File contains five annotated copies of Naylor's score for 11 instrumental parts. Each part includes melodic guidance for improvisation and performers are instructed to switch between parts freely.
Item is a conductor's score for "Pluckstück," a concert work composed by Paul Cram for Upstream Orchestra. The piece debuted at Saint Mary's University on November 18, 1990 and was registered with SoCan in December 1990.
Item is a copy of Sandy Moore's "Aikata," written for any combination of instruments for an indefinite length of time. The composition is based on 11 cluster chords and 11 melodic tone rows, which can be performed in retrograde, inversion, or retroinversion. The 11 chords are taken from the given chords for the Sho, a Japanese mouth organ.
Item is a copy of Naylor's composition for flute, saxophone, clarinet, bass clarinet, vibraphone, electric guitar, piano, and percussion. The composition is dedicated to Earle Hagen
Item is the 1989 conductor's score for "Beyond Benghazi" by Paul Cram, for clarinet; trumpet; alto sax; tenor sax; trombone; baritone; bassoon; cello, timpani; guitar; piano x 2; bass; and drums. The title page contains handwritten musical directions.
Item is a conductor's score for "Immortal Coil," a concert work composed by Paul Cram for Upstream Ensemble in 1990. The piece has a playing time of 15 minutes. The score includes a title page and an instrumentation list, which includes trumpet, clarinet, tenor saxophone, alto saxophone, harp or synthesizer, guitar, synthesizer, and drums.
Item is an annotated conductor's score for "Immortal Coil," a concert work composed by Paul Cram for Upstream Ensemble in 1990. The piece has a playing time of 15 minutes. Instrumentation includes alto saxophone, clarinet, trumpet, harp, tenor saxophone, synthesizer one, synthesizer two, guitar, and drums.
Item is an annotated conductor's score for "Immortal Coil," a concert work composed by Paul Cram for Upstream Ensemble in 1990. The score contains annotations in pen and pencil. Instrumentation includes alto saxophone, clarinet, trumpet, harp, tenor saxophone, synthesizer one, synthesizer two, guitar, and drums.
File contains two copies of the score for Sandy Moore's composition "Broken Chains" for flute, alto flute, alto saxophone, percussion, harp, piano, and hand clapping.
Item is a conductor's score for "The Naked Ear," a concert work composed by Paul Cram in 1991 for Upstream Ensemble, which debuted at Saint Mary's University in Halifax, Nova Scotia, on November 24, 1991.
File contains correspondence, brochures, scores and photographs related to Stephen Pedersen's series of musical events at the Nova Scotia Art Gallery in connection with the exhibition, "Mozart's World."
File contains an eight-page annotated guitar part and a four-page annotated tenor part for Paul Cram's "Revolutions." There is also one page of graphic notation for insertion at bar 211.
Item is Paul Cram's score for trumpet, clarinet, tenor sax, alto sax, harp/synthesizer, guitar, synthesizer and drums. The handwritten title page has copyright as 1990, but the first page of the score indicates copyright 1992.
Item is a copy of Alasdair MacLean's String Quartet No. 2, which was commissioned by the Canadian Broadcasting Corporation (CBC) Radio Halifax for the Saint John String Quartet.
File contains parts for Paul Cram's "Xanadu Calling," including: soloist; tenor/clarinet; bass clarinet; alto sax/flute; trumpet; drums; guitar; piano/synth bass; and synth/harp. The score is written in a combination of traditional musical and graphic notation.
Item is a concert score for Paul Cram's Hall of Mirrors for koto, shakuhachi, soprano sax, tenor sax, bass clarinet, synthesizer/Irish harp, synthesizer/piano, and percussion. Koto tuning: C F G C# D E G# A B D# F# A# C.
Item is Paul Cram's score for trumpet, alto sax/flute, tenor sax/clarinet, bass clarinet, guitar, synthesizer/harp, piano/synthesizer, drums, and soloist.
File contains nine annotated copies of "Silent Movies," a composition by Paul Cram in two parts written at concert pitch. The reverse side of one of the copies includes a set list for "Talk Show," which was part of the 1997 Open Waters Festival.
File contains parts for "Revolutions," a concert work composed by Paul Cram for the Upstream Ensemble in 1992. Parts include trombone, drums, alto saxophone (reed one), tenor saxophone (reed two), bass clarinet (reed three), trumpet, cello, guitar, piano, and bass.
Item is two excerpted pages from Barry Guy's score for the "Bird Gong Game," the first page with performance instructions and the first of four sections of the score. The score uses both common music notation and graphic notation. It was written for the Scottish artist and musician, Alan Davie, and based on Davie's painting Bird Gong No. 12. The score is written at concert pitch.
Item is a music notebook dedicated "To Paul, With love from Marilyn, Dec 25, 1980." The notebook contains "The Game" — a four-part score with movements numbered I-XVI —; the concert part for "Stitches"; and a few untitled pages of notation.
File contains an annotated facsimile handwritten score for Paul Cram's "Pendulum," written for flute, clarinet, bass and drums, written in 1985 and revised in 1993. There is also an undated, original handwritten composition titled "Dromedaries."
