work in 1979.

Graham, Dan, 1942-