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Archival Description
Dalhousie University Archives Robert Doyle fonds With digital objects
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Costume design for Le Grue

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Le Grue. The sketch shows one male figure wearing the costume and holding a staff.

Costume design for Sonnerie

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Sonnerie. The sketch shows one figure wearing the costume.

Costume design for Father Toulon and Archbishop Monselet

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for two characters named Father Toulon and Archbishop Monselet. The sketch shows two male figures wearing the costumes.

Costume design for Camille and Marie

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for two whores or courtesans named Camille and Marie. The sketch shows two female figures wearing the costumes.

Costume design for Bigod

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Bigod. The sketch shows one figure wearing the costume.

Costume design for Boutros Brother #2

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for one of the Boutros Brothers, who is missing his right leg. The sketch shows one figure wearing the costume and leaning on a crutch.

Costume design for the Pope Clement VI

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Pope Clement VI. The sketch shows one figure wearing the costume and holding a scepter.

Costume design for Scarron and Druce

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for two characters named Scarron and Druce, the Raven Corpse Bearers (Bekrers?). The sketch shows two figures wearing the costumes and holding crooks.

Costume design for Sir Charles Rochefort

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Sir Charles Rochefort. The sketch shows one male figure wearing the costume and holding a sword.

Costume design for three lepers

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for three lepers. The sketch shows three figures wearing the costumes, two standing and one kneeling.

Costume design for various townspeople

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for three townspeople. The sketch shows two male figures and one female figure wearing the costumes. One of the male figures is mooning the audience.

Costume design for Viennet

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Viennet, a lawyer plague victim. The sketch shows one male figure wearing the costume.

Costume design for the Flotes

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for characters called the Flotes. The sketch shows three figures wearing the costumes. One of the figures is playing a horn and another is sitting on the ground.

Costume design for Lefranc and Pellico

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are for two characters named Lefranc and Pellico. The sketch shows two male figures standing behind a cart full of gold.

Costume design for Marguerite Delair

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for a character named Marguerite Delair. The sketch shows one female figure wearing the costume.

Costume design for Dr. Antrechau

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costumes are Dr. Antrechau, a quack doctor, as well as Cistercian monks, Flote, and his friends. The sketch shows a male figure wearing one of the costumes and standing with his hand on his head beside three figures wearing monk costumes.

Costume design for Boutros Brother #1

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for one of the Boutros Brothers, who is missing his left leg. The sketch shows one figure wearing the costume and leaning on a crutch.

Costume design for Flagelants and Grez

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1995 production of Red Noses. The costume is for characters called the flagelants and another character called Grez. The sketch shows Grez looking on while two flagelants flagellate themselves.

Costume design for Don Armado

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Don Armado and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Holofernes and Sister Nathaniel

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for Holofernes and Sister Nathaniel and the sketch shows two female figures wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for 2 and 4 "Muscovites"

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for two Muscovites and the sketch shows two figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Princess of France

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the Princess of France and the sketch shows one figure wearing the costume. There are also notes about three ladies in waiting on the sketch. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Jaquenetta

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Jaquenetta and the sketch shows one figure wearing the costume.

Costume design for Costard the Clown

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Costard the Clown and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for a scholar

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a scholar and the sketch shows one figure wearing the costume.

Costume design for Jaquenetta

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Jaquenetta and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for King of Navarre

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the King of Navarre and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Ladies in Waiting

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for three ladies in waiting and the sketch shows three figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Boyet

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Boyet and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for the Forester

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for the Forester and the sketch shows one figure wearing the costume. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Mercade

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for Mercade and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Dull, a constable

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a constable named Dull and the sketch shows one figure wearing the costume and holding an umbrella. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Dumaine, Longanville, Berowne

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for Dumaine, Loganvialle, and Berowne and the sketch shows three figures wearing the costumes. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Princess of France

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costumes are for princesses named Rosaline, Katherine, and Maria and the sketch shows three figures wearing the costumes. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Moth, a page to Don Armado

Item is a watercolour sketch of a costume design for Dalhousie Theatre's 1996 production of Love's Labour's Lost. The costume is for a page named Moth and the sketch shows one figure wearing the costume. There are fabric swatches taped to the sketch. The sketch is covered by a sheet of clear plastic which is attached to the sketch on all four sides with masking tape.

Costume design for Belville

Item is a watercolour sketch of a costume design for Brock University's production of The Rover. The costume is for a character named Belville who is a soldier.

Production poster for The Rover

File contains two copies of a production poster for Brock University's production of The Rover.

Dalhousie University. Faculty of Arts and Social Sciences. Department of Theatre

Costume design for Afro Funk circus performers

Item is a watercolour sketch of a costume design for "Democracy 250," the pre-show for the 2008 Nova Scotia Royal International Military Tattoo. The costumes are for six circus performers. The sketch shows three figures wearing the costumes.

Costume design for Servants : Act 1

Item is a watercolour sketch of costume designs for Ballet Jorgen's production of Swan Lake. The costumes are for servants who appear in act one. The sketch shows two female figures and one male figure wearing the costumes. There are fabric swatches stapled to the sketch.

Mask diagram

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The sketch is a diagram showing how the mask for Mr. Lin To, a carpenter, is constructed.

Costume design for a policeman

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for a policeman and the sketch shows one male figure wearing the costume.

Costume design for Mrs. Shin

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The costume is for Mrs. Shin and the sketch shows one female figure wearing the costume.

Costume design for Yang Sun's mask

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The sketch shows how Yang Sun's mask is constructed.

Diagram of masks

Item is a pencil sketch of a costume design for Dalhousie Theatre's production of The Good Woman of Setzuan (also known as The Good Person of Setzuan). The sketch shows show the masks are constructed for secondary characters.

Design for scene 5: "My Shu Fu's thoughts in front of shop" and scene 6: "Balloon caption"

Item is a marker sketch of a design for Dalhousie Theatre's production of the Good Woman of Setzuan. The left side of the sketch is for scene 6 and shows an empty thought bubble. The right side of the sketch is for scene 5 and also shows an empty thought bubble. The left side of the sketch is folded underneath the rest of the sketch.

Design for bound woman

Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The sketch shows a female figure tied to a chair with a gag in her mouth.

Design for "Mmmm!!!"

Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The sketch shows a female figure leaning on a table with a hole in her body while a male figure eats her heart. Another female figure sits at the table and there is a light hanging over them. There is a speech bubble coming from the male figure which says "Mmmm!!! A good heart is a terrible thing to taste!!!"

Design for scene 8 : Tobacco factory

Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The design is for scene 8 and the sketch shows the inside of a tobacco factory, with a conveyor belt and other machinery.

Design for scene 9 : Office, Shui Ta's

Item is a pen and marker sketch of a set design for Dalhousie Theatre's production of the Good Woman of Setzuan. The design is for scene 9, in Shui Ta's office. The scene is mostly blank except for a framed portrait hanging on a wall.
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